16 July
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Bombfellows! This Site Does Your Clothes Picking For You

The Spark of Genius Series highlights a unique feature of startups and is made possible by Microsoft BizSpark. If you would like to have your startup considered for inclusion, please see the details here.

Name: Bombfell

Quick Pitch: Bombfell sends fashion-challenged gents curated clothing suggestions each month.

Genius Idea: Real live stylists use algorithms and personal opinion (like what color works best with your skin tone) to ensure the best possible fit and style matches for users.


Calling all gentlemen. Does your wardrobe need an upgrade? The free-to-try website Bombfell wants to turn you into the hottest-looking guy you can be, $69 at a time.

The name is short for “Bombfellow”, which is the male equivalent of a bombshell, according to the company. Those who wish to reach Bombfell status but lack the time and dedication need only create an account—a team of stylists will do the rest.

The concept for Bombfell came about when friends and former Harvard roomates Bernie Yoo and Jason Kim realized they were relying heavily on outdated wardrobes, and lacked the time and energy to hit the mall.

With the help of Sarah Lee, a fashion-minded stylist, Bombfell was born.

After users create an account, supposedly, the team of stylists makes sure they know everything they need to make you look as good as possible. Each month, users are presented with one curated piece of clothing. If it’s a winner, the item can be purchased for a flat $69.

“Users provide a lot of information about themselves – body shape, skin tone, favorite brands, style preferences and much more,” co-founder Bernie Yoo tells Mashable. “We employ an algorithm on the back-end that suggests clothing recommendations to the stylist.”

A human expert still has control, however. Each item is initially selected through an algorithm; the final decision goes to a stylist. If they don’t think a shirt will look absolutely rad on you, the company says it will be vetoed, algorithm be damned.

“We’re building an experience from the ground up that fully takes advantage of being an online service and leverages data to create a personalized, scalable and affordable service that anyone can enjoy,” says Yoo.

Bombfell carries a number of well-known brands, including Ben Sherman and French Connection.

Would you sign up for Bombfell? Let us know in the comments.


Series Supported by Microsoft BizSpark


Microsoft BizSpark

The Spark of Genius Series highlights a unique feature of startups and is made possible by Microsoft BizSpark, a startup program that gives you three-year access to the latest Microsoft development tools, as well as connecting you to a nationwide network of investors and incubators. There are no upfront costs, so if your business is privately owned, less than three years old, and generates less than U.S.$1 million in annual revenue, you can sign up today.

Via Mashable: http://www.mashable.com

08 June
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Lovely, Blobby Sculptures That Growl And Play Jazz When You Touch Them

It’s been a drizzly May here in New York. With so many rainy days, the city’s parks haven’t gotten much use. Which is unfortunate, as one of them–Madison Square Park–is currently inhabited by a group of noisy, brightly colored blobs that ask strangers to play with them.

Admittedly, loud, misshapen lumps that invite you to touch them aren’t an unusual sight in Manhattan’s parks. But these particular blobs are part of California artist Charles Long’s newest piece, Pet Sounds, commissioned Mad. Sq. Art, the arts arm of the Madison Square Park Conservancy.

At its unveiling on May 2nd (another dreary, misty day), Pet Sounds was difficult to miss: Brightly colored blobs slumped in disconcertingly human postures on benches and picnic tables scattered throughout the park. Touching one of the blobs elicited gurgling electronic noises ranging from a few bars of jazz to actual animal noises, activated by electronic sensors embedded in their fiberglass-and-aluminum skin. The “pets” became uncanny instruments, played by the visitors apprehensively exploring them.

Long, whose past work has been shown in the Whitney and MoMA, was gracious enough to answer a few of our questions about Pet Sounds. Below, he talks about the Beach Boys, the theremin, and the hive mind of New York City.

You’ve said before that your artistic process is extremely experiential. What experiences spurred the creation of the piece?

Pet Sounds was three years from start to finish; I spent countless hours in the park observing what happens there and setting up experiments.

I photographed people sleeping on the benches and did drawings of them as amorphous blobs that attached to the park. Soon I was exploring the concept of the park as a mental state, a place of the unconscious, sort of turning the real park in on itself. I began to see the people sitting and dozing on benches as park features, and conversely, I began to see the park features, such as the railings, as snaking limbs. This eventually led to my creation of this system of railings defining paths spilling out onto the great lawn, where they evolve into human-scale blobs, lounging on benches and plopping down on a picnic table.

I wanted people to connect to these blobs, to be affected by them in this strange, abstract way, so I sculpted forms on the scale of the human body. The intense colors, slick surfaces, and elusive figuration seduce further. You can’t place it – it’s what Freud called the uncanny. The slippery forms are so smooth, so synthetically sexy, they beckon to be caressed.

I also wanted the blobs to respond to human touch: physically with vibrations, and then emotionally, through the wide array of sounds that I created in the studio. I sensitized the skins of these masses with numerous unseen “zones,” which must be found through hands-on exploration. Touching different parts of these blobs generates different responses. The entire surface of the blob also acts like a speaker; your hands pick up sounds that cannot be heard and our ears pick up vibrations that might not be felt.

Can you talk a little about the technology at work in the piece?

Each blob has an electronic brain. Wires connecting the numerous sensitized zones of the skin send primitive signals to a microcontroller–sort of like a brain stem–which interprets it according to the significance of that zone. It sends a very specific bit of coded information about this zone to a mini PC, which executes the particular command is associated with that zone.

That command is output to a transducer embedded in the surface of the blob, which activates the skin to act sort of like a speaker – which is very important because these blobs have no mouths. They have no eyes or ears, for that matter. It’s all about touch and vibrations.

How do the Beach Boys figure in?

I borrowed the title for this project from what is considered by many to be the most important pop album ever made. It will always be the touchstone for my creative process. Brian Wilson’s studio work on the Beach Boys’ 1966 masterpiece was certainly one of the most open creative processes of its time, while still yielding an emotionally meaningful and aurally complex collection of songs, which are still accessible to a wide spectrum of listeners today. Pet Sounds is still influencing musicians…

It was the first pop recording to use the Theremin, an electronic instrument that responds sonically in relation to the proximity of the musician’s body – an idea that captivated me as a youth and is part of what I wanted from this project. During the recording of the album, Brian was bringing in sounds like bicycle bells, rattling coke cans, dog whistles, and dog barks, mixing them in with the sublime vocals of the band and dozens of instruments not associated with pop music.

This project is something of a homecoming for you, as New Yorker who moved to LA fairly recently. Is Pet Sounds a reflection of New York?

I still consider New York my home… I’ve seen a lot of great bands and a lot of great art in my 21 years of living here. And I always think of this place as the collective mind that I draw from and contribute to. What New Yorkers think of what I do here matters a lot to me (you people have very high standards, which I am gratefully challenged by). The freshness of the work has less to do with a California Beach Boys style than with my excitement for a very unique engagement with New York and its visitors.

You once collaborated with Stereolab – did you have any musical collaborators on this project?

It would be a dream to collaborate with the Beach Boys, who reunited this year for a 50th anniversary tour (they played the Beacon on May 8 and 9; I would love for them to see this project!).

But for this installation, I was interested in creating a very abstract experience for the viewer/listener, so I didn’t want the kind of nameable presence a musician would bring. If I could have removed myself from the project, it would have been perfect. But I think that can still occur, because the vast majority of visitors will not know my name or care who I am. They will simply enjoy the project on their own, making music as they wish, trying to figure out how to get the sounds they want from the blobs. I presume they will have a good time.

Pet Sounds is on view in Madison Square Park until September 9.

Via FastCoDesign: http://www.fastcodesign.com/

24 October
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Gee, Your Car Smells Terrific!

Luxury automakers and quick-lube shops alike are betting their customers will fork over big bucks for cosmetic products with an automotive tie-in.

This morning, BMW announced the release Purif-i, a hand sanitizer and moisturizer from exclusive natural Austrian cosmetics manufacturer Susanne Kaufmann. It’s the official hand sanitizer of the all-electric BMW i sub-brand, and it promises to leave your hands as clean as the air in a city where only electric vehicles roam, or something like that.

“The unique collaboration between a natural cosmetics manufacturer and the BMW i mobility brand is an example of how nature and technology can work together and effectively enhance each other,” said Uwe Dreher, BMW i’s marketing manager. A 75 ml bottle of Purif-i is available for $19.

The Bavarian automaker isn’t alone in releasing a line of auto-metics (or is it cosmotives?) Mercedes-Benz Perfume, for men, debuted in September and “combines woody notes with floral freshness.” In the Daimler brand hierarchy, however, it might as well be Old Spice, since Maybach owners get an atomizer filled with a custom-blended fragrance.

If you’re not about German brand loyalty but still want your skin to look smoother than a cylinder liner, Meineke announced earlier this month they’d be selling the Facelube line of skin care products for men. With cleaners, balms and salves that range in price from $25 to $115, each part of the skin care regimen mimics a step of the car care process from an oil change to a transmission fluid flush. Except, it’s for your face.

We’re predicting that the next products to take off will be official Subaru-brand patchouli and a leather conditioner for your Grand Marquis that smells like Canoe and stale Dutch Masters.

Photo: BMW

Via Wired Autopia: http://www.wired.com/autopia/

24 June
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HOW TO: Get the Most Out of the iPhone Camera’s HDR Functionality

Amateur and professional iPhotographers have a little-known tool in their mobile belt. The iPhone 4 offers “HDR” functionality that can help you get the most out of the phone’s built-in camera.

Here we take an in-depth look at the feature and offer advice for when it’s best to use it and — just as importantly — when it’s not.

Have a look through these tips and let us know in the comments how you put your photography talents to use.


What is HDR?


“High Dynamic Range” (HDR) Imaging is the practice of using “exposure bracketing” to create an image with a better representation of light and dark areas than the camera could capture on standard settings.

Used correctly it will create an image that’s more akin to what your eye — which more efficiently processes extremes of light — would see, rather than what the camera’s sensor can photograph.

Typically this is done by capturing three images — a standard exposure, a shot that is one exposure stop too light and a shot that’s one exposure stop too dark — and then combining all three.


HDR on the iPhone


In its HDR mode, the iPhone 4 automatically recreates this process by taking three photos at different exposure levels, then layering the shots together to create one image with (theoretically) the best elements of each.

You can turn on the HDR functionality of your iPhone when in the camera by tapping the HDR icon at the top of the screen.

With HDR set to “on,” your iPhone will capture the original image and an HDR version, both of which you’ll find saved in your Camera Roll. You can change your iPhone’s settings to discard the original image but we find it useful for comparisons.

If it’s not obvious to you which is the HDR image, look for the HDR icon at the top of the screen above the photo.


DO Use HDR…


Here are three scenarios for when hitting up that HDR button would be a good idea.


… When There’s Strong Backlight


In the non-HDR image above you can see very little detail in the shadow as the camera has not coped well with the bright light coming from the doorway. The HDR pic has much more even lighting overall and shows significantly more detail. This will also be the case if you’re photographing a light object against a dark background.


…For Landscapes


Here you can see the HDR functionality has handled the contrasts of sunlight and shadow much better than the non-HDR image above. The foreground is severely bleached out in the original image and the areas of shadow much darker. The HDR setting has fixed these issues. You will also find that HDR adds detail to the sky where the standard camera would struggle with the contrast between the sky and the land.


… For Portraits in Strong Sunlight


Strong sunlight is not great for portraits as it can create harsh shadows and unflattering glare. In this self-portrait you can see that the skin tone has been evened out, the glare on the cheeks improved and the shadow cast by the hat made softer.


DON’T Use HDR…


There are some situations in which HDR is actually a hindrance rather than a help. Here are three to be aware of.


…If There’s a Risk Your Subject Will Move


Because the iPhone snaps three pics consecutively, if anything in the frame moves (or if you’re not holding the iPhone steady enough) you’re likely to end up with a blur or ghosting in your image. In our example images you can see that even though the three HDR images are taken milliseconds apart, just a slight breeze moving the buttercups was enough to spoil the shot.


…If You Want Strong Contrast


HDR takes extremes of light and creates a middle ground. This can be great in many scenarios but not if you want to capture striking contrasts. Here we wanted to capture the vibrant green leaves against the lighter foliage in the background and the brightness of the sky. The non-HDR image (above) has achieved this much better than the HDR snap below, in which the light has been toned down and the background detail filled in for an overall muddier final shot.


…If You Want Vivid or Accurate Colors


The iPhone’s camera generally deals well with color, giving nicely saturated results. Add in HDR however, and the colors you see in the final image aren’t likely to be true-to-life, or particularly vivid. In these images you can see the non-HDR photo above has bolder colors while the HDR shot below has darkened some tones and dulled the effect.


In Summary


The iPhone 4′s HDR functionality is a handy tool to have on board. It can be useful in certain situations but the key is to know when — and why — to activate it. We hope this article has helped, but with almost all photography the best way to get familar with the tech is to shoot as much as you can — so grab your iPhone, get out there and get snapping!


Via Mashable: http://www.mashable.com

02 May
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5 Quick Ways to Liven Up Your Twitter Stream

This post originally appeared on the American Express OPEN Forum, where Mashable regularly contributes articles about leveraging social media and technology in small business.

With a billion tweets per week, Twitter has become a place for people and organizations of all types to share their thoughts, reading lists and whereabouts. Real estate pros, politicians, non-profits, journalists and small businesses are all using the social platform to connect with their communities and meet organizational goals.

Whether you’re a Twitter novice or tweeting pro, there are always ways to improve your presence on the microblogging service. Here are five ways to make your Twitter stream more valuable and dynamic for followers.


1. Get Visual



A sampling of photos recently tweeted by Gregory’s Coffee
If you’re at a loss for words, try sharing pictures or videos instead. Multimedia adds a new layer to your tweets and lets followers into your business’s otherwise-unknown world.

Gregory’s Coffee, an espresso bar with three locations in New York City, operates a lively Twitter stream, loaded with behind-the-scenes photos of latte art, pastries and employees. The photos give the coffee shop a warm and cozy persona, inviting tweeps to venture over to the shop for a nice cup o’ Joe.

Brands are using photo sharing apps in creative ways to bring fans closer to the action. Using apps, like Instagram and PicPlz, smartphone photographers can take advantage of photo-editing tools, including filters, that can make any picture look more interesting.


2. Get Physical


Social technologies such as Twitter aim to connect people. But the digital world has, in some cases, made it more challenging to genuinely connect with those around us. At tech events, for example, it’s not uncommon to see a group of people standing in a circle, tapping away on their smartphones. Business people should be cognizant of how they are using social media and understand if their behaviors are hurting or benefiting their relationships.

One way to use Twitter for physically connecting with colleagues and customers is to tweet out when employees or reps are attending industry events or making appearances at related venues. Such tweets invite real-life interaction.

The GEM Hotel, a boutique hotel with three locations in New York City, maintains an active presence on Foursquare, checking in to nearby venues that embody the lifestyle of a GEM patron. The hotel occasionally shares its checkins via Twitter and automatically tweets when it “becomes mayor” or unlocks a badge on Foursquare, adding a bit of playfulness and humanity to its Twitter stream.


3. Get Personal


With humble beginnings, many small businesses live on their stories. Talk to a small business owner, and you’ll likely discover a passionate individual who is happy to share every small detail about his or her company’s founding. You’ll learn where it all began, what the founding idea was, how the company grew throughout the years and what unexpected lessons were learned along the way.

In the spirit of that small-time, homey feeling, small businesses on Twitter can tweet about family events, employee softball tournaments and personal anecdotes. There’s a fine line between adding a personal touch and going overboard, though. Boloco, a Boston-based burrito chain that has grown substantially since its first opening in 1997, understands that balance.

Boloco’s Twitter stream is mainly composed of tweets to individuals. Tweet after tweet, marketing maven Sara Steele-Rogers and CEO John Pepper answer questions for and converse with Boloco fans. The two add a more personal touch, though, when special occasions arise. For example, a couple recently got engaged at a Boloco location — and the team was quick to congratulate the love birds on Twitter. Tweets such as this add a personal and intimate flair that showcases a business’s appreciation for its fans.


4. Get Inspired


It’s difficult to be creative all the time — when you’re in a linguistic rut, turn to other tweeters for inspiration. For small businesses, the first stop should always be those who are tweeting about you. When a jewel of an @mention appears, retweet it. Besides sharing a customer’s positive story with your followers, you’ll also be empowering that tweeter. It’s a great feeling when a brand you admire acknowledges your tweet with a simple retweet.

Trapp Family Lodge, a 2,500-acre resort in Stowe, Vermont, spends most of its Twitter stream on retweeting satisfied guests and upcoming visitors. When a user posts a image from the estate or calls out a great experience, you’re sure to find it on the Trapp Family Lodge Twitter account. Such tweets also double as customer reviews for the company, which can drive your business even more.


5. Get Smart


Twitter is all about value — users want value out of the accounts they’re following. Value can come in the form of exclusive deals, contests and even expertise. While deals and contests may take a bit more legwork to get off the ground, expertise is something that any small business owner or rep should be able to share at the drop of a hat.

Face Place, a spa with locations in Los Angeles and New York, dedicates its Twitter stream to providing daily skin care tips. Most recently, the spa has tweeted about makeup-removal tips, how blood sugar levels affect complexion and which foods are rich in omega-3 fatty acids, which are great for your skin.

Try spicing up your Twitter stream with tips and trivia related to your business. Your followers will appreciate the random facts you’re providing and tune in for the next tidbit.


Your Thoughts


How has your organization spruced up its Twitter stream? Share your ideas in the comments below.

Image courtesy of Flickr, xotoko

Via Mashable: http://www.mashable.com

20 October
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5 Fun Products to Personalize Your iPhone

Ever notice that it’s the little things that help you express your individuality? The way you tie your laces, how you take your coffee, or a special product that you’ve personalized.

Everyone and his dog seems to be toting an iPhone these days, but you can at least differentiate yours with some excellent personalized products such as custom mods, cases and skins.

You may be one of the millions of iPhone owners, but your iPhone can say a lot about you, without saying a word. We found five options to give your iPhone a little je ne sais quoi.

Let us know which ones you like in the comments below, and share with us any gadgets you have already personalized with your awesome tastes.


1. Uncommon


Uncommon’s clip-on “Deflector” cases for the iPhone 4 (or “Capsule” case for earlier models) will add some glossy protection to your phone and can be customized by uploading your own photos or artwork.

You have to sign up to upload your own images, but once you do that, the online design process is easy, with simple options to re-size and rotate until you are happy with the final product.

Once you’re satisfied you can either save the design for a later date or go straight ahead and order — the cost per case is $34.95, so arguably not a huge premium for something that is unique to you.


2. ColorWare


ColorWare has made quite a name for itself by giving consumer electronics a rainbow-hued makeover. The service covers gadgetry with a high-gloss, scratch-resistant polymer-based coating that instantly adds a serious splash of color to your phone.

After you’ve designed your color scheme via the online design center, you can send in your iPhone 4 or iPhone 3GS to get the ColorWare treatment.

ColorWare offers a variety of colors, and rather than just one block color, you have the option to make the frame, button and even the SIM card tray different shades.

The only drawbacks are that you’ll be without your phone for as long as the process takes (currently around three weeks) and the cost — it’s $250 for the iPhone 4, which makes the $15 extra to get your earbuds done too look like great value.


3. GelaSkins


If you don’t want the bulk of a case, but would still like to pimp your iPhone (4 or earlier models) the affordable answer is a GelaSkin. The removable sticky cover won’t offer as much protection as a case, but will stop scratches and keep your phone looking stylish too.

You can turn your own photo, illustration or artwork into a custom GelaSkin using the site’s online service. Simply upload your image, tweak how it appears and fork out $14.95.

In addition to the skin, the price includes the option to create an iPhone wallpaper from the image and add personalized text. GelaSkins will then e-mail the file to you as the order is shipped.


4. inblue


Etsy seller inblue offers lovely hand-sewn and hand-printed leather iPhone cases that she will customize with initials, a name or even a short quote to make a case perfect for you.

If this is up your alley, then check out Etsy to browse the designs available and then make your special requests for the text or design.

Pricing starts at $13, so it’s a great option for an unusual case that won’t break the bank.


5. Case-Mate


Case-Mate offers a similar service to Uncommon (or vice versa!) with a customizable hard shell called the “Tough Case” for the iPhone 4, as well as earlier models.

With no need to sign up, Case-Mate’s online design studio is a breeze. You just need to upload the picture you want to illustrate your casing, then use the zoom, scale and rotate tools to get it exactly right on the iPhone 4 mock-up and hit the buy button.

After paying the $39.99 for the case, you’ll be eagerly awaiting your unique phone protection to arrive in the mail.


By Mashable: http://www.mashable.com

13 October
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Haptic GPS Let Your Fingers Do the Driving

A new invention in GPS technology would rid your car of the distracting screen and let you understand the directions even if you’re yakking away on your mobile and can’t hear the spoken instructions.

Instead of animated graphics or a computerized voice, technology being developed at the University of Utah gently tugs on your index fingers to tell you which direction to turn. Researchers hope the invention could improve safety by providing immediate tactile feedback that lets you stay focused on the road. Last month, a bus driver in New York crashed the vehicle into a railway bridge, killing four passengers. It was later revealed that he was distracted by his GPS.

“It has the potential of being a safer way of doing what’s already being done — delivering information that people are already getting with in-car GPS navigation systems,” says William Provancher, an assistant professor of mechanical engineering at the university.

The red button moves left or right to provide tactile directions. Photo: William Provancher / University of Utah

The device uses two rubber tips — pair of trackpoint buttons taken from an old IBM ThinkPad laptop — on the steering wheel that move in the direction the car should be traveling to reach its destination. The tips gently tug on the skin of the driver’s fingers, moving about one millimeter to the left or right, telling the driver which way to turn.

To test the concept, the university had drivers attempt to follow a GPS while talking on a mobile phone. Those who relied on the traditional GPS only managed to take 74 percent of the directions correctly. Drivers who had the finger-tugging haptic system got 97 percent of the commands right.

That isn’t to say the researchers want you dialing and driving. The study “doesn’t mean it’s safe to drive and talk on the cell phone,” says David Strayer, a professor of psychology who worked on the project. “It was a test to show that even in situations where you are distracted by a cell phone, we can still communicate directional information to the driver via the fingertips even though they are ‘blind’ to everything else.”

Provancher wants to commercialize the tech and says he’s had preliminary talks with three automakers and a European equipment manufacturer. It could be on the market within three to five years.

He hopes the technology goes beyond the dashboard. Similar technology could be used into a cane to help blind pedestrians navigate more easily. They also could be installed in handheld devices like MP3 players to feel movements through a touchscreen or scroll wheel with gentle pulses in your skin rather than clicks or vibrations.

This story was written by Mark Brown of Wired UK.

Photo: Justin Lukas / University of Utah. Nate Medeiros-Ward, a psychology doctoral student, operates a driving simulator with a steering wheel featuring haptic GPS technology.

Via Wired Autopia: http://www.wired.com/autopia/

07 July
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Which brands do you wish you could help shine?

We’re all passionate about at least one company. One brand. One little logo or mark that got under our skin in a good way for one reason or another. My father has had a love affair with Aston martin, BMW, Smalto, Cartier, Omega, RayBan and Mont Blanc for as long as I can remember. My mother: Hermes, Celine, LeNotre, Autobianchi, Corvette and Baskin Robbins. My brother: Apple, Canon and Sony. It wasn’t always so, but brands help define us. Like it or not, they are part of our identity. The brands we choose to make our own make up a very visible outward-facing layer that gives our tastes and preferences texture, language and context: You’re either a Mac or a PC, a Canon or a Nikon, a Nike or an Adidas.

On a superficial level, the Kenneth Cole pants you wear tell an onlooker as much about you as the Starbucks cup in your hand and the Panerai watch on your wrist. But on a deeper, more emotional level, the success of a brand is something we find ourselves vested in, not just because our image may be tied to that of a company’s (its success implies our own), but because we genuinely care about the welfare of a brand which – in a very real way – is as much a part of our world as a favorite sports team, favorite artist, and even a friend or close relative.

When I was a kid, Sony was one of the brands I looked up to the most. Before Apple was Apple, Sony was – at least in my mind – the leader in electronics: Their first Walkman was the “it” product for quite some time, soon followed by their bright yellow (and other special edition colors – I had a black one) sports walkman. Their TVs and stereo systems were also among the most sought-after. Sony wasn’t necessarily first to market, but they still managed to own every market they focused on. Fast forward to 2010, and the picture changes. Sony is still here, still a major player in the electronics market, but far from the pole position it enjoyed 25 years ago. And as a childhood fan of the brand, as a life-long user of Sony products, it bothers me to no end. It isn’t as if Sony stopped making great products: Their Playstation 3 console is stellar. I am typing this blog post on a Sony VAIO that is by far the best PC/laptop I have ever owned. But… Sony’s market leadership is no more. No matter how great its products may be, it has lost its touch. Things simply aren’t the same anymore. And that can be fixed, dare I say… easily.

Sadly, the idea that brands are in a very real way living, breathing entities, that they are born, that they grow and mature and eventually die is one that seldom makes in into strategic discussions in the C-suite or in most Marketing departments. Yet it should be. Market share and sales numbers alone do not define the success and relevance of a brand. They never have. Ask Cartier. Ask Apple. Ask Starbucks and McDonald’s, even.

Everywhere I look, I see brands on the rise and brands faltering: Apple’s star has never shone brighter than it does now. Ford also weathered the storm that threatened to shatter the American auto industry less than two years ago, and came out of the gauntlet a better, smarter, cooler brand. Google hasn’t fared too badly either. They’re the lucky few. Others aren’t faring so well. Whether stalled or outright slipping downward, many brands seem to be struggling to either hold on to past glories or reach the next level in their rise to success, and it pains me. As a consumer and as a brand management guy, it actually weighs on me. I wish I could help them. I wish there were some way. Sometimes, I get lucky and I have an opportunity to help, but not often enough. Not nearly often enough. I was thinking about this in my car this morning, and started making a mental list of companies I wish I could advise, companies whose brands I wish I could help rebuild, and what I came up with looks like this:

Sony: Because it should be Apple’s biggest rival, and so easily could be. In short, Sony should own every market in which a product plugs into a wall or a USB port and emits a sound. Not only that, but the Sony brand has to restore its cohesiveness: Sony, like Apple, needs to be sought again. Its line of products can’t be scattered as it is now, its success jagged and unclear. The products are there, but there’s a lot of work to be done in terms of marketing, PR, awareness and promotion.

McDonald’s (US): Because it seems to have lost track of its own identity. Who are they trying to emulate this week? Starbucks? Strangely, this identity problem doesn’t seem to have spread to the European market. I visited three McDonald’s locations in France last month (two in Paris and one in Cannes), and the general consensus was this: “Why can’t McDonald’s be like this in the US?” The question stands: Why can’t it?  Added bonus: Why hasn’t McDonald’s penetrated grocery store and toy store markets yet?

Nike*: Because in spite of the best advertising, R&D and endorsements on the planet, it is making the same mistakes Sony did in the mid 1990s: Nike cannot hope to ride the momentum of its past success forever. Change always comes one way or another.

* This isn’t so much restoring Nike to market leadership as much as it is ensuring that it doesn’t let it slip from its fingers.

Starbucks: Because, like McDonald’s, it seems to have jumped the track. Confusion kills brands faster than bad logo redesigns, and sometimes growth can happen at the expense of everything else. Starbucks simply needs to find itself again and map out its future. Inconsistent experiences between locations (as with the McDonald’s brand) and the added confusion of non-Starbucks locations using the Starbucks logo also need to be tidied-up. I won’t even touch Seattle’s Best yet, but there’s another project.

Chevrolet: Because if Ford did it, so can Chevy. The difference between the two isn’t on the factory floor or in the design suite. Again, hard work but easy fix with the right application of market insight, leadership and courage. Chevy needs to stop thinking acting like a corporation that happens to make and sell cars, and shift its mindset to that of a company whose sole purpose is to inspire, delight and serve drivers everywhere.

Print (all brands): Because newspapers and magazines don’t have to die a slow agonizing death anymore than books do. Not anymore. Distribution and content are changing fast, but this evolution is an opportunity, not a hurdle. Change here is not the enemy. I would gladly dedicate the next five years of my life to this one thing. Companies can come and go, but print news keeps real journalism alive, and we cannot afford to let this industry fail. Not here, not now.

BP, Nestle, Monsanto, Halliburton, Eurostar, Toyota: Because they need it the most of any brand right now, and not everyone there has what it takes to turn their current situations into a string of market wins. Engineering a brand’s comeback takes a very specific skillset not everyone has in their bag of tricks.

Big Pharma (all brands – US): In the US, the model is cracked. Pharmaceutical companies don’t have the best image anymore. Their practices often seem shady. Consumer confidence could be better. In order for these brands to thrive in the next two decades, and in order to take full advantage of the changes in health care on the horizon for Americans, pharmaceutical companies need a cultural, communications and brand management overhaul. Nothing major, but the devil is in the details. Starting perhaps with a shift away from terms like “pharmaceutical” and “drug” to softer words like “medicine” and “care.”

Coca-Cola and/or Pepsi: Because market saturation doesn’t have to result in stalemate. There is still much to conquer for these brands, but they need to start thinking about how to redefine their markets, not just distract them with campaigns, PR and logo redesigns. They’ve plateaued, and something has to happen to catalyze them into rolling forward and up again.

* Again, this isn’t so much restoring either Coke or Pepsi to market leadership as much as it is preventing them from being in irons for the next ten years. They’ve reached the top. Now what?

Greenpeace: Because their message needs to get through to those who still think GreenPeace is an extremist organization. It can be at times, sure, but its role is much more complex and important to our future to allow it to continue being typecast as a bunch of crazed brick-throwing tree-huggers with unreasonable demands.

The Republican Party: Because it has lost its way, and if America is to soar again, both of its biggest political parties need to continuously force the other to new levels of excellence in order to outclass the other. The truth is that Democrats need a relevant Republican party as much as Republicans do. Rivalries keep us from growing soft and complacent. For the last ten years, the level of political discourse in the US has been slipping and frankly, it has reached an all time low. It’s embarrassing and needs to change. Our political system as it stands will continue to breed mediocrity, corruption and failure until we fix this.

Delta Airlines: Because in spite of its many flaws, Delta does some things very well and could be so much more than what it is to its passengers. I really want to see Delta become a shining example of what a major US airline could be. Quality can scale.

CNN: Simply because it could be great again. It once redefined the news business. It can and should do it again.

That’s a small selection, but a good place to start. What does your list look like?

By The Brand Builder: http://thebrandbuilder.wordpress.com

Valve Interactive
An online marketing and design agency in Portland Oregon