14 November
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Stress Less [infographic]

It is that time of year. Everyone is running around like a turkey with its’ head chopped off. SO. MUCH. IS. GOING. ON.  Even if you don’t have “stress at the workplace”, this infographic touches upon some things that everyone can apply to their own lives, no matter the producer. Let’s face it—everyone has stress in their life. Hopefully this infographic will enable you to see the light at the end of the tunnel. It can be incredibly hard at times, even with the right management.

I read an article about a study evaluating the different forms of stress management for one of my social work classes. The study within the article brought up four different ways of managing stress: 1) source management, 2) relaxation, 3) thought management, and 4) prevention (Epstein, 32).  Through the study conducted, the researchers were able to conclude that “the…study showed clearly that prevention is by far the most helpful competency when it comes to managing stress” (Epstein, 34).

So, although things like yoga and acupuncture help to lighten the load, avoiding stress in the first place is the number one way to deter the bad feelings and physical harm caused by it. We must practice self-care. This will enable us to further help others. Happy Sunday, y’all.

Stress Less

Epstein, Robert. (2011).Fight the frazzled mind. Scientific American Mind, 30-35.

Via DailyInfographic: http://dailyinfographic.com/

17 July
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I Can See Clearly Now: Smart Headlights Dodge Rain, Snow

Photo: Carnegie Mellon University

When it comes to headlight technology, not much has changed in the last several decades. LEDs are on the cusp of becoming standard issue and adaptive headlamps that turn with the wheel have been around for years. But a system from researchers at Carnegie Mellon University has the potential to change the way we see in adverse weather by illuminating the road around droplets of rain and snow.

As anyone who’s driven in a torrential downpour or a snow storm can attest, the road isn’t the only thing that gets lit up by the headlamps. Particles of snow and beads of water reflect light back at the driver, making bad visibility even worse. And that’s where Carnegie Mellon University’s Professor Srinivasa Narasimhan and his team come in.

By coupling a video camera with a digital light projector and a beam-splitter, the system can identify a raindrop as it falls into the headlight’s view. An on-board computer figures out the drop’s trajectory and then selectively turns off the bank of lights in the path of the rain.

All of this happens in 13 milliseconds, and because the detection and termination of the light happens so quickly, there’s no perceivable flicker to both the driver or oncoming vehicles.

The only downside is that the headlights can’t illuminate quite as far or as intense as standard, non-adaptive halogen lamps. But that’s just a product of the lights being intermittently turned on and off – a reasonable trade-off compared to seeing bits of road behind a wall of water or snow.

The other issue is accuracy. According to the research by Carnegie Mellon, the system detects particles around 70 percent of the time at about 20 mph, and drops precipitously as speed increases, with only 15 to 20 percent of droplets recorded in a 10-foot range when traveling at 62 mph.

Still, with the right assortment of ultra-small and ultra-powerful LEDs – or even lasers, something BMW is working on – a more accurate camera and a faster processor, the system could be feasible on a production vehicle. The only question now is what breed of “magic” Mercedes-Benz will brand it…

Via Wired Autopia: http://www.wired.com/autopia/

30 April
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Slidevana Offers Powerpoint Templates Designed For Impact

PowerPoint can be incredibly convincing when done well, but sitting through the much-maligned scourge of presentations is, all too often, mind-meltingly, sleep-inducingly, soul-crushingly, dull–not to mention completely ineffective. What makes this basic medium so difficult to master? Ravi Mehta, CEO of recently launched Slidevana, believes it’s a matter of understanding the format. “Unless you’re a graphic designer, you’re generally used to thinking in words and prose. PowerPoint is a type of visual communication; a lot of people go into it without shifting their perspective, which is why they can end with something that looks more like a teleprompter,” he tells Co.Design. His company aims to take the guesswork out of creating slides with a set of 150 templates–”a complete toolbox”–that will, in theory, help direct users to a more compelling means of getting their message across.

Mehta designed all the slides himself, but he is not a designer.* Instead, his experience comes from years in the tech industry, both giving and observing presentations in all their glory (or infamy). As for the design of the slides themselves? Well, they look pretty standard-issue. The key for Mehta is ease of use. “We present prefab slides so people can dive right in and start working on telling their story,” he says, stories that will either appeal to emotions, with image- or quote-based slides, or reason, with data-centric diagrams. In a conscious choice to cut down on unnecessary clutter, only two themes are offered: Dark, which suits dramatic keynote addresses in large, dimmed rooms, and Light, a better choice for more intimate roundtable talks or printed presos. Inserting your own content is done with an easy drag-and-drop, and it’s possible to customize throughout a deck.

One-time customers are able to access any new additions to the collection, and the service is offered for PowerPoint for both Windows and Mac, as well as Keynote. It would have been interesting to see what Mehta would have created in collaboration with a design professional to refine the format, because there’s certainly ample room for these PowerPoint presentations to improve their aesthetic appeal. And ultimately, to achieve the kind of professional transcendence implied in Slidevana’s company name, you’ll have to really distill your mission statement. “The most important part of the presentation is the moral,” Mehta says, and no pie chart in the world will help you fabricate that.

*Our advice: Hire a designer. Quickly. Because these things need a ton of work.–Ed.

Image: Jiri/Shutterstock

11 April
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Choose Your Own Adventure

Paths

I get a variation on this email quite often: “I wish there was a job in social media for _____, because I’m really skilled in _____.” What’s fascinating is that the person is waiting for permission, and worse, waiting for someone else to create and open a role for them to fill. My first thought upon receiving this is to ask the person, “Who do you admire in life?” They often cite some famous person. I then ask, “Did someone make that job for them? Or did they choose an adventure that brought them there?” Sometimes, the light bulb goes on right then and there. Other times, well, bless your heart.

Where The Path May Lead

When I think about all that a business can do to succeed (or all that an individual can do, for that matter), I start from the mindset of forgetting about the path that someone else has forged. Why? Because innovation rarely (never?) comes from following an established path. If I were going to design a hotel, I wouldn’t try learning what worked and didn’t work for the Four Seasons, I’d think through (and then interview others about) all the details that matter to me as a traveler, and then consider what I could do better.

For instance, in redesigning my hotel experience, how difficult would it be to offer personalized grocery runs for every guest with a small 15% fee on top of the retail value of those products? Instead of the same lame mini bar options, I’d have invested in exactly what I wanted, would have paid for the service, and would have a much more personalized experience in my room. Hint: the path before me would never take me to this idea.

Everybody’s Doing It

In the 1990s, fax marketing was a serious consideration. (I have to pause to say that Aaron Strout often jokes about fax marketing, and I write this, I’m snorting a bit, thinking of his humor.) If that’s what you had to go by for what works as marketing, would you do it?

Many employees inherit jobs or reports or duties that came from someone before, and often, they don’t think to evaluate or question what the tasks or reports or whatever serve. I see this with marketers who keep vast spreadsheets full of information that when I query them, they are doing it because they were told to do it, and when I ask their leadership, those people say they have no idea what to do with some of the data they’re receiving.

Trends Are Shaky Signposts

If you asked people about what the current trends were in digital marketing, they’d point to Pinterest, to Google+, to Facebook nearing 1 billion users, to many other number-filled or feature-driven conversations about trends.

If you ask me, I’d say it’s in building intimate little communities of 1000 or so active contacts who are reached through more intimate communications channels for more personalized interaction. Another way of saying that: email marketing is sexier than ever. I say it related to zero trend analysis. I say it because my data says it’s true, at least when properly executed.

As the trend is large (Pinterest), I’m excited by the small ( Gentlemint). As the trend says big 3D TV experiences, I’m thinking YouTube. As people seek to automate more of their business efforts, I’m wondering how to do more bespoke/custom work.

I’m not being contrary. I’m following my own analysis, and that says that choosing my own adventure will be a lot more rewarding if I pay attention to what’s effectively finding me a community of value. I’m using my own internal and professional compass to decide what I want to do with the territory.

You Choose

Never let life lead you. The goal, the opportunity with all this, is that you can choose what you want to do, how you want to do it, what you want to pay attention to, how to care about what comes before you. You can choose the cubicle or the home office. You can decide on being an employee or leading your own mission. Never before have we had this much opportunity.

So, then, why aren’t you choosing? Or are you?

Chris Brogan is an eleven year veteran of social media using both web and mobile technologies to build digital relationships for businesses, organizations, and individuals.

04 April
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The Flying Cars Are Coming … To the New York Auto Show

Photo: Terrafugia

There’s a flying car coming to the New York International Auto Show this week. The Terrafugia Transition is a two-seat airplane with foldable wings, four wheels and turn signals. Over the past few years the Massachusetts company has called its creation a “roadable aircraft” and lately, a “street legal airplane.” But ahead of the Transition’s first appearance at an auto show, it’s perhaps more appropriate to simply call it what it is: a flying car.

Terrafugia and its Transition have been around for several years, but until now the company has largely stuck to the aviation community. But Terrafugia co-founder and CEO Carl Dietrich says that looking at the people who have placed orders for the $279,000 vehicle, they thought it would be worth looking outside the aviation world.

“We’ve noticed in our order backlog there are actually a fair number of people who are not currently pilots who are putting deposits down to order a Transition.”

So the company is coming to New York to gauge interest in a flying car from the non-pilot sector of the public, hoping the attraction of a flying car can create a few pilots and most importantly, customers.

Development of the Transition is progressing and last month Terrafugia completed the first flight of the production prototype. Dietrich expects flight testing to continue through 2012 and deliveries to begin next year.

The dream of a flying car has been around for a long, long time. And in recent years we’ve seen a dune-buggy-turned-car that flies like a powered parachute aimed at accessing remote parts of the developing world, and even aerospace guru Burt Rutan explored the concept in his final days at Scaled Composites.

Just today a Dutch company announced the successful first flights of the PAL-V, a single-seat three-wheeler that’s also a gyrocopter. But as is the case with many inventions that try to combine two already matured products, one plus one does not usually equal two.

The PAL-V One from Holland. Photo: PAL-V

The math doesn’t quite work out on the Transition either, though it’s arguably the most serious attempt at producing anything close to a practical flying car. It’s a decent airplane and as a car it can get you from A to B. The biggest challenge is finding the niche that can be served by the Transition which is neither a great airplane nor a great car. Terrafugia’s Dietrich says that marketplace might be people who fall in between the long driving commute or short airplane flight.

“If you’re flying 1,000 nautical miles, you’re probably going to want a higher performance aircraft” he says. “But if you’re flying 100, 200 or 300 miles, this might be ideal.”

With a cruise speed of 105 miles per hour, the Transition is faster than a car, especially considering it can often travel in a straight lines rarely available on the road. But it’s slower than many other Light Sport Aircraft (LSA), many of which fly at speeds closer to 135 mph. And comparing it to other new LSAs, the Transition is at least $100,000 more than most models.

But what Terrafugia believes is the value in the Transition is the convenience of always having the option of driving if the weather or some other issue prevents a safe flight. It’s true that one of the biggest challenges general aviation pilots face is being grounded because of bad weather. Many small aircraft can fly in inclement weather, but it requires more training and often more equipment to do so safely. So Terrafugia is touting the fact that its relatively simple light sport aircraft won’t force you to wait, or have to rent a car, just to finish a trip. Just fold up the wings and continue your journey on the ground.

Of course then you’ll be driving a rather delicate $279,000 car down the road. Little has been said about the cost of somebody backing into your folded wing. Something as simple as a minor fender-bender may be a bit more expensive than simply replacing a bumper.

Terrafugia’s Transition in flight. Photo: Terrafugia

Despite any potential drawbacks, Terrafugia has found a customer base that believes the flying car makes sense. Dietrich says about two-thirds of their existing customers are looking at the Transition as a practical form of transportation to suit their specific needs. Examples include a surveyor who could travel quickly to jobs around the state and a real estate developer who likes the idea of being able to scout new sites from above and give aerial tours to customers. The other third simply see the Transition as a fun vehicle and like the idea of owning a flying car.

For the rest of the population there are plenty of ground-bound vehicles to look at this week in New York and lots of plenty of airplanes to see at shows like Airventure in Oshkosh. So the challenge will be to decide whether or not the $279,000 Transition is a better option than a $100,000 Porsche Carrera plus a $160,000 Flight Design CTLS (leaving some extra cash for those car rentals).

Via Wired Autopia: http://www.wired.com/autopia/

17 March
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Lytro: Shooting Matrix-Style ‘Bullet Time’ Video Isn’t Far Away

lytro-cam-left-600The Lytro camera, which launched this past Wednesday, takes photos that the user can refocus after the fact. It’s a cool trick — and you can experience it via the photo below — but it’s really just scratching the surface of what the technology behind the camera can do. Soon users will be able to create 3D effects and even, with upgraded equipment, shoot slow-motion wraparound video like the kind seen in the Matrix movies.

The Lytro creates its “living pictures” by capturing the entire light field, not just the color and intensity of light but also the direction of individual rays. The technology behind putting light-field capture into a small camera was about a decade in the making, based on research done by the company’s CEO, Ren Ng, as a graduate student at Stanford.

“Through a series of serendipitous moments,” Lytro vice president of marketing Kira Wampler explains, “Ren taught himself how to build the camera because he was so driven by this desire to take this room full of cameras and miniaturize it in such a way that real people could take advantage of taking pictures with the light field.”

 

Now that it’s released its first camera, Lytro has a long list of features and enhancements that it intends to pursue. Early adopters of the Lytro camera needn’t worry too much either — since the files the camera produces store all the light-field information of a scene, anything Lytro releases to take advantage of that data can be used on old pics.

First on the agenda: 3D. Lytro has already demonstrated how it’s relatively easy to use the light field to create a 3D effect on a photo. Moreover, you’ll be able to click and drag the photo to change the angle of the 3D perspective. The effect will be limited to what the camera can see, however, equivalent to moving your head an few inches in each direction.

A Lytro video camera is farther out, but it has the potential for an even more impressive effect. The light field, after all, is fundamentally the same idea used in the Matrix films to create the wraparound slow-motion effects often referred to as “bullet time.” By using more than one camera, possibly linked via wireless, Lytro users could recreate those effects on their own.

“It’s not that far away,” says Wampler. “If you had a camera over here and a camera over there — that know each other — then you can do bullet time.”

SEE ALSO: 13 Lytro Photos That Will Make You Look Twice

Besides different ways of using the light field, Lytro also says it’s going to add editing features in its desktop software, letting you do things like touch up exposure or crop photos. Pro-level features are also in the works, like being able to focus at a point in space even if there’s no object there in the photo.

“Editing will be very cool,” says Wampler. “One of the reasons we haven’t unleashed it yet is that we want it to be functionality that really takes advantage of the multidimensionality of the picture. For us, we have multiple layers. For example we could make the foreground black and white and the background sepia.”

Perhaps most importantly, the company says it will eventually make its proprietary file format — the .lfp format — available to any photo service that wants to adopt it. For example, Facebook could integrate it so instead of just sharing the photo, you could use it as your profile pic.

“It is a matter of when not if,” says Wampler. “Native adoption of the light field file format with other editing, sharing and organizing tools is a priority for us.”

What would you like to see Lytro work on next? Have your say in the comments.


Via Mashable: http://www.mashable.com

01 March
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Lies That Losers Tell

“Cause right now you’re just a liar
a straight mentirosa
today u tell me something
y manana es otra cosa”
–Mellow Man Ace

When a company starts to lose its major battles, the truth often becomes the first casualty. CEOs and employees work tirelessly to develop creative narratives that help them avoid dealing with the obvious facts. Despite their intense creativity, many companies often end up with the exact same false explanations.

Some familiar lies

“She left, but we were going to fire her, or give her a bad performance review.”
High-tech companies tend to track employee attrition in three categories:

  • People who quit
  • People who got fired
  • People who quit, but it’s okay because the company didn’t want them anyway

Fascinatingly, as companies begin to struggle, the third category always seems to grow much faster than the first. In addition, the sudden wave of “semi-performance-related attrition” usually happens in companies that claim to have a “super high talent bar.” How do all these superstar employees suddenly go from great to crap? How is it possible that when you lose a top-rated employee before you can say “unwanted attrition,” the manager carefully explains how her performance fell off?

“We would have won, but the other guys gave the deal away.”
“The customer selected us technically and thinks we are the better company, but our competitor just gave the product away. We would never sell so cheaply as it would hurt our reputation.” Anybody who has ever run an enterprise sales force has heard this lie before. You go into an account, you fight hard, and you lose. The sales rep, not wanting to shine the light on himself, blames the “used car dealer” rep from the other company. The CEO, not wanting to believe that she’s losing product competitiveness, believes the rep. If you hear this lie, try to validate this claim with the actual customer. I’ll bet you can’t.

“Just because we missed the intermediate milestones doesn’t mean we won’t hit our product schedule.” 
In engineering meetings where there is great pressure to ship on time–a customer commitment, a quarter that depends on it, or a competitive imperative–everybody hopes for good news. When the facts don’t align with the good news, a clever manager will find the narrative to make everybody feel better–until the next meeting.

“We have a very high churn rate, but as soon as we turn on email marketing to our user base, people will come back.”
Yes, of course. The reason that people leave our service and don’t come back is that we have not been sending them enough spam. That makes total sense to me, too.

Where do lies come from?

To answer that question, I thought back to a conversation that I had years ago with the incomparable Andy Grove.

Back at the tail end of the Great Internet Bubble in 2001, as all the big technology companies began missing their quarters by giant amounts, I found myself wondering how none of them saw it coming. One would think after the great dot-com crash of April 2000, companies like Cisco, Siebel, and HP would realize that they would soon face a slowdown as many of their customers hit the wall, but despite perhaps the most massive and public early warning system of all time, each CEO reiterated strong guidance right up until the point where they dramatically whiffed their quarters.

I asked Grove why these great CEOs would lie about their impending fate.

He said they were not lying to investors, but rather, they were lying to themselves.

Andy explained that humans, particularly those who build things, only listen to leading indicators of good news. For example, if a CEO hears that engagement for her application increased an incremental 25% beyond the normal growth rate one month, she will be off to the races hiring more engineers to keep up with the impending tidal wave of demand. On the other hand, if engagement decreases 25%, she will be equally intense and urgent in explaining it away: “The site was slow that month, there were four holidays, we made a UI change that caused all the problems. For gosh sakes, let’s not panic!”

Both leading indicators may have been wrong, or both may have been right, but our hypothetical CEO–like almost every other CEO–only took action on the positive indicator and only looked for alternative explanations on the negative leading indicator.

So if you read this and it all sounds too familiar and you find yourself wondering why your honest employees are lying to you, the answer is they are not. They are lying to themselves.

And if you believe them, you are lying to yourself.

Author Ben Horowitz is a cofounder and General Partner of Andreessen Horowitz. Ben blogs at bhorowitz.com.  

Image: Flickr user Disney Passholder

Via Fast Company: http://www.fastcompany.com

27 February
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The Long and Winding Road to Personal Heads-Up Displays

With the rumors churning about Google’s potential “heads-up display glasses” coming out at the end of the year, we thought it was important to look back at the history of this technlogy.

Heads-up displays allow users to receive data on a screen in front of them, so they don’t have to look somewhere else, thus disrupting what they’re concentrating on. Each HUD has three parts: the combiner, which is the surface the data is projected on — like a windshield or lens; the projector unit, which puts out the image; and a video generation computer, which creates the images.

 

Heads-up display in a commercial plane

The combiner is coated with a transparent film that allows all other light to pass through, but reflects or refracts the light generated by the projector unit, making it appear to float on the screen. As you can see in the above image of a HUD on an aircraft, the information appears over the sky so the pilot doesn’t have to turn his head. The projector units are powered by cathode ray tubes, similar to older televisions, an LED, or a LCD.

Video games are a common way to encounter HUD; interfaces players use to keep track of their health, ammunition or objective are all displayed in some variety of HUD, a technique that evolved especially as first-person perspective games, like shooters and RPGs, became mainstream. They’ve also appeared in sci-fi movies as part of everyday technology.

But before they were even futuristic concepts, basic HUD’s were first put into practice by the military as early as World War II. Read our slideshow to learn the history of heads-up displays, from then, to now, and even into the future.

Image courtesy of iStockphoto, lsannes

Via Mashable: http://www.mashable.com

14 February
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Meet Boxx: A Squared-Off, Self-Contained Electric Scooter

From Portland, Oregon, we bring you the Boxx — a meter-long electric scooter with looks apparently inspired by Volvo station wagons of yore.

Self-contained and with a tiny footprint, the 120 lb. Boxx is designed for urban environments where space comes at a premium. It’s small enough — and stylish enough — that it could be stored in a living room or office without looking out of place. Whether it’s comfortable to ride remains to be seen, but the company promises videos will be available soon.

Looks aside, the Boxx seems like it’s quite capable for getting around town. The base model, which retails for $3995, can go 40 miles between charges, but it’s possible to upgrade to double the range. Recharges take four hours or one hour depending on configuration. Top speed is governed at 35 mph, and the power to weight ratio is 2 to 1. It’s capable of ascending a 40 degree incline and can hold up to 300 lbs. in combined passenger and cargo load, including two cubbies for backpacks or briefcases. You can even order it with a heated seat.

A little more than a week after its public debut at the Portland International Auto Show, interest in the Boxx is strong, according to Paul D’Souza, International Director for Boxx Corp. “Basically we are flooded and can’t keep up with E-mail,” he said. “We have requests from all over the world.”

The company hasn’t released all their technical specs yet, but we do know that the Boxx is powered by proprietary hub motors that D’Souza says weigh only 10 pounds — about a third of what a traditional electric hub motor would weigh. Systems such as the “Autonomous Vehicle Occupant Adaption” and “BOXX Attitude Disertion (B.A.D)” have yet to be explained.

We do know that future Boxxes will feature LightGuard, a “virtual lane system,” and also a touchscreen-equipped modular vehicle controller known as CUBE.

Photos: Boxx Corp.

 

Via Wired Autopia: http://www.wired.com/autopia/

02 February
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Mind-Blowing Installation Makes You Feel Like You’re Walking On A Cloud

I waited in line for two hours Saturday to slip on a pair of hospital booties and spend a few minutes, maybe 5 minutes tops, milling around a white room. And you know what? It was totally worth the wait.

That’s because Doug Wheeler’s new installation at the David Zwirner gallery in New York is the closest I’ll ever get to satisfying a desire I’ve had since childhood: to float on a puffy white cloud.

The installation is called rather unromantically SA MI 75 DZ NY, and it’s precisely what I’ve described–a white room and little else. That “little else,” though, makes all the difference. Wheeler softened the room’s corners to obliterate any sense of where the floor ends and the walls and ceiling begin. I’d seen photos of the thing online, but I was totally unprepared for the physical effects. Step inside, and immediately, you feel like you’ve been smacked in the face by an endless plume of mist.

The effect dies after a moment (turn around and you’ll notice a bunch of mood-killing lights and–eek!–the right angles of a normal room). But hang out a few more minutes (and ignore the lights if you can), and your eyes start playing new tricks on you. My boyfriend obsessed about the little particles of dust in his eyes that the white background threw into relief. “My eyes feel like they’re dirty,” he said.

SA MI 75 DZ NY is Wheeler’s fourth so-called “infinity environment”–expansive, all-white rooms that evoke the sensation of entering an infinite void. The first was built in 1975. Wheeler helped pioneer the Southern California-based Light and Space movement in the 1960s and ‘70s alongside guys like Robert Irwin and James Turrell. Their big thing was futzing around with light and architecture to control, sometimes very subtly, how people experience art. If you want to read a great book about this stuff, pick up Lawrence Weschler’s extended profile of Irwin, Seeing is Forgetting the Name of the Thing One Sees. The book details the profound impact the artist’s work had on viewers. In one instance, after he manipulated the transparency of a building next door to his studio, people sat and observed the light change, “watching, sometimes for hours at time.”

I suspect that what drew people to Irwin’s artwork decades ago is the same thing that inspired legions to wait two hours (or more) at the David Zwirner gallery on Saturday. People crave the visceral experience. Our world is even more image-saturated today than it was 35 years ago. A new painting can be disseminated around the cultural stratosphere before it even hits the gallery wall. Everything can be found online. Well, almost everything. The rather plain shots of Wheeler’s installation above just go to show that some things really are still better in person.

Images by Tim Nighswander/IMAGING4ART, courtesy of David Zwirner, New York © 2012 Doug Wheeler

Via Fast Co Design: http://www.fastcodesign.com

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An online marketing and design agency in Portland Oregon