30 May
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Google-Supported Autonomous-Car Legislation Passes California Senate

Senator Alex Padilla (D-Pacoima) in Google’s Autonomous Prius. Photo: Courtesy of Alex Padilla

California Senate Bill 1298 passed the State Senate today in a unanimous, bipartisan vote of 37-0, paving the way for safety and performance standards that cover autonomous vehicles operating on the state’s roads and highways.

The bill, authored by Sen. Alex Padilla (D-Pacoima), is on its way to the State Assembly for consideration, and it’s expected to pass within the next month.

“Thousands of Californians tragically die in auto accidents each year,” Padilla said after the bill’s passage. “The vast majority of these collisions are due to human error. Through the use of computers, sensors and other systems, an autonomous vehicle can analyze the driving environment more quickly and accurately and can operate the vehicle more safely.”

The legislation isn’t quite as broad as the law recently passed by Nevada to allow autonomous vehicles to test on the state’s roads, but would rather set up a series of safety guidelines and performance standards that the California Highway Patrol (CHP) would use to evaluate the operation of such vehicles in the state.

Further, autonomous vehicles testing in California would have to meet all applicable state and federal safety standards, and work in conjunction with the CHP and the Department of Motor Vehicles to recommend additional requirements. And naturally, a licensed driver would need to be in the vehicle at all times.

The passage of the legislation comes weeks after Arizona, Hawaii, Florida and Oklahoma have all announced plans to consider similar legislation in their respective states. And Google, along with the Automobile Club of Southern California, the California Foundation for Independent Living Centers, TechNet, and TechAmerica have all supported the California bill.

“Developing and deploying autonomous vehicles will not only save lives, it will create jobs,” Padilla added, going on to say that “California is uniquely positioned to be the global leader in this field.”

Via Wired Autopia: http://www.wired.com/autopia/

06 May
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SpaceX Forced to Delay Launch to Space Station

Photo: SpaceX

SpaceX has once again been forced to delay the launch of its Falcon 9 rocket and Dragon spacecraft. The latest launch date was scheduled for Monday, May 7 from Cape Canaveral in Florida and a new date hasn’t been set. Issues with the software responsible for controlling the automated spacecraft have caused several of the past issues and are assumed to be responsible for these latest delays.

In an interview with Wired last week, SpaceX founder and chief designer Elon Musk said the delay that forced the change from an Apr. 30 to May 7 launch was caused in part by limits in the software being too sensitive when controlling the Dragon capsule in orbit, “essentially Dragon got scared and ran away, when it shouldn’t have.”

SpaceX must work with NASA to confirm that all of the software and hardware are ready to go for the upcoming flight because of the interaction, and eventual berthing with the International Space Station. During the mission the Dragon spacecraft will make a series of maneuvers around the ISS and eventually approach the station. At the approach, commands will be given from the station to the Dragon to ensure those on board the ISS can instruct the unmanned spacecraft to retreat if necessary.

This past Monday SpaceX performed a countdown rehearsal complete with a firing of the nine Merlin rocket engines for two seconds. While the simulation was heralded as a success, it was delayed after the first attempted forced a reset with just 47 seconds left on the countdown clock.

Because of the orbit of the ISS, the next launch opportunity for the Falcon 9 and Dragon would not be until May 10 at the earliest. After that date there is a Soyuz rocket scheduled to launch to the ISS on May 15 which would likely push SpaceX’s next opportunity several days after the Soyuz launch.

The SpaceX launch is part of a NASA required flight test for its Falcon 9/Dragon system to provide cargo transportation to the ISS.

Via Wired Autopia: http://www.wired.com/autopia/

13 April
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Ari Wallach’s Career Solution: Become A Real-Life Problem Solver

Ari Wallach, 37, heads a consulting firm that draws power from an eclectic mix of unconventional experts. Resolving conflict through discourse is the theme of a career spanning politics, commerce, and religion.

As the founder of Synthesis, a strategic consulting firm based in D.C. and New York, Ari Wallach helps government, NGO, and corporate clients–including CNN, the Ford Foundation, the U.S. State Department, and United Nations Refugee Agency–find innovative solutions to complex problems. For the student of political philosophy who once considered going to rabbinical school, synthesis–resolving seemingly incompatible views and experiences–has been the theme running through his eclectic career that’s ranged from conflict resolution at UC Berkeley, to finance work with the Democratic National Committee, new-media projects, consulting with the nonprofit Coro Foundation, and the “Great Schlep” campaign to get out the Jewish vote for Obama in 2008.

FAST COMPANY: How is Synthesis different from other, bigger consulting firms?

ARI WALLACH: All Synthesis is, is myself and my partner running the back end. It’s like cloud innovation; we’re really trying to build a next-generation consultancy, drawing on a different kind of expert network. All the rock stars I know now are freelancers and perma-lancers, but there’s no mechanism for them to work together as teams–for a few days or a year or two. We’re working to figure out the infrastructure for this kind of organization.

We’ll hire a stay-at-home mom who doesn’t want to return to a position at McKinsey, but will give us 15 brilliant hours a week in between everything else she’s doing in her life. We can bring in an urban-graffiti practitioner or someone who builds amazing shelters at Burning Man and used to build DARPA-contract structures and get them to reframe what they do so it’s relevant to a client’s issues. We don’t have a one-size-fits-all process like other consulting firms have. It’s like going to a Freudian or Jungian therapist–I’m more comfortable with the gestalt school. We bring a lot of curation–knowing what fits but also what doesn’t fit. We also have a heavy reliance on academics–especially in anthropology and social psychology.

How does your experience in conflict resolution inform your consulting work?

There is a false premise that innovation is about ideas. But ideas are actually relatively simple to come up with. True innovation is about culture and execution. The heart of innovation is conflict–you are challenging the status quo. Another thing I learned from working on conflict resolution throughout high school and college is that the problem you’re talking about is usually not really the problem. We often end up solving something that wasn’t part of the original brief. That’s why it’s important to bring diverse skills and beliefs and not write anything off.

Where does your interest in conflict come from?

I grew up in a home steeped in conflict, watching black-and-white World War II movies on TV. My father was a Holocaust survivor whose father was shot in front of him and whose sisters and mothers were sent to Auschwitz. He escaped under gunfire and fought with the Jewish underground in Poland. He’d been in Cuba for 11 years during the revolution, where speaking Spanish and Russian was a real advantage. But my mom is a professional artist whose teacher was Buckminster Fuller, so as very young kid I was exposed to that. Trying to reconcile what that meant to what happened in WWII, and preventing that from happening again–there you have the underlying thesis of my life.

Did your upbringing also influence your desire to seek out diverse perspectives?

I had an eclectic upbringing, to say the least. My two older sisters and I were born in Guadalajara, where my dad ran a successful pipe business. My dad spoke 11 languages by the time he passed away 17 years ago. In San Francisco, I remember going to restaurants in the ’80s and he’d disappear–he’d be back in the kitchen talking with the staff in Spanish. From that, I learned that everyone is a source.

Pioneers of the new (and chaotic) frontier of business

Flagship Fluxers, Photo: Brooke Nipar

In our February 2012 issue Fast Company Editor Robert Safian identified a diverse set of innovators who embrace instability, tolerate–and even enjoy–recalibrating careers, business models, and assumptions. People like author/Onion digital media maverick Baratunde Thurston, Greylock Data Scientist DJ Patil, Microsoft Senior Researcher danah boyd, and GE’s Beth Comstock. This series continues to explore the new values of GenFlux. Find more Fluxers here. And tweet your contributions using #GenFlux.

What’s motivated you to keep trying new things?

Figuring out what you don’t want to do is as important as figuring out what you do want to do. As I was exposed to different things and seen the trade-offs, I’ve opted out. I’ve gone through the entire bucket list of everything I thought I wanted to do when I was growing up. When I was 18 I was in the hospital in a body cast. I did medical rounds with my doctor and saw that I wasn’t interested in the mundane part of working in a hospital. I spent time in an architecture firm and saw how much time you needed to put in as an apprentice to get to Geary level.

By the time I left school, I’d done time with the Clinton-Gore camp and a think tank in DC. I knew I didn’t want do presidential campaigns or work in a think tank. In the mid-90s, I founded a startup called InForum–a live-events forum for Gen-X politics–which grew to be pretty big in the Bay Area. After that, I went to New York and worked with the nonprofit Coro Foundation–an externship program based on the medical rotation model–where I worked as a consultant with the Loews Hotel Group, the Rev. Al Sharpton, and New York’s largest public-employee union, rotating through different stakeholders in civic matters. Half of the people in New York City government are Coro alumni. That really laid the groundwork for the business model of Synthesis. After Coro, I unsuccessfully tried to get funding for a Gen-X Charlie Rose-style TV called ReThink. After that, I went on to do some consulting and corporate business development.

How did the Great Schlep lead you into starting your own firm?

During the 2008 campaign, it became obvious that Obama had a perception problem with Jewish voters. I had a good idea that what needed to be done, but it was outside of the campaign brand playbook–something more politically dangerous but with a huge potential upside. Using raw humor–Sarah Silverman made video for us–and guilt, the Great Schlep was about mobilizing young Jewish Obama supporters, largely through social media, to get out the elderly Jewish vote by actually going to places like Florida where their grandparents lived. After that campaign, I got several calls from Fortune 500 firms looking for Chief Innovation Officers. I was really torn about what to do next and got connected with an executive coach–even doing what I do, you still need to go to someone else to do for you what you do for others. Talking with him, I came to the realization that I didn’t want to work for anyone ever again. He said, “It sounds like you want to build a consulting shop and turn some of these job offers into clients.”

Do you consider yourself a risk-taker?

People from outside might see me as a risk-taker, but I’m actually very conservative–even more so that married with 3-year-old twin daughters. Restlessness and curiosity are driving forces for me, and I always want to be learning from what I’m doing. But I’ve always known that this is my life, so I’ve saved up for exploration–some of the things that you don’t see on LinkedIn, like a residency at Green Gulch, the Zen monastery in Marin Country; or going to Santa Barbara to learn how to surf; or doing PR for Deepak Chopra on a book tour, where I learned individual branding.

Is it possible for everyone to have the kind career you have, though?

In 2012, no. The model of an evolving career is not possible for everyone. I went to state school and had no student debt. I did well at a couple of dot-coms. I’m a big fan of internships–I would love to see a formally instituted “gap year” for graduates, where you could rotate through diverse fields and learn about them very quickly. We don’t live in culture where we go out and ask people to teach use what they do, and we’ve done away with the kinds of mentorships and rotations that would let people get the flux-iness out of our system without so much risk.

Are you done job-hopping?

I’m working with all kind of clients–my day might include a meeting with imams and reverends, then getting on a video link with Geneva to talk about building shelters in Nairobi, and discussing national security issues. I’m thinking, wow, this is really cool. What appeals to me are big, Talmudic-level ideas that give you a lot to wrestle with and work with. This is it for years to come.

Image: Flickr user Iversen Rönnlund

Via Fast Company: http://www.fastcompany.com

01 April
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Predecessor of World’s Most Popular DIY Airplane Flies Again

Photo: Friends of the RV-1

It’s been 40 years since pilot and engineer Dick VanGrunsven started selling plans for his first homebuilt airplane design, the Van’s RV-3. In the decades since more than 7,630 of his designs have been built and flown, making the RV series of airplanes the most popular homebuilt aircraft in the world. Now after a chance encounter at a Texas airport led to the discovery of the long lost  developmental prototype, a small group of RV builders are proudly showing off the restoration of the airplane that started it all, the RV-1.

In the aviation world, do-it-yourself homebuilt aircraft have been around essentially since the beginning. And while the Wright Brothers may have been the first homebuilders to successfully fly their own design, the RV-1 is arguably one of the most historic experimental airplanes in the last 50 years.

The RV-1 is actually a hybrid design. In 1962 VanGrunsven bought a Stitts Playboy, a popular single-seat homebuilt aircraft that offered decent performance and was fun to fly. But like many DIY types, VanGrunsven thought he could make it better.

He designed his own wings, attached a more powerful engine and installed a bubble canopy reminiscent of World War II fighter airplanes. He called the modified design the RV-1. After flying it for a few years, VanGrunsven sold the airplane in 1968.

“I knew I could do better” VanGrunsven says, “because the RV-1 was just a modified airplane and I figured starting over with the same basic planform I could improve upon it, so that’s what I did.”

Eventually that new airplane, the RV-3, would gain popularity amongst homebuilders as would the two seat RV-4, RV-6, RV-7, RV-8 (pictured above with the yellow RV-1), RV-9, RV-12 and the four seat RV-10.

But VanGrunsven had lost track of his original airplane in the years following the sale.

 

Dick VanGrunsven flying his original RV-1 in the 1960s. Photo: Dick VanGrunsven/Friends of the RV-1

That all changed when an RV-8 pilot named Paul Dye was visiting a small airport near his home in Houston. Before checking on the progress of another RV builder, Dye was shown a small yellow airplane with “RV-1″ written on the side. The long lost grandparent of the entire Van’s aircraft line had been found.

Dye and some other RV builders formed a group called “Friends of the RV-1″ and started restoration on the airplane last summer. In the months since, a dedicated group of volunteers was able to get the RV-1 back in flying condition again with the help of donated parts from companies that support RV builders around the world. The first flight took place just last month, and the airplane was recently flown to Lakeland, Florida where it is on display at the annual Sun ‘n Fun fly-in.

“It’s a great flying airplane” says Dye, “it’s very noticeable that it’s an RV.”

Paul Dye (sitting in cockpit) and volunteers at work during the restoration. Photo: Friends of the RV-1

VanGrunsven says he’s happy to see the airplane back in the air. And if all goes according to plan, he’ll be back in the cockpit this weekend, nearly 50 years since he first flew the little airplane.

Eventually the airplane will be turned over to the Experimental Aviation Association’s museum in Oshkosh, Wisconsin. But first another group of volunteer pilots will fly the RV-1 on a tour of the U.S. and Canada over the next 4 months before VanGrunsven is scheduled to fly it to Airventure in Oshkosh in July.

Volunteers reattach a wing on the RV-1 while an RV-8 awaits finishing in the background. Photo: Friends of the RV-1

Via Wired Autopia: http://www.wired.com/autopia/

02 March
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Defining Your Company’s Vision

I am working with a client on a vision for their organization. I find
it interesting that people in leadership positions still have a
difficult time differentiating a vision from a mission–not just in
wording, but in concept.

A mission is a statement of why an organization exists. It should be short and very clear.

Even
big companies have mission and vision issues. Take The Walt Disney
Company. Disney used to have a very clear mission statement: “Make
People Happy.”

It didn’t say make people happy through animation,
or theme parks, or interactive experiences. Those are details. Its
mission was to make people happy.

Now their mission is “to be one
of the world’s leading producers and providers of entertainment and
information. Using our portfolio of brands to differentiate our content,
services and consumer products, we seek to develop the most creative,
innovative and profitable entertainment experiences and related products
in the world.”

Disney obviously hired a strategic planning consultant to help
it shape its mission statement to match the expectations of MBAs on
Wall Street. I don’t think their current statement does anything to
enhance its mission; in fact, I think it detracts because you have to
figure out what words like “differentiate” mean. They may be more
strategic and more business sounding, but do they still make people
happy? Making people happy keeps customers returning, unlike a
profitable, innovative entertainment experience. It is obvious that the
new mission statement drove investments like Disney’s California
Adventure.

And if you look at Disney assets, even ESPN could sign
up for making people happy. I was in Florida for a Patriots game once
with a bunch of people from Boston. ESPN was blaring from speakers and
shining from big screens. And the ESPN Club brought in portable taps so
they could serve people outside. They scaled up the Club, and scaling
up, and serving up Patriots football, meant people were happy.
Somebody’s vision of happy customers drove that experience.

Now to
vision. A vision isn’t a statement. A vision is a set of ideas that
describe a future state. Some organizations like “vision statements” but
I don’t find them overly useful. The future is something that an
organization must grapple with. Visions should provide a sense of
aspiration, they should stretch imagination. They should describe the
state of the organization, across its functions, not rush to summary.
Different parts of an organization may have different visions.

I
coach clients to think about vision attributes, then to think about the
capabilities required to deliver those attributes. Then I ask them to
consider how to measure progress through both metrics and a road map (a
sketch of a pathway that leads from the present to the goal).

At
the broad vision level, organizations should not try to measure their
progress. A vision statement isn’t a transformation into a future
mission.

Let me go back to the simple version of Disney. Making
people happy doesn’t change–ever (unless mergers and acquisitions cause
you to hire a consultant that helps put big words into the board’s
collective mouths). But let’s consider that Disney still wants to make
people happy.

Their vision may include:

  • Be the leader in the delivery of entertainment experiences.
  • Be the premier channel for sports experiences and information.

Those
aren’t the same, but Disney is a complex company. It is okay to have
vision statements that align with business units. And as the vision
becomes more granular, it should include elements that can be measured.

For
the first item, they would include theme parks, hotel properties, ice
shows, movies, video games, and a number of other things. Each of which
would imply a set of capabilities, and a set or measures to determine
progress (quantitative and qualitative).

The next discussion
sometimes includes a statement like: “That isn’t a vision, we are
already the leader in entertainment experiences, and have been for
years.”

Well yes, you may be the leader, but if you want to stay
one, shouldn’t you restate it as part of your vision? A vision is not
just about growing, but about maintaining. If the vision doesn’t include
“being a leader in the delivery of entertainment experiences,” what does
that mean for those parts of the business? Is there some future state
that is better than being a leader? Are we abandoning those businesses,
or deinvesting so we are just “mediocre in the delivery of entertainment
experiences”?

In fact, there was a time when Disney kind of lost
its collective soul, in the early to mid-1980s when box office share
dwindled to less than 4% and it turned down films like Raiders of the Lost Ark and ET–and was the target of investment raiders. Theme parks became real
estate and their movies uninspired. Poor management was reflected in a
poor understanding of vision and mission. Happy people were no longer
center stage.

The bottom line on vision, then, is to recognize the
complexities of the business and create visions for areas that are
meaningful to internal and external constituencies, and make sure these
visions are consistent with the mission. Grapple with the future. If the
vision is 10 years out, you don’t have to understand how to achieve it
today, but you do need to start prioritizing investments, including
learning investments, that dip toes into the future so you really
understand what the organization will need to achieve the vision. And
the state that eventually arrives in a decade may be very different than
what was documented 10 years prior, but by then, the vision should be
another 10 years ahead. A vision should help inform direction and help
set priorities. It should be not be unchanging. As organizations learn,
they need to adjust and adapt, and reflect that learning in the vision.
That is why scenarios are so important: They help you practice different
futures in which the vision might unfold–each scenario requiring
different tactics and strategies.

Any vision that stays the same
for a decade fails as a vision. Visions should be used every time an
investment or deinvestment decision is made, and if parts prove no
longer valid, or if the world presents new opportunities, then the
vision should be updated. Visioning is a process, not an output. You can
share your vision with people, but it should be shared with the caveat
that it is updated regularly, and with the request: “Please share your
thoughts, because we are always open to new perspectives and better ways
to think about our future.” That approach will not only make the vision
more meaningful and resilient, it will make the organization behave as a
learning organization, and that may just be part of its vision.

Image: Flickr user Joe Penniston

Via Mashable: http://www.mashable.com

08 February
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The Facebook IPO Players Club: Eduardo Saverin

saver inWho he is: Eduardo P. Saverin is a Brazil-born “internet entrepreneur and investor,” from a wealthy family that moved to Florida when it was discovered Eduardo’s name was on a kidnap-for-ransom hit list–he now lives in Singapore. A classmate of Mark Zuckerberg’s, Saverin actually finished his degree, earning a Bachelor of Economics. That didn’t fare him too well in Facebook business machinations, as an increasingly wide split with Zuckerberg over the years ended in a court case that was settled out of court. Since then he’s been putting his economic skills to use to take an active role in secondary market trading of Facebook stock. Now 29, he’s a little camera-shy (we nearly had to use his schoolboy photo here, from his Facebook page) but he’s reportedly enjoying his money, with the Daily Mail noting he is “living it up” and last year was “cavorting with a clutch of bronzed beauties” in France. But he’s also spending his money on investments: Social net Qwiki and mobile payment site Jumio being notable targets (the latter just landing $25.5 million in funding). He “didn’t learn anything from The Social Network.”

His connection to Facebook: He was in on it early, when it was still The Facebook, and worked closely with Zuckerberg to launch it in 2004, holding early titles of CFO and the (slightly more hazily defined) business manager. As that famous film tells us, it all went nasty, and now he simply retains a stake in the company.

What he’s worth already: Estimates are up to $2 billion, but of course the figure varies as the net worth of the companies he’s invested in changes, and dependent on how much secondary market trading he actually got up to before Facebook’s IPO began.

How much he could make in the IPO: His settlement with Facebook resulted in him keeping a 5% share, but he’s said to have sold it down to 2.5%. At an $85 billion IPO value, that equates to $2.1 billion.

What he might do with the cash: That Mail story notes he blew $50,000 on champagne in a party session, so maybe he’s taking a leaf out of Sean Parker’s book. We can probably expect to see a few more tabloid-pleasing antics (All that money! All those beaches and models!), and possibly more investments along the lines of Qwiki and ShopSavvy, and you could be forgiven for thinking he’s more likely to try to convert some of his stake into cash sooner than his peers given his earlier behavior.

Read about others in the Facebook IPO Players Club:

Chat about this news with Kit Eaton on Twitter, and Facebook if you like and Fast Company too.

Via Fast Company: http://www.fastcompany.com

10 November
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How To Ace Your Technical Interview

Adriana Ganos is a Senior Consultant in the Software Engineering Permanent division at Winter, Wyman. Winter, Wyman is the largest and one of the most recognized staffing organizations in the Northeast. Find out more on the Winter, Wyman blog or follow on Twitter @WinterWyman.

Job candidates have clear expectations about the work that needs to be done during the job search to ensure success. They define their career goals. Resumes are updated. Interview skills are sharpened. Yet, as a recruiter who helps job seekers find software engineering positions, I see job candidates pay too little attention to one particular aspect of the job search: the technical interview.

The technical interview is an opportunity for employers to put your hard-earned skills to the test. Technical interview questions can range across disciplines and include puzzles, problems and other questions designed to make you think hard on the spot. In my experience, job candidates find technical interviews extremely time consuming and stressful. And, to be honest, many job candidates struggle through the first few technical interviews and reduce their chances of landing what may be a great job. These nine keys to success can help you when faced with a technical interview.


1. Wear What’s Right


The tech industry has a unique culture, one that is in stark contrast to other fields. The majority of technology companies are very relaxed, casual, and creative. They also favor personality and fit over snappy dress. When going for the technical interview, I tell my candidates to be clean, neat and presentable – buttoned down shirt, pressed pants and clean shoes. That being said, I do not suggest suits, and ties or jackets are optional as some companies may think you are conservative (and not a good culture fit). Overall, you need to feel comfortable and relaxed as the interview process can be stressful enough.


2. Don’t Wing It


The activities that occur in most technical interviews are not practiced every day. Skills become rusty, especially if they’re ones that are different than what you do on the job. Some people decide to ignore this rust and just wing it, but this is a recipe for disaster. Practice and preparation are essential, and your recruiter should serve as your coach and guide. If not, you may need a new recruiter.


3. Communicate Effectively


Communication is key in the technical interview. Interviewers don’t know your skill set unless you make it clear through your answers. Don’t leave the interviewers with any doubts about how skilled you really are, and avoid evasive or incomplete answers. Follow up with a “Did that answer your question?” to ensure you are on the same page with the interviewer. Ask good questions throughout the interview to engage with the interviewer. Work hard with your recruitment advisor, so you can be sure to ask the best questions.


4. Sharpen Your Technical Skills


Many job candidates find their information and skills aren’t fresh enough for employers. Companies assess skills in a different way now, and they expect job candidates to evolve along with the market. Job candidates need to have a technical toolbox that suits the market and can get them through a rigorous technical interview.


5. Bone Up on the Fundamentals


Make sure you review the fundamentals and computer science basics. Review core concepts and theories that are essential to good practice. The interview process is designed to gauge your technical and problem-solving skills, so take the time to refresh yourself on concepts and theories.


6. Try Brain Teasers


Run through some brain teasers and logic problems in advance of your interview, as you may be asked to do one. These challenges are given as a way to assess how you think and work through a problem. Oftentimes, the solution is not the main goal; they are looking for skills such as confidence, tenacity, and persistence. Websites like CodingHorror, GrokCode, and ProgrammerPuzzlers offer free online puzzles for technical practice.


7. Work with the Interview Team


Interviewers also screen your ability to interact and communicate in a team setting. Be sure to connect with the interviewer and work with them to show that you have adequate team skills. You want to remain confident and calm even if frustrated or defeated, so it’s best to keep composed and positive.


8. Know Your Close


It is important to close the interview properly before you part ways with the interviewer. You want to express your level of interest in the job, so this is your chance to say how you feel about the position and your experience. Ask key follow-up questions to understand next steps, the process and the timeframe.


9. Continue to Create a Positive Impression


The interview process is still about creating strong, positive impressions. I encourage my candidates to send a thank-you email within 24 hours. Another good follow-up is to offer a solution to an unsolved problem you were given during the interview. This goes over very well and can potentially save you if you were off track in the interview because it demonstrates that you care enough to give it additional time and attention. It also allows the employer to evaluate more of your work.

Technical interviews are a major challenge for job candidates searching for the best technology jobs. Too many job candidates treat them casually at the beginning of their job search. Winging it is a bad idea. Preparation is essential. Use your time to practice, learn to communicate effectively, and sharpen your technical skills.


Additional resources


Website: www.techinterview.org

Books: Cracking the Coding Interview, Fourth Edition: 150 Programming Interview Questions and Solutions, by Gayle Laakmann; Programming Interviews Exposed: Secrets to Landing Your Next Job, by John Mongan et al.


Social Media Job Listings


Every week we post a list of social media and web job opportunities. While we publish a huge range of job listings, we’ve selected some of the top social media job opportunities from the past two weeks to get you started. Happy hunting!

Image courtesy of iStockphoto, drewhadley

Via Mashable: http://www.mashable.com

28 October
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The Setting for Your Story

Playing Super Heroes with Daddy

As creators (or marketers), our role is to tell a story. Quite often, we make the “hero” of the story the focus of our time and our attention. If our customer is the hero, we talk about him or her. If we make our company the hero, we try to personify that experience that makes it worth it. If we write about ourselves, that’s probably the easiest kind of hero to write about.

What we miss, most times, is the importance of setting.

The Setting For Your Story

Spider-man swings from building to building in New York City. Can you imagine what it would be like to fire those web shooters and try to swing around in Billings, Montana? Hint: there aren’t enough skyscrapers to make it easy for Spidey to chase after the bad guys. Tarzan either gets to hang out in the jungle or the big city, depending on the telling of the story. He rarely hangs out in Pittsfield, Maine. Settings, as it turns out, are every bit as important to what we feel about characters and the plot as anything else in the story.

What does this have to do with marketing and business? Everything. If you think for a moment that your business exists without some kind of setting, even if it’s an online-only virtual business, then you’re missing a very important element to how you tell the story of your business to buyers and other important people. When we listen to a story (or watch it, or retell it), the setting is just as communicated as the characters in the transmission.

What is AJ Bombers if it’s not the local area place to gather and have fun with a side of burgers? Owner Joe Sorge just proved that you can have more than one AJ Bombers and still deliver that destination effect of fun, but he did it by making the setting of the restaurant be every bit as well-considered as the grass-fed beef he chooses for his burgers.

What are the Elements of Your Setting?

In a western movie, you know there will be gunfights. You know there will be wrongs that need righting. You know there will be a setting pairing off law enforcement with someone who feels they are above the law. Those are the promises of a western’s setting.

If I were restoring a classic old hotel in Tallahassee, Florida, and turning it into a destination boutique hotel, with a happening rooftop bar and an award-winning steak restaurant, I would do a few things to make this story sing. One, I would cast the guest as the hero of the story. No one comes to a hotel to meet the owner. It’s not the same as a restaurant. Two, I would tell the story from the front desk, through the lobby, into the elevator, down the halls, and all the way into the room, such that my guests understood what the “promise” of this setting would be.

Beyond the promise, there’s interaction. At AJ Bombers, I interact with their p-nut bombs: metal bomb-shaped containers that travel on rails from the bar to various tables, “bombing” guests with peanuts. The whole thing is absurd, kid-approved, and unique. Settings have interaction.

After promise and interactive elements, there’s the ways in which the setting helps or hinders the hero. In my hotel example, perhaps the setting helps me feel more metropolitan. In the western, the creek might rise and cut off Mother McCluskey’s farm, requiring me to ride out with my men to get her to safety (thus, a hinderance).

But Why Think About All This When Thinking About Business?

Because we humans build this in, whether or not you supply it. What is the iPod? It’s the opportunity to be the salvation DJ at some party, where you bring your tunes to help fix the setting of a sleepy party about to fail. That’s the story we might consider, whether or not we do it consciously. What is the setting for the car you drive? If you’re a Prius owner, you’ve set yourself as a hero who saves the planet and a few bucks at the same time, and so the setting of your vehicle travels through is a world seeking answers about making the world better. As a Camaro driver, my setting is the unintentional race course.

I’m saying that we all fill in the gaps in a setting, whether or not you’ve considered them to be part of your business. If you’re a PR company in Des Moines, how do you tell the story to your buyers such that it incorporates your locale? Maybe you do it by talking about how important community development opportunities are for your business. Maybe if you’re a business technology firm in Tallahassee, you talk about being situated deep in the heart of the growing Midtown area, which is cutting edge and trendy.

What About You?

How do you view setting? What does it mean for your business? How does it impact what you do or say about your company or yourself? And how replaceable is setting to your story?

Chris Brogan is an eleven year veteran of social media using both web and mobile technologies to build digital relationships for businesses, organizations, and individuals.

13 September
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A Trippy Citroën Concept? Quelle Surprise!

Just as Amélie traipsed around like a Parisian Polyanna, we can always count on Citroën’s Gallic whimsy to liven up an auto show. The Tubik, a luxurious reinterpretation of the fabled H Van, does not disappoint.

Citroën envisions the Tubik as the group transit component of its Multicity platform, a connected transit service that integrates all modes of transit including planes, trains and automobiles. Passengers will enjoy a “lounge-style cocoon” interior that seats up to nine people in easily reconfigurable front- and rear-facing seats.

In other words, it’s the same kind of conversion van your aunt and uncle take on long drives down to Florida, but instead of crushed velvet captain’s chairs and Venetian blinds, the seats are made of felt and silk and the floor is leather.

For creature comforts, the Tubik offers both a flat screen display and a panoramic window. We sure hope those rear-facing felt seats are coated in Scotchgard, as the interior design sounds like a surefire recipe for carsickness.

The whimsy doesn’t stop in the passenger cabin. Up front, the driver is ensconced in what the designers refer to as a “cyclotron.” It’s not a particle accelerator, but it does have a gas pedal, steering wheel, seat and heads-up display. Geordi La Forge glasses are optional for passengers and driver.

Of course, it’s a hybrid. The exterior design emphasizes the dual diesel-electric drivetrain with a two-tone paintjob in pearl white and silver. Though it’s about as aerodynamic as a loaf of bread, Citroen says the Tubik has CO2 emissions on par with a full-size sedan.

The whole thing is just slightly less trippy than the Merry Pranksters’ bus, and that’s why we love it.

Images: Citroën

Via Wired Autopia: http://www.wired.com/autopia/

15 June
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HOW TO: Use Social Media for Recruiting

This post originally appeared on the American Express OPEN Forum, where Mashable regularly contributes articles about leveraging social media and technology in small business.

Finding the right candidate for a job is like finding a new apartment: timing, finances and quality all have to align just right. And somehow, the pool of options always seems to feel both prohibitively large and prohibitively limited at the same time.

So, in both types of searches, online tools have become invaluable. But while tweeting out a call for a good real estate agent is fairly straightforward, using social media for recruiting has nuances that, if overlooked, can render the process far less useful. Here are a few key pointers from experts in the field to remember when getting started.


1. Start Early


Simply tweeting out a link to a job posting might get you some viable candidates, but to really make sure you’re reaching your target audience, it’s important to cultivate your personality as an employer early on. “Social recruiting is about getting engaged and having conversations with people before they’re even thinking about you as an employer,” says Bruce Morton, CMO of Allegis Group Services, a company that provides human resources consulting. Morton also suggests that recruiters could “learn a lot from the consumer industry” in terms of marketing. In that analogy, your company is your brand, and the available job is just one of many products you have to offer. Keep that in mind when cultivating a social media presence for your brand that will eventually allow you to incorporate job announcements.


2. Know Your Audience


These days, it’s the rare holdout who has avoided creating a Facebook profile. But just because potential candidates have a presence on a given social network doesn’t mean that it’s the right site to use when targeting them. Debbie Fischer, human resources manager for advertising agency Campbell Mithun, found resounding success by using Twitter as a recruiting tool for summer interns. But, she cautioned that “you have to think about the types of roles you’re recruiting for,” because while college students can be open about their job hunt, more seasoned professionals may not feel comfortable publicly sharing that they are considering a career move. For those types of roles, Morton says that LinkedIn can be a good place to start, because, as he puts it, “what LinkedIn has done is given people the permission to put their resume online,” without fear of repercussions from current employers.


3. Get Creative


When you make the foray into social recruiting, you are entering a space in which both passive and active job seekers are already receiving a massive amount of information on a daily basis. So, to get the best results, your message has to stand out enough to make people take note. Additionally, presenting your job openings in a creative way allows companies to show more about their personalities as organizations, which in turn helps potential candidates get a feel for whether or not the culture is likely to be a good fit.

This year, Campbell Mithun hired for their “Lucky 13” internship program through a process that required those interested to apply by submitting 13 tweets over 13 days. Due to its novel use of social media, the campaign garnered press from national outlets like AdAge.com, as well as Mashable. Even a straightforward job description can spread like wildfire on social networks if it’s written in a way that sparks discussion, like this announcement from a Florida newspaper that readers found refreshing for its candid and witty tone. And if you have more resources, you might consider creating a short video, as corporations like Facebook have done, to present your material in a more engaging manner. Morton says that when seeking Generation Y talent, recruiters can’t assume that candidates will read a page of text, “but they’ll watch a video.”


4. Be Open in Return


Finding candidates through social channels means you’ll be asking them to share information with you via possibly public means. For the process to work, employers need to be willing to share information as well (while, of course, carefully and closely guarding any personal information they might have about their applicants). Morton says some employers express staunch resistance to putting jobs on Twitter, when in fact, the listings in question are all on Twitter through unofficial channels anyway. For Campbell Mithun, the finishing touch of a successful social media-driven hiring process was getting to showcase the talented, web-savvy young people they had selected. Kristine Olson, the agency’s Director of Corporate Communications, had a communications strategy in place that was designed, fittingly, to use social media channels to share the results of the campaign, noting that the HR team “had to be really open to allow us to publicize who we were hiring.”

Do you have any success stories about finding great candidates through social recruiting? Let us know in the comments.

Image courtesy of iStockphoto, SchulteProductions

Via Mashable: http://www.mashable.com

Valve Interactive
An online marketing and design agency in Portland Oregon