06 May
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Holton Rower’s Paintings Look Like Geodes, Dripping Off The Wall

The Hole NYC, a gallery that has displayed some of the most exciting contemporary art of recent memory, is up with another great show: an exhibit on the psychedelic “pour paintings” of the New York artist Holton Rower.

Like his grandfather, he takes playfulness very seriously.

Rower douses amorphous pieces of plywood in tremendous quantities of paint that’s often doctored with opalescent admixtures, reflective elements, and cheery sparkles. As the paint flows over the wood–and clumps and fractures and halts against obstacles Rower inserts–it settles into woozy technicolor patterns that call to mind a room full of Grateful Dead tapestries after the fifth button of peyote.

Rower is art-world royalty. Born in the 1960s, he’s the grandson of Alexander Calder, the beloved American artist who invented mobile sculptures. At first glance, Rower’s paintings seem to fit squarely into the tradition of American abstract painting, following in the giant footsteps of Morris Louis, Jackson Pollock, and Willem de Kooning.

But, as the curators at The Hole explain, Rower’s work veers from his Color Field and Ab-Ex predecessors in a key way. His process is both “highly premeditated” (he decides what kind of paint to use and where and how to pour it) and “fancifully spontaneous” (he never knows how, exactly, the final piece will turn out). As such, “Rower’s pours come closer to the abstracting nature photos of Edward Weston than to the works of Pollock or de Kooning, painters who, even when most abstract, always left behind traces of the actions of their hands.”

They come close to the spirit of Calder’s work, too. Calder was a resolute tinkerer–an artist who took obvious pleasure in making things, and making them well, from the gentle mobiles he crafted using hunks of sheet metal to the uncannily nimble mini acrobats he sculpted out of wire. The lightness of his touch belied the meticulous engineering that undergird all his art. Rower approaches his paintings in a similar fashion. He has spent the past five years in seclusion developing and perfecting his pours, though you’d never guess it by the freewheeling, almost dippy, look of them. Like pop-pop, he takes playfulness very seriously.

Pour Paintings runs through May 26.

Images courtesy of The Hole NYC

Via FastCoDesign: http://www.fastcodesign.com/

24 June
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Building Historic Burt Rutan Designs Brick By Lego Brick

If you’ve always wanted to build a Burt Rutan designed aircraft, it’s about to get a lot easier. From the VariViggen to SpaceShipTwo, most of the most important designs to fly over Mojave during the past 35+ years will soon be available for just about anybody to build with Legos.

The project began two years ago as a collaboration between Burt Rutan’s son Jeff, and his grandson (Jeff’s nephew), Cole. When a then 10 year old Cole first saw WhiteKnightTwo in 2008, he wanted to build a lego version of the largest ever aircraft to come out of a Scaled Composites hangar. Using 3-D design software, Jeff worked out the plans to build a model out of Legos, but suggested they start with the smaller SpaceShipTwo to get started. They ended up building three of the next generation spacecraft, giving one to the famous designer for Christmas.

Jeff Rutan told the Experimental Aviation Association after successfully building SpaceShipTwo from Legos, they saw now reason to stop.

“Then we thought it would be cool to make a bunch of these” Jeff says, “and sell some plans books so other kids could build these with their own LEGOs.”

Now he has plans for 46 Rutan/Scaled Composites aircraft including a few variations on some popular designs and one or two that are the offspring or related to the Rutan/Scaled/Mojave community.

SpaceShipTwo together with WhiteKnightTwo built from Legos.

After more than three decades at the leading edge of aerospace design, Rutan recently retired from Scaled Composites, sold his pyramid home in Mojave, California and moved to Idaho. And while many in the industry can’t help to think that there will still be some new designs on the way, there is no doubt that his history of creative and unorthodox designs have left a indelible mark in the aerospace world.

Built entirely of single and double width Lego bricks, the models – especially the smaller ones – are instantly recognizable, albeit low-resolution versions of the smooth, composite full size aircraft they are based on. The plans for all 46 are made at 1/30 scale, providing a good comparison of the various sizes. According to the EAA, Jeff is still looking for a publisher for the plans, but hopes to have them available by next year.

In addition to the VariViggen and SpaceShipTwo, other classic Rutan designs available include several versions of the Long-EZ, the high flying Proteus, the around-the-world Voyager and perhaps his most interesting design, the Boomerang .pdf. Even the Firebird has been worked out in Lego form only weeks after the Scaled Composites design was announced to the public.

In honor of his contribution, Rutan will be honored at Airventure in Oshkosh, Wisconsin next month. There are plans in place to have all of the Lego models on display at the EAA Museum during the show.

Photos: Jeff Rutan via EAA

Via Wired Autopia: http://www.wired.com/autopia/

23 April
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A note to speakers

I was fortunate to spend the better part of 36 hours in Coeur D’Alene, ID this week to talk to a roomful of very enthusiastic folks about Social media, and it got me thinking: With all that yapping some of us do onstage, more often than not, true dialog tends to get lost in shuffle. We talk and talk and talk, and then towards the end of our session, we leave 10 little minutes open for questions, and that’s it. Well, that isn’t enough. As much as I like to speak (and hear myself speak, if the length of my blog posts and presentations weren’t a clue), I much prefer the back and forth of Q&A even to my own incessant droning. Give me dialog. Give me conversation. Give me engagement. Not just on Twitter and the blogosphere, but with a real crowd, flesh and bone, pencils sharpened, phone cams at the ready. Give me a town-hall atmosphere over a lecture any day.

Which is why at the end of today’s 3 hour session on stage and 20 solid minutes of questions, I stuck around for another hour after the event ended to make sure that everyone who had a question for me got an answer. THAT, more than my time on stage, was the highlight of my evening. Why? Because I got to meet people, truly interact with them, get to know them better, solve specific problems for them (hopefully), and become part of their world. There were handshakes involved, pats on the back, stories of ski trips in Savoie and breaking world records and harrowing tales of survival (no, really). And then people started taking pictures for their blogs and facebook walls and whatnot, and that was a lot of fun too.

At 6pm, we were all strangers. At 9pm, everyone knew who I was, but the dynamic was still speaker/audience. At 10pm, I had connected with some wonderful human beings with fascinating stories to tell and made at least a dozen new friends. It was all good, but guess what: That time between 9pm and 10pm, that’s the part I got the most out of.

So speakers, ye of talent, skill and charmed lives, here’s the deal: Don’t limit yourselves to just “speaking.” Stick around. Get to know your audience. Chat with them. Listen to their stories. That’s where the real value of your speaking engagement is. Not the proverbial icing on the cake, as it were, but its warm gooey heart. The lectures, the presentations, the time on stage, eventually it will all blend into one big mess of jumbled memories of spotlights and silhouetted figures lined up in neat little rows, of people nodding and smiling and taking notes, and if you aren’t too awful at it, the wonderful sound of applause too. Always as sweet as it is brief. But the memories that will stick with you, the ones you’ll want to hold on to, the ones that will separate this event from that one will be those of the moments you spent hanging out with the fans. The ones who want their picture taken with you. The ones who want to show you their dog photos and their battle scars and the iphone case their grandson made for them. THAT’s the good stuff.

So someday, when you’ve made it big and you make obscene bank going from event to event on some conference circuit or another, when you feel that the speaking you do makes you some kind of rock star, remember that the fees you command, the VIP treatment you’ve gotten used to, the applause and accolades you enjoy, none of that stuff is owed to you. You’re just lucky to be there, just like you were lucky to be there when you were first asked to speak – for free – at a local business event by a friend who wanted to give you a break. Nobody in that crowd owes you a damn thing. But you, sir, m’am, you owe every single person in that crowd EVERYTHING. Remember that. Always.

So mingle. Shake hands. Hang out. Get to know as many of the people who come listen to you “speak” as you can. They’re the best people you’ll ever meet, and I don’t need an R.O.I. equation to know that.

Have a great Friday, everyone.

Valve Interactive
An online marketing and design agency in Portland Oregon