13 January
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Mattebox App Turns Your iPhone Into A Virtual DSLR

I’ve been a mostly-satisfied Android user for a few years now, but if there’s one thing that is seriously making me consider switching to the iPhone, it’s the camera. I was recently swapping baby photos with fellow new dad Mat Honan, and I was blown away by what his iPhone 4 was able to capture. It looked equal to (or maybe better?) than what my Canon DSLR could do.

Then again, my DSLR packs a boatload of professional-grade features and ergonomics. Except that now there’s an app called Mattebox which brings all those pro-level touches to the iPhone’s infinitely more portable profile — with elegant interaction design that gets out of its own way. Suddenly that bulky DSLR is looking like more trouble than it’s worth.

I try not to use words like “masterpiece” here very often, but Mattebox’s interface design is so thoughtful and detailed it just might warrant the term. It’s one thing to pack your camera app with features that let you control every possible aspect of the image. It’s quite another to design them so that they don’t get in the way of actually making an image in the decisive moment. An example: professional shooters are used to having a two-stage shutter release that lets them acquire focus and lock exposure before snapping the shot. That’s easy enough to do with a physical button, but how do you translate that to a touchscreen? Like this:

What about those aforementioned deep features like color-correction, white balance, exposure, vignetting, cropping, and gamma? My point-and-shoot has all that stuff, but it’s buried five levels deep in a terrible menu hierarchy, so I never use it. But with Mattebox, you can use multitouch gestures to activate and manipulate each of these controls instantly and intuitively. It’s complete genius:

Even the viewfinder is artfully fused with form and function. Syverson took inspiration directly from the legendary Konica Hexar, which he describes as “a luxury point and shoot which is powerful enough for the professional photographer, yet easy enough for the complete beginner.” On most smartphones, the “viewfinder” is just a low-res video feed with shutter and zoom controls exactly where you don’t need them and no useful information about the image displayed. Here’s Mattebox’s version:

Seeing Mattebox brings back memories of my Photography 101 class in college, where I delighted in the sheer fun of mucking around with manual controls, instead of fearing and loathing them like I tend to do now. The difference is all in the design. My old Pentax was a joy to use, my current Canon not so much. An iPhone with Mattebox looks like the best of both worlds.

Top image: A picture by Bryan Dawson using Mattebox; Read more about Mattebox

Via Fast Co Design: http://www.fastcodesign.com

19 September
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Go Mono: 3 iPhone Apps For Black & White iPhotography PICS

While many iPhone photography apps offer a monotone filter, there’s a lot to be said for having an app in your iPhotography arsenal that’s dedicated to creating excellent black & white photographs.

We’ve tried and tested a handful, and here bring you three brilliant black & white iPhone photography apps — complete with screengrabs and some sample photographs.

Take a look through the photo galleries below. Let us know in the comments about your experiences shooting monochrome imagery on your iPhone, and any apps you’d recommend.

Via Mashable: http://www.mashable.com

08 September
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Magnolia Roadster’s Vintage Styling Goes Green

Solutions to modern problems sometimes can be found in a distinctly classical place. The Magnolia Special was built to recapture the grace and romance of 1930s European roadsters — internal combustion and all — yet it emits 40 percent less CO2 than an equally powerful gas-burning automobile. And it does this using technology as old as internal combustion itself.

The Magnolia Special is the first bespoke, hand-built car built specifically to run on compressed natural gas. If nothing else, it proves eco-friendly need not mean boring.

“I really don’t think that environmentalists are worth a damn as car designers,” says J.T. Nesbitt, who designed and built the Magnolia Special. “They just lack passion. If the problem of global warming is left only to them, our cars are really going to suck.”

Nesbitt is a talented and passionate motorcycle designer strongly influenced by his adopted home of New Orleans. You may have seen his work ridden by Ewan McGregor in The Island. His representation of the arc of a whip, realized in a carbon fiber frame and fuel tank, created a motorcycle that perfectly fit into a high-tech future despite its old-school aesthetic.

Nesbitt is doing so again, this time for real, by capturing the beauty of the past in a vehicle relevant to the future.

Nesbitt started sketching the car in 2008. It’s his first take on an art-deco roadster theme. Think vintage Alfa Romeo or Jaguar and you won’t be far off. In fact, the car uses an engine based on Jaguar’s fabled 4.2-liter inline-six, the same one that powered the original E-Type. Nesbitt chose the engine because its torquey nature and strong internals work well with CNG. It also helps that the long, narrow engine looks great beneath the car’s louvered aluminum hood. It’s only making 200 horsepower, but with 300 pound-feet of torque, the performance won’t disappoint, particularly in a car that weighs just 2,700 pounds. That torque-to-weight ratio beats the Porsche 911.

“The Jaguar six only won Le Mans like what, five times?” Nesbitt says of the engine. “The 4.2 is such a great torque motor and CNG is really a torque fuel, so it’s a great pairing.”

Nesbitt says the octane rating equivalent for natural gas is 130, so the engine required specially forged high-compression 12.5:1 pistons and high-lift, short-duration camshafts.

“That setup allows the highly stable fuel to achieve complete combustion,” he says.

CNG is a popular conversion for fleet vehicles. But the gaseous fuel requires bulkier tanks than those designed for liquids. This presents a problem for automobiles, because the tank typically eats up a lot of space. By incorporating those tanks into Magnolia’s fundamental structure, Nesbitt made that drawback into an advantage: The tanks add torsional strength to the thin aluminum body. That’s a first in automobile design and construction, and a big part of what makes this vehicle so unique.

“The CNG storage tanks are really the only piece of high tech on this car,” Nesbitt says. “Everything else could have been made 100 years ago. They’re made from a carbon composite wrapped around an extruded aluminum core. The burst pressure is 4,800 PSI, but they’ll normally be filled to 3,600 PSI. They’re incredibly strong, yet very lightweight. I can actually pick one up and walk around the shop with it. That’s amazing.”

If CNG is cleaner than gasoline — the natural gas-burning Honda Civic GX is consistently ranked the greenest internal combustion car on the market — why isn’t CNG a more popular vehicle fuel? Nesbitt has a theory.

“In 1903, H. Nelson Jackson drove from coast to coast, cementing gasoline as the fuel that would power the automobile for the next century. You have to understand that back then there were gasoline cars, steam cars and electric cars, and no one was sure which would prove to be the standard. Jackson proved the viability of gasoline with his record-setting trek, and the rest is history.”

“I think that a true test of an alternative fuel now, just as then, must be endurance,” he adds.

With that in mind, Nesbitt and his friend Max Materne, who helped with the electrical engineering of the car, plan to drive the Magnolia Special from New Orleans to New York to Los Angeles this fall. He plans to prove the fuel’s viability and raise awareness of CNG along the way.

Magnolia’s 700-mile range — the equivalent of 30 gasoline gallons — will help, but finding CNG isn’t that hard. There are CNG filling stations coast-to-coast, and the average cost is 85 cents a gallon. If you have a natural-gas line at home, such as for your stove, you can even buy a converter to make your own CNG.

“Kinda cool to have your vehicle’s fuel bill show up every month on your utilities bill,” says Nesbitt, who fills up the car in his French Quarter studio.

So what’s a motorcycle designer, land-speed record racer and gasoline-fueled hedonist doing worrying about the environment? Hurricane Katrina awakened him to the need to address the causes of global warming.

“Magnolia stems from that concern, but satisfies my passion for real cars, too,” he says.

And make no mistake, this is a real car. Nesbitt built the boxed steel chassis himself. Then he called in Tim George, a renowned Porsche race engine builder, scooter racer and furniture builder from Denver, to help hand-form the aluminum body.

Despite the classic design, Magnolia benefits from thoroughly modern suspension. Up front you’ll find pushrod-actuated inboard coil-over shocks and rack-and-pinion steering. At the rear is a four-link suspension with adjustable shocks. Disc brakes are used on all four wheels.

A steel cage encases the passenger compartment for safety and the underside is sheathed in aluminum to increase aerodynamic efficiency. All the bodywork is easily removed via brass fasteners, making repairs a snap.

No detail has been left untouched. Just look at the steering wheel, sheathed in hand-tooled leather, and the gorgeous hand-turned aluminum dashboard. Another feature you don’t typically find in environmentally friendly cars: a five-speed transmission and posi-traction rear differential.

“Just think about how many custom cars get built in this country every year,” Nesbitt says. “All of that talent, effort and money. What if some of that were harnessed to solve greater problems? It seems like the guys who build cars are inherent problem-solvers and a truly underutilized resource in this country. Simply put, no one’s ever asked them to sit down and work on something like this.”

“We’ve all been sold this idea that to be green we have to be high-tech,” he adds. “I reject that notion. Now, I am not a technophobe, but you’ve got to concede that the future is not going to be a videogame. Things will still be mechanical, people will still work with their hands. There will always be room for craftsmen. I know that a digital wristwatch keeps better time than a wind-up equivalent, but there’s very little romantic connection to them. Electric cars may represent a piece of the environmental puzzle, but I have a hard time getting excited about electrons flowing through circuit boards. I like camshafts and pistons and valves. I like things that make a wonderful noise. CNG satisfies my love for that animation without the guilt of damaging the environment to such a significant degree.”

Nesbitt isn’t driven by profit, but passion. He has no plans to commercialize Magnolia.

“For now, the object is to have fun,” he explains. “I just want to be a part of the solution and make beautiful things in the process.”

Photos: Amy Jett Photography, New Orleans

The CNG tanks provide additional rigidity to the hand-formed aluminum body.

The Magnolia Special is replete with gorgeous details.

Via Wired Autopia: http://www.wired.com/autopia/

24 June
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HOW TO: Get the Most Out of the iPhone Camera’s HDR Functionality

Amateur and professional iPhotographers have a little-known tool in their mobile belt. The iPhone 4 offers “HDR” functionality that can help you get the most out of the phone’s built-in camera.

Here we take an in-depth look at the feature and offer advice for when it’s best to use it and — just as importantly — when it’s not.

Have a look through these tips and let us know in the comments how you put your photography talents to use.


What is HDR?


“High Dynamic Range” (HDR) Imaging is the practice of using “exposure bracketing” to create an image with a better representation of light and dark areas than the camera could capture on standard settings.

Used correctly it will create an image that’s more akin to what your eye — which more efficiently processes extremes of light — would see, rather than what the camera’s sensor can photograph.

Typically this is done by capturing three images — a standard exposure, a shot that is one exposure stop too light and a shot that’s one exposure stop too dark — and then combining all three.


HDR on the iPhone


In its HDR mode, the iPhone 4 automatically recreates this process by taking three photos at different exposure levels, then layering the shots together to create one image with (theoretically) the best elements of each.

You can turn on the HDR functionality of your iPhone when in the camera by tapping the HDR icon at the top of the screen.

With HDR set to “on,” your iPhone will capture the original image and an HDR version, both of which you’ll find saved in your Camera Roll. You can change your iPhone’s settings to discard the original image but we find it useful for comparisons.

If it’s not obvious to you which is the HDR image, look for the HDR icon at the top of the screen above the photo.


DO Use HDR…


Here are three scenarios for when hitting up that HDR button would be a good idea.


… When There’s Strong Backlight


In the non-HDR image above you can see very little detail in the shadow as the camera has not coped well with the bright light coming from the doorway. The HDR pic has much more even lighting overall and shows significantly more detail. This will also be the case if you’re photographing a light object against a dark background.


…For Landscapes


Here you can see the HDR functionality has handled the contrasts of sunlight and shadow much better than the non-HDR image above. The foreground is severely bleached out in the original image and the areas of shadow much darker. The HDR setting has fixed these issues. You will also find that HDR adds detail to the sky where the standard camera would struggle with the contrast between the sky and the land.


… For Portraits in Strong Sunlight


Strong sunlight is not great for portraits as it can create harsh shadows and unflattering glare. In this self-portrait you can see that the skin tone has been evened out, the glare on the cheeks improved and the shadow cast by the hat made softer.


DON’T Use HDR…


There are some situations in which HDR is actually a hindrance rather than a help. Here are three to be aware of.


…If There’s a Risk Your Subject Will Move


Because the iPhone snaps three pics consecutively, if anything in the frame moves (or if you’re not holding the iPhone steady enough) you’re likely to end up with a blur or ghosting in your image. In our example images you can see that even though the three HDR images are taken milliseconds apart, just a slight breeze moving the buttercups was enough to spoil the shot.


…If You Want Strong Contrast


HDR takes extremes of light and creates a middle ground. This can be great in many scenarios but not if you want to capture striking contrasts. Here we wanted to capture the vibrant green leaves against the lighter foliage in the background and the brightness of the sky. The non-HDR image (above) has achieved this much better than the HDR snap below, in which the light has been toned down and the background detail filled in for an overall muddier final shot.


…If You Want Vivid or Accurate Colors


The iPhone’s camera generally deals well with color, giving nicely saturated results. Add in HDR however, and the colors you see in the final image aren’t likely to be true-to-life, or particularly vivid. In these images you can see the non-HDR photo above has bolder colors while the HDR shot below has darkened some tones and dulled the effect.


In Summary


The iPhone 4′s HDR functionality is a handy tool to have on board. It can be useful in certain situations but the key is to know when — and why — to activate it. We hope this article has helped, but with almost all photography the best way to get familar with the tech is to shoot as much as you can — so grab your iPhone, get out there and get snapping!


Via Mashable: http://www.mashable.com

28 February
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New Photo App Explores the World’s Disappearing Cultures

Volumes of professional photography have long been reserved for the coffee table, but Fotopedia, the maker of an online collaborative photo encyclopedia, is bringing this type of content to the iPad and iPhone. The company’s third photo app launches Tuesday and contains 1,300 photos of 40 unique cultures by professional photographer Jaime Ocampo-Rangel.

The app is one part of Ocampo-Rangel’s 12-year-long project, Memory of Colors, which also includes a book, a movie and an exhibit. The project was first on display at UNESCO’s headquarters in 2010. Ocampo-Rangel says he hopes the app will bring his work to new audiences.

“Fotopedia has allowed me to introduce these civilizations to an unprecedented audience that would otherwise have no idea of their existence,” said Ocampo-Real in a statement.

The new app allows users to browse photos by country, culture or color (“In my photography, I associate them with the dominant color of clothes, their skin, their spirituality or their way to perceive beauty,” Ocampo-Rangel explains in a video about the project). Each photo can be shared to social networks or set as wallpaper. For a limited time, the app is available for $0.99.

Memory of Colors is Fotopedia’s third app. The free app Fotopedia Heritage launched in October and has been downloaded more than 1.5 million times, and the first paid app, National Parks, launched in December.

“We don’t think of our apps as books and we don’t think of our job as about perfecting books,” says Fotopedia CEO Jean-Marie Hullot. “…Our job is to help people explore and discover the beauty of the world.”

Via Mashable: http://www.mashable.com

30 November
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10 Unique iPhone Photography Accessories

iPhone TripodThe iPhone boasts a pretty decent camera, backed up by a ton of really cool apps, but there’s no doubt there are a few specialized areas of photography — shooting video and still life, for example — where the iPhone could use a helping hand.

We’re not suggesting anyone buy the entire set of accessories we’ve listed below, but you may find one or two items could really improve the shooting capabilities of Apple’s mobile.

So, take a look at the add-ons we’ve found, and let us know in the comments any iPhone accessories that have helped you with your iPhotography.


1. iPhone Tripod Holder


This tripod holder is one of a few options available, but its real selling point is its low price, making it ideal for anyone who might have an occasional need to stick their iPhone on a tripod. For just under $10, you’ll get a simple but useful sturdy mount that features durable brass threads for a secure attachment.

Cost: $9.95


2. Owle Bubo


The Owle Bubo is a fairly major accessory for the iPhone. It transforms the mobile device into a camera with some comprehensive features. It adds a full-size lens, an external microphone, four tripod mount points and an integrated cold shoe for adding lights and the like. Finally, with an ergonomic design, the added weight the Bubo provides increases control for a more camera-like experience.

Cost: $169.95 for iPhone 4, $159.95 for 3G/3GS


3. Flip-Cage with iPhone 4 Mount


This folding tabletop stand for your iPhone 4 or 3GS model can be used as a small tripod and doubles as a desktop stand for watching movies or making Facetime calls. In addition, the iPhone mount can be removed so you can use your phone on any tripod.

Cost: $38.90


4. Factron Quattro Cases


The high-end Factron case for your iPhone will add some metallic and leather chic to your mobile, giving it a classic camera look and feel. The five interchangeable lenses (sold separately) will add more effects to your shooting repertoire. The case is available in 15 different colors and finishes and is made of “duralumin,” which certainly sounds rugged.

Cost: Approx $220


5. Zacuto Zgrip iPhone Jr. Handgrip


The Zgrip iPhone Jr. is a handgrip system for shooting more stable video on the move with your iPhone, and it also offers a thread to mount the handgrip to a tripod for stationery shooting. There’s also another thread on the top for mounting other accessories such as a light.

Cost: $69


6. USBFever’s Special Effects Lenses


If you can’t afford to splurge on Factron’s case-and-lenses system above, then USBFever offers some affordable alternatives. Its range of detachable lenses for mobile devices include fish eye, wide angle, macro and telescopic. The success of the results will no doubt vary, but there’s certainly some fun experimentation to be had.

Cost: From $13 to $22


7. Griffin Clarifi


Designed for iPhone 3G and 3GS, Griffin’s Clarifi case boasts a built-in lens that claims to give your iPhone a boost in camera resolution. Macro and close-up shots are instantly finer in detail, while you can still slide the lens aside for normal photography.

Cost: $34.99


8. Joby GorillaMobile for iPhone 4


Joby is now offering a product especially for the iPhone 4. The stand-alone bumper protects your phone, while the detachable, flexible tripod offers adaptable positioning. In addition to photography, the GorillaMobile can also be used as a desk stand, or even, suggests Joby, attached to a treadmill to watch your favorite show while working out.

Cost: $39.95


9. ZoomIt SD Memory Card Connector


This clever dock connector accessory (and the free app) allows you to use SD memory cards with your iPhone. It lets you view, access and share all of your photos (and other files) from your SD cards on the go without the need to connect to your camera, Mac or PC. It’s slightly pricey, but a fab solution for anyone who favors the SD memory card format.

Cost: $59.95


10. Glif


The soon-to-be-released Glif (enabled by Kickstarter) offers two functions: letting you mount your iPhone to a standard tripod and using a kickstand to prop your phone up at an angle. It’s a simple and elegant solution that’s seen some positive backing. You can pre-order yours now.

Cost: $20


By Mashable: http://www.mashable.com

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