13 October
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The Next Big Idea From Twitter’s Founders? Pinterest, Basically

Evan Williams and Biz Stone think their new site, Medium, could mark an “evolutionary step” in web publishing. It’s a lofty aim. And if the two weren’t responsible for Twitter (and Blogger before that), we probably wouldn’t have much faith in them. But their new venture, a platform for collecting and displaying stories, images, musings and more, isn’t just noteworthy for its web-visionary pedigree. It’s got something else going for it. It looks just like Pinterest.

In a sense, Medium’s intended to be a Pinterest for our own lives, an elegant repository for photos, projects, and stories we’ve actually lived, as opposed to a re-blogged clearing house for pictures of wedding dresses and eggs baked into avocados found elsewhere around the web. Here’s how Medium works: a user posts an item and assigns it to a collection. Collections are presented as a series of tiles laid out in a clean grid. Some sample collections already live on the site include When I Was a Kid, a series of childhood images, and This Happened To Me, a collection of amusing, inspiring, or unlikely real world anecdotes. Readers can peruse other people’s posts, note that they thought a particular item was cool and leave a comment, or, if the collection is open to the public, add their own content to the page. The most popular tiles get prominent placement up top. Basically, Medium combines the noncommittal ease of posting to Facebook or Tumblr with the strange allure of Pinterest’s tile-based layout.

The Pinterest-style grid forces the eye to zig-zag through content, slowing down your scrolling.

OK, maybe the allure isn’t so strange. After a decade and change of wearing out our scroll wheels on vertically-oriented blogs, Pinterest arrived as something strikingly different. Unlike those earlier blogs which put every new post above the last and encouraged readers to flick through at top-speed, the Pinterest-style grid forces the eye to zig-zag through content, slowing down your scrolling but packing more images onto the screen at any given point. David Galbraith, the web giant who co-created RSS and Yelp, wrote recently for Giga OM about his experience developing Wists, a grid-style visual bookmarking site that predated Pinterest. Comparing the grid-style layout with the traditional “river of news” model, he writes, “they look pretty, but require scanning in two directions. This is not good for news, where you need to understand the timeline at a glance. However, for scanning thumbnails, a grid is particularly efficient.”

The inherent inefficiency of tiles might seem like a failing. But then again, consider that the very easy of whizzing past so much content using a vertical scroll is a problem in itself: It doesn’t lend itself to lingering a while. It doesn’t lend itself to emotional heft, but rather transactional speed. By contrast, the tile-based layout urges the user to consider objects as a group instead of discrete items. For Medium, this may be just the point: the tightly-packed tiles serve to visually reinforce the idea that these photos and stories are part of a collection. If you’re flicking through a blog, a 200 word story titled “Beat-boxing saves lives” probably wouldn’t grab your attention. But when it’s a tile in a collection headed “This Happened To Me,” you automatically have a context that makes it a bit more compelling.

There’s also something about the grid and tiles, on a visceral level, that just feels more cohesive and still lively. Where the standard river of news-style blog post comes with all the traditional blog trappings–headlines, timestamps, bylines and the rest–grids put all the focus on the content. It’s equal parts organized and overwhelming. There’s so much visual stuff on your screen, you can’t help but feel like someone has designed the experience for you. The tiles impart a sense of curation–and thus, human emotion–to the content.

The tiles impart a sense of curation–and thus, human emotion–to the content.

If you need further evidence of the Pinterest-ization of the web, look no further than Facebook. While the News Feed is still a pure river of news experience, Facebook’s much-ballyhooed Timeline profiles are distinctly more tiled in appearance, even though they’re still organized reverse-chronologically. On Facebook’s newly redesigned photo pages, the Pinterest influence is even more apparent. The thumbnails are bigger, the borders between them are smaller, and options for liking or commenting materialize on top of the tiles as you float your cursor above them, just like they do on Pinterest.

Medium’s vision of the web’s tiled future may be right on the mark, and as readers continue to migrate from mouse-bound desktops to trackpads and touch screens, the informationally-dense experience offered by the tile format–one predicated on scanning as much as scrolling–will likely continue to thrive. Still, there are times when the tried-and-true river just makes more sense. Take a look at Medium’s own About page, and you get the idea that tiles can actually end up obscuring content, especially when it comes to text. Scanning may be easier than scrolling, but scrolling’s still easier than scanning and clicking, and that extra click is necessary any time you want to jump from a short text preview to a full story or blog post.

It’s no small irony that Medium, a bold step into a tiled future, is being made by Williams and Stone, along with former Twitter product lead Jason Goldman. Twitter took the river of news concept and turned into something like a fire hose: all the content, all the time, with very little curation outside of who you chose to follow. The emerging popularity of tile-based layouts could even be seen as a response the breakneck speed and Sisyphean scrolling engendered by the Twitter timeline.

Currently, anyone with a Twitter account can login to Medium to browse collections, though posting is currently limited to a small group of test users. Whether it will achieve the popularity of Twitter or Pinterest remains to be seen. But at the very least, it’ll be a beautiful way to look at everyone’s Instagram photos.

Via FastCoDesign: http://www.fastcodesign.com/

13 May
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Astonishing Tribal Portraiture, Taken Using Western Eyes

Namsa Leuba is a young photographer who grew up in Switzerland with a European father and a Guinean mother. As a student, she studied the rituals and cosmology of her mother’s native country, and received a grant to visit Guinea-Conakry in her final year at the University of Art and Design Lausanne. In early 2011, Leuba spent three months living and working in a village that had been founded by her great-grandfather. Ya Kala Ben is the award-winning thesis Leuba shot during those months.

Leuba says that her fieldwork was a chance for her to discover her origins, and she knew she wanted to explore the traditional spirituality of Guinean tribes. In Guinea, Islam is the majority religion followed by Christianity. But like many cultures where mass conversion has taken place, devotion to an earlier religion is still common, and 7% of the population practices the traditional Guinean animist faith.

In Guinean cosmology, says Leuba, ritual statuettes are used symbolically to represent “modesty, luck, fecundity or a channel for exorcism.” The statuettes are typically used in ceremonies to represent the yearnings of the worshippers–they are “not the gods of this community,” she writes, “but their prayers.”

Working with members of her mother’s community, Leuba staged portraits where humans play the parts of the traditional statuettes. She asked her subjects to dress in complicated garments representing the ritual tools. According to Leuba, this was interpreted as a fairly sacrilegious act: “I had to deal with sometimes violent reactions… While some were afraid and were struck with astonishment.”

There’s (obviously) a complicated colonial subtext to Ya Kala Ben. European depictions of African identity have ranged from the British exploitation of Sara Baartman to artist Phyllis Galembo’s recent tribal portraiture. As a Westerner photographing tribal community members dressed in garb based on ritual tools, Leuba plays a game of cultural telephone. “When we look at my pictures,” Leuba recently told Andrea Diaz, “it makes us think of statuettes and we look at the statuettes, we think of a human figure.” In this way, Leuba’s photos are a visual ethnography. By reimagining the ritual artifacts and capturing them in images, she’s documenting her own biases.

“I brought them in a framework meant for Western aesthetic choices and tastes,” says Leuba. “The photographic eye makes them speak differently.”

Via FastCoDesign: http://www.fastcodesign.com/

07 April
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Google Maps Brings Traffic Back

Last summer, Google Maps nixed the estimated arrival time when searching for directions. The reason for the removal was due to the fallibility of historic traffic data, which would occasionally result in erroneous estimates and generally lacked the level of accuracy Google was after. That all changes this week with the addition of both live traffic and the incorporation of more refined historical data, along with the inclusion of traffic on surface streets – not just freeways – into Maps.

The new and improved traffic data and drive time estimates are only available in select cities for the time being (New York, San Francisco and London, among others), and users can get tabs on local congestion by selecting the Traffic option in the upper right-hand menu and then selecting either “Live traffic” or “Traffic at day and time” in the bottom left-hand corner.

Drive times are now displayed in line with the turn-by-turn directions, allowing you to choose between taking your car, public transportation or walking, depending on the conditions.

Google is pulling traffic data from the traditional sources (everything from cameras to news helicopters), but the really real-time data is coming from Android users who’ve switched on the My Location feature in the Google Maps app. Mildly creepy, but it’s for a good cause…

Via Wired Autopia: http://www.wired.com/autopia/

26 February
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The 10 Most Popular Stories Of The Week

This week’s stories ranged from superficial networking tips, to innovative “sock” weaves used in designing Nike’s newest shoes, to a powerful short film on how the proliferation of tech in cities will make city life more efficient and sustainable in the near future. Catch up on the most popular stories below.

balloons

1. How The Happiest People In The World Spend Their Money
By Cali Williams Yost

Cali Williams presents the case for thinking outside of traditional norms relating to big purchases, saving for retirement, and achieving the “American Dream.”

 

Solar System

2. The Unexpected Way To Use Your Social Network Strategically
By Don Peppers

Don Peppers discusses the value in maintaining friendships with people who aren’t really your friends.

 

Man Blindfolded

3. Culture Vs. Strategy Is A False Choice
By Bob Frisch

Bob Frisch argues that a marriage of strategy and culture are required for a business to succeed.

 

Facebook

4. Facebook’s New, Entirely Social Ads Will Recreate Marketing
By E.B. Boyd

E.B. Boyd analyzes Facebook’s new social advertising campaign, and discusses how Facebook can leverage its data to properly target intended audiences.

 

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5. Should You Send That Email? Here’s A Flowchart For Deciding
By Tim Maly

Tim Maly will have you thinking twice about clicking SEND.

 

Nike Shoe

6. Nike Unveils Its Big New Paradigm: Shoes Knit Like Socks
By Anthonia Akitunde

Ever dreamed about taking a stroll in your nice, comfy socks? Nike has answered your prayers.

 

Tarot Card

7. 3 Ways To Predict What Consumers Want Before They Know It
By Scott Anthony

Scott Anthony makes a compelling case on the importance of market research and knowing your customer.

 

Thumb Drive

8. Paul Graham: Why Y Combinator Replaces The Traditional Corporation
By Austin Carr

Austin Carr discusses why startups are king and how Y Combinator mitigates the traditional drawbacks of starting your own company.

 

Thumb Drive

9. How To Keep TV Real The Anthony Bourdain Way
By Zach Dionne

Anthony Bourdain keeps TV real by keeping it real himself. (But what happens when keeping it real goes wrong?).

 

City

10. Watch A Fascinating Short Film On How Cities Will Drive Global Change
By Morgan Clendaniel

A must-watch video that covers urbanite mindsets, new technologies, and innovations that will help cities become more sustainable.

 

Catch up on other stories and never miss a beat by signing up for Fast Company daily and weekly newsletters.

Read more selections from our Weekly 10 series.

Via Fast Company: http://www.fastcompany.com

09 February
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Now The Handcrafted, DIY Movement Has Its Own Video Production House

Have you heard? Advertising isn’t about … y’know, advertising anymore–it’s about telling stories, man. Keith “Keef” Ehrlich, a director and producer who’s done plenty of time in the advertising trenches, has heard it, too. “I spent years doing traditional ads, always hearing that word ‘content‘ thrown around a lot. But it never seemed to apply to the filmmaking part,” he tells Co.Design. “Whatever they’re calling it, ad agencies aren’t making content. They’re making work to win awards. It’s not the same thing.”

Ehrlich was interested in making content and telling stories. So in his spare time, he started making a series of online documentaries called “Made By Hand,” focusing on creative people making honest-to-god stuff with their own two hands. Then he started getting inquiries from brands and companies asking him to do the same thing, but for them. Soon, The Bureau of Common Goods–Ehrlich’s new production company–was born.

“These clients usually aren’t asking me for ads or spots,” Ehrlich says. That’s not to say he’s opposed to making those–the Bureau’s first piece of work, above, is unapologetically labeled a “promo.” The difference, says Ehrlich, is that’s the exception, not the rule. “They want content. I’m working with a client right now who approached me and said, ‘Make us a film.’ And then kept saying, ‘No, really. We actually want a film. We’re not just saying that.’”

It helps that the Bureau’s current clientele is mostly smaller startups and brands who “can’t afford to talk to a Radical Media, or don’t even know they exist,” Ehrlich says. “What they do know is that whether they’re making baseball bats or iPhone apps, they want to tell a story that engages people. That’s content, not advertising. That’s what Made By Hand was all about, and that’s what the Bureau lets me do by working with these kinds of clients directly. We can get to know each other, become partners, create the film together. It’s not just about executing a brief.”

Sidestepping the traditional ad world is also a way, Ehrlich says, to take back control of his creative career. “Advertising is extremely competitive, there’s a ton of talent in the pool. It’s very hard to develop your work,” he says. “I kind of decided that I was tired of waiting for other people to help me out. With the Bureau, I can be the agency, the producer, the creative director, and the filmmaker. I felt it might give me the ability to do better work–less compromised. And maybe a better way of working, too.”

 

The first “Made By Hand” film

That said, Ehrlich isn’t planning on dropping his agent anytime soon. “Look, if GE wants me to direct a spot, that’s great. I’m not turning my back on that,” he says. Rather, he sees his work through the Bureau as a way of growing his creative career more sustainably. Call it “middle class media-making.” “I just want to do what I do well,” he says. “It’s not enough to just be a creative person. You have to be an entrepreneur as well. That puts you in charge.” But like many of the clients he partners with, Ehrlich doesn’t want to grow his company into a behemoth. Like the artisanal knife-maker whose story helped launch the Bureau’s business model, Ehrlich would rather keep things at a scale that lets him create his work by hand.

Read more about The Bureau of Common Goods.

Via Fast Co Design: http://www.fastcodesign.com

21 January
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How To Reach And Influence The Connected Consumer

In 2011, the digital landscape underwent a significant shift that will have profound effects on business in 2012.

The challenge is that hardly any business leaders noticed. That’s not their fault, however.

Although the impact of technology on business and consumer behavior was widely reported, in-depth reports on what to do next or how this will affect their business specifically were scant at best.

What the social media gurus aren’t telling you is that the landscape for business isn’t changing because of social media, it’s changing because consumer expectations are evolving.

Your customers are empowered through technology where social media becomes only part of the disruption.

Your job in 2012 is to not embrace new technology with arms wide open, but instead understand it and learn which disruptive technologies separate you from existing and potential customers.

What’s unique about “connected” consumers is that they find and share information differently than their more traditional counterparts. They make decisions differently than the everyday consumers you’re used to engaging as well.

But keep in mind, the connected do not displace your traditional customer, they simply expand your opportunity to grow your business.

How you’re marketing, selling, and servicing customers today is largely missing this new breed of consumer, and thus limiting your overall opportunity for growth.

To reach the connected consumer, you must first walk in their footsteps. It takes research, not guesswork. It takes understanding, not skepticism. And it takes a dedicated, not generic or approximated, approach.

Why? Because while your traditional consumer relies on tangible media such as TV, radio, newspapers, direct mail, email, Google search or static websites, the connected consumer is not blindly seeking information, they are reliant on the right information finding them, in the right places.

For example, your new prospective customer lives on their smartphones and tablets. They network with friends, family and the businesses they support in mobile and social networks.

They check in to locations to signal to people nearby that they’re in the neighborhood and to alert businesses that they’re ready to interact live.

Consumers install apps to better make decisions and to broadcast those decisions to their social networks.

What’s more, they research products and services based on the experiences of their peers in real-time, and in turn, share their experiences with everyone else to shape and steer the experiences of others.

In doing so they expand the idea of “audiences” to something far more efficient and expansive — an audience with an audience of audiences.

While it seems foreign or dismissible to those who are not actively embracing or even dependent on disruptive technology, connected consumers are only growing in size, magnitude and influence. Ignoring them is a step toward digital Darwinism.

Today, no company is too big to fail or too small to succeed. Simply knowing your customer is one thing. But, understanding how they make decisions and participating in that process influences behavior while building meaningful relationships.

Reprinted with permission from BrianSolis.com

Brian Solis is the author of Engage and is one of most provocative thought leaders and published authors in new media. A digital analyst, sociologist, and futurist, Solis’s research and ideas have influenced the effects of emerging media on the convergence of marketing, communications, and publishing. Follow him on Twitter @BrianSolis, YouTube, or at BrianSolis.com.

Image: Flickr user whologwhy

Via Fast Company: http://www.fastcompany.com

20 January
0Comments

Digital Trends: Strategies for Reaching and Influencing Connected Consumers

In 2011, the digital landscape underwent a significant shift that will have profound effects on business in 2012.

The challenge is that hardly any business leaders noticed. That’s not their fault however.

Although the impact of technology on business and consumer behavior was widely reported, in-depth reports on what to do next or how this will affect their business specifically were scant at best.

What the social media gurus aren’t telling you is that the landscape for business isn’t changing because of social media, it’s changing because consumer expectations are evolving.

Your customers are empowered through technology where social media becomes only part of the disruption.

Your job in 2012 is to not embrace new technology with arms wide open, but instead understand it and learn which disruptive technologies separate you from existing and potential customers.

What’s unique about “connected” consumers is that they find and share information differently than their more traditional counterparts. They make decisions differently than the everyday consumers you’re used to engaging as well.

But keep in mind, the connected do not displace your traditional customer, they simply expand your opportunity to grow your business.

How you’re marketing, selling, and servicing customers today is largely missing this new breed of consumer, and thus limiting your overall opportunity for growth.

To reach the connected consumer, you must first walk in their footsteps. It takes research, not guesswork. It takes understanding, not skepticism. And it takes a dedicated, not generic or approximated, approach.

Why? Because while your traditional consumer relies on tangible media such as TV, radio, newspapers, direct mail, email, Google search or static websites, the connected consumer is not blindly seeking information, they are reliant on the right information finding them, in the right places.

For example, your new prospective customer lives on their smartphones and tablets. They network with friends, family and the businesses they support in mobile and social networks.

They check in to locations to signal to people nearby that they’re in the neighborhood and to alert businesses that they’re ready to interact live.

Consumers install apps to better make decisions and to broadcast those decisions to their social networks.

What’s more, they research products and services based on the experiences of their peers in real-time, and in turn, share their experiences with everyone else to shape and steer the experiences of others.

In doing so they expand the idea of “audiences” to something far more efficient and expansive — an audience with an audience of audiences.

While it seems foreign or dismissible to those who are not actively embracing or even dependent on disruptive technology, connected consumers are only growing in size, magnitude and influence. Ignoring them is a step toward digital Darwinism.

Today, no company is too big to fail or too small to succeed. Simply knowing your customer is one thing. But, understanding how they make decisions and participating in that process influences behavior while building meaningful relationships.

Image credit: Shutterstock

Originally published on Monster.com

Via Brian Solis: http://www.briansolis.com

29 October
0Comments

Kobo Vox, Social-Reading Android Competitor to the Kindle Fire PICS

Kobo Vox, a competitor to the Amazon Kindle Fire, will go on sale Friday. We got our hands on the seven-inch ereader tablet, and here are our first impressions.

LIke the Kindle Fire, the Kobo Vox will retail for a relatively low price of $199 and does not come with 3G, a camera or an external microphone.

But Vox’s approach to the affordable tablet — which costs $300 less than the cheapest iPad 2 — differs from Amazon’s in that it sticks closer to the traditional tablet script.

Vox runs Android. And it looks like it runs Android. While the Kindle Fire’s Android interface looks like a bookshelf, Vox’s has the familiar app-icon layout. The home screen highlights books that have been read most recently, but when you swipe to other screens you might confuse Vox with any other Android tablet.

Borders-backed Kobo doesn’t vend non-book content like Amazon does, so the apps that come loaded on the device to provide media such as periodicals and music are from third parties. Newsstand apps Zinio and PressReader provide access to newspapers and magazines. Rdio provides the tunes.

In regard to hardware, Vox has three distinctions among other tablets: It is slightly lighter than most (14.2 ounces vs. Kindle Fire’s 14.6), allows you to add digital storage with an SD card, and its screen uses a different type of anti-reflective tech. While most screens have an anti-reflective coating, says Welch, Vox’s screen has anti-reflective properties baked in. It’s the same material used for screens in airplane cockpits, and it should make the device easier to read outdoors.

But, as usual, Kobo’s biggest departures from other ereading devices are in its software. One of these departures is that Kobo allows readers to take their content away from Kobo readers and apps.

“When you buy your first Kindle, you are marrying Jeff Bezos,” says Kobo General Manager Matt Welch.

The other departure has been a focus on social reading. In December 2010, Kobo became the first major ebook vendor to introduce a social reading app, Reading Life. The app adds statistics and badges to ebooks. On Vox, Kobo takes the “social reading” concept a step further with a product it announced at F8 called Pulse.

While Reading Life’s social features were largely contained within a separate dashboard of the Kobo app, Kobo Pulse inserts them right into books’ pages.

On each page of an ebook, there’s a button (“a pulse”) that glows stronger when there is a lot of social activity on the page. Tapping it pulls up a bar that shows how many of Kobo’s 5 million users are reading and discussing the book, how many have liked it, and how many comments the page has. Dragging it upward pulls up a dashboard that keeps track of the conversation happening throughout the book, displays reader reviews and recommends new books.

The feature will soon be available as part of the Kobo apps on iPhone and iPad. As far as I can tell, the Kobo Vox‘s biggest feat — and if it isn’t planning to get into the business of selling other types of media, Kobo’s motive behind it — is to make its social reading features accessible on a tablet device that is more affordable than an iPad.

Via Mashable: http://www.mashable.com

28 September
0Comments

Yes, Jaguar’s Hybrid Is Gorgeous

We make no bones about loving the Jaguar C-X16 hybrid sports car. It’s gorgeously styled, technologically advanced and promises to be a hoot to drive.

Jaguar unveiled the car at the Frankfurt auto show, and now we’ve got some video of company execs discussing the “design concept,” which almost certainly will see production at some point.

The C-X16 is not a hybrid in the traditional sense. Jaguar cribbed from Formula 1 and fitted the two-seater with a kinetic energy recovery system. The supercharged 3.0-liter V6 — 375 horsepower, 332 foot-pounds — provides most of the thrust, but a 70 kilowatt (94 hp) electric motor provides added boost at the push of a button.

Mash the gas and the red button on the steering wheel and you’ll hit hit 62 mph in 4.4 seconds. Top speed is 186 mph, and the car emits 165 grams of CO2 per kilometer. That comes to 33 mpg by our math, but let us know if we’ve screwed up the conversion.

All that and it’s drop-dead gorgeous? Sign us up.

Via Wired Autopia: http://www.wired.com/autopia/

26 September
0Comments

Erly Groups Social Content Around Shared Experiences

The Spark of Genius Series highlights a unique feature of startups and is made possible by Microsoft BizSpark. If you would like to have your startup considered for inclusion, please see the details here.

Name: Erly

Quick Pitch: Erly is a social platform for organizing and sharing your personal content based on events and experiences.

Genius Idea: Grouping experiences, not people.


“The human brain stores, indexes and manages information by two canonical paths. The first is people-based and the second is experience-based,” says Eric Feng, the former CTO of Hulu and current founder of experience-driven social startup Erly.

Erly launched last Wednesday as a counter to the typical person-centric social network. Its intention is to help web users group content by experience, and connect with people through shared experiences or events.

“On the social web, everyone is focused on connecting people,” Feng adds. “We didn’t feel like there was enough attention or resources being dedicated to an experience-based way to organize that exact same content, even though that’s what you do in your head everyday for a lot of different things.”

The startup, for the time being, is structured entirely around Collections — think of them as next generation photo albums, or “Twitter hashtags for real life,” as Feng describes them.

Collections, he says, were inspired by big events. He points to how photos and videos from weddings make their way into the Facebook activity feed in a haphazardly, here-today-gone-tomorrow fashion. “You have to manually go from person to person to recreate that content,” he says.

Instead, with Collections, Erly users group together content by experience or event. Photos are automatically aggregated and pulled in from Facebook, Instagram, Flickr and Picasa. Videos and links can be intelligently embedded from third-party social sites, and text notes can be added by Collection members to recount memories with more depth.

Collections can be singular or group affairs. They can also either be private to contributors or open to the public. And, as you build more Collections, Erly weaves them together in a dynamic visual timeline, organized by date.

This date-structured timeline hints at Erly’s grander vision to reinvent the calendar. Feng envisions “a calendar that you can live in.” Erly could theoretically enhance and tie together past, present and future experiences. Collections, Feng says, tackle the past tense by helping users recall, remember and recollect. Future Erly products will address present and future tenses by automatically creating collections for users and assisting with the discovery of events, he says.

Erly in its present state somewhat reminds us a bit of Pictarine, albeit with a stronger emphasis on story-telling and an anything-goes attitude toward web content. But, where Erly really wows is with its interface — it’s innovative, intuitive and evocative. Add a few photos, notes or videos to a Collection and it immediately comes alive in a way that puts the traditional online photo gallery to shame.

Perhaps Feng’s “living” calendar is within reach after all. “We want to create … a platform that, in the future, helps you never miss out on the things going on in your life. In the present, it would help you stay in the moment … and in the past, it would help you remember.”

Erly is based in Menlo Park, California. The startup is backed by Kleiner Perkins Caufield & Byers — a natural pairing given that Feng spent a year at the firm working with Al Gore on Greentech initiatives.


Series Supported by Microsoft BizSpark


Microsoft BizSpark

The Spark of Genius Series highlights a unique feature of startups and is made possible by Microsoft BizSpark, a startup program that gives you three-year access to the latest Microsoft development tools, as well as connecting you to a nationwide network of investors and incubators. There are no upfront costs, so if your business is privately owned, less than three years old, and generates less than U.S.$1 million in annual revenue, you can sign up today.

Via Mashable: http://www.mashable.com

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