10 August
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Finally, a look at the people who use Twitter

The days of “I don’t get Twitter” may soon pass. Tweets are now a form of self-expression among connected consumers and it is this connected generation that continues to grow in size and influence year over year. Much in the same way that TXTing is a natural form of common conversation, even if it’s a norm that’s outside of the world as you know it—Twitter is reflective of how millions of people are connecting and communicating.

Over the years, Twitter has become a human seismograph measuring world events, popular culture, everyday sentiment,while providing a lens into every nuance that captivates our attention. What was once a Twitter paradox is now part of our digital culture. Everyday people who are connected to Twitter become the  nodes and their shared experiences form one of the most efficient information networks in the world.

At the end of 2011, we learned that over 100 million people were active on Twitter and that top top three counties, U.S., Brazil and Japan alone accounted for over 175 million daily Tweets.

But to what extent is Twitter serving as an extension of real world self-expression? How has Twitter truly permeated our society? To answer these questions and more, Pew released a new internet study focused solely on Twitter.

Twitter is literally soaring. Adoption among internet users more than doubled between November 2010 and February 2012. Now more that 20% of all people in the U.S. who use the internet also Tweet or at least roam the Twitterverse. Additionally, 8% of all U.S. internet users are active on Twitter every day.

Pew’s study also explored who uses Twitter to give us a better idea of the people behind the Tweets.

As you can see, Twitter usage according to Pew is almost even among men and women, with women edging slightly ahead. Just over one quarter (26%) of internet users ages 18-29 use Twitter. Most notably, those 18-29  represents nearly double the usage rate for those ages 30-49. Pew also found that among the youngest internet users, those ages 18-24, 31% are active Twitter users.

Pew learned that black internet users continue to use Twitter at remarkably high rates. More than one quarter of online African-Americans (28%) use Twitter with 13% doing so on a typical day. Hispanic users ranked as the second most active race on Twitter at 14%. Interestingly, residents of urban and suburban areas are far more likely to use Twitter than those in rural America.

Pew discovered that Twitter use among those 18-24 year old increased dramatically between May 2011 and February 2012, both overall and on an everyday basis. Usage among slightly older adults, those between the age of25-34, also doubled—from 5% in May 2011 to 11% in February 2012.

Generation-C  is not bound by age, but by connectedness. Either in or within grasp, Twitter users and those who use smart phones are eventually becoming one. As of this survey, Pew discovered that one in five smartphone owners (20%) are Twitter users, with 13% using the service on a typical day.

Millennials are born with digital DNA and smart phones are a physical extension of their being. 18-24 are not only the fastest growing group of Twitter adopters over the last year, they also represent the largest increase in smartphone usage of any demographic group over the same time period.

Additionally, mobile users between 18-24 are more likely than older generations of cell owners to use Twitter. One in five 18-24 year old cell owners (22%) use Twitter on their phones, and 15% do so on a typical day. Following true to typical internet usage, African Americans and Latinos also stand out as heavy mobile Twitter users. Pew also noted that these two demographic groups have high rates of smartphone ownership.

As Twitter becomes part of our digital  lifestyle, we become increasingly elusive. Twitter is a reflection of our society and what captivates online and offline. With everything we share, we contribute to a searchable human index that forms a repository of collective experiences and expressions. We are both patrons of Twitter as well as its architects and librarians. We can learn anything and everything we wish about today’s connected consumer, but everything begins with the desire to learn. Once we do, Twitter’s role in our digital society will help us learn how behavior is evolving. And for those who choose to not just listen, but also analyze Tweets, demographics and psychographics, the ability to compete for relevance will be a proactive rather than a reactive venture.

Via Brian Solis: http://www.briansolis.com

23 June
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Smart Hiring Is Mission Number One When Building Your Brand

This article is written by a member of our expert contributor community.

Job number one as an entrepreneur is landing the first 10 or so core employees. You need to have a clear idea of the kind of talent you want to attract, because this core group sets up your employee brand and your startup’s DNA. As a startup, you’re unproven. You need to have a clear sense of the different types of people you need in the company and how to unify them under a common culture with its own customs, beliefs, and procedures. You also need to be a leader who’s easy to follow, with a clear mission and a strong sense of the results you want to achieve. Your employee brand is the kind of people who represent your company’s values, work style, and personality.

Thinking in terms of employer brand and employee brand can be a powerful strategy for creating a culture that champions its people and helps them flourish. Having a strong internal brand can help grow your business, because you’re more likely to attract the best talent and everyone will feel challenged.

Creating A Growth Culture

You’re not trying to run a social club. Your goal is to win in the market. But to do that you need to create a special culture.

Make sure that you hire people who have skills, resources, and knowledge that you don’t have. Even the most well-rounded entrepreneur isn’t good at everything. You’ve got to figure out your shortcomings and fill the gaps with team members who have those aptitudes. Otherwise, it is unlikely that you’ll be around after the start-up phase. Make sure that you have people who can help you land business and bring in revenue–critical tasks in the start-up phase.

You need to create a workplace with the right amount of challenge and expectations, the right amount of freedom and control. You want everyone to be a growth agent empowered to do her job and help grow the business.

Studies show that the worst work environments are those in which people have little say over their day and always have to follow someone else’s orders. They feel like a cog in a slow-moving corporate machine and consequently don’t do as well as those who work in companies where people have more freedom to decide how to handle projects and assignments. According to these studies, money isn’t the key driver for most people. It’s working in an environment where people have the ability to grow and develop their potential.

Radical Creativity

How do you create a dynamic, innovative culture where it’s everyone’s job to come up with ideas and grow the business?

First, create a culture where it’s OK to fail. The most innovative people are the ones with the most ideas. Most of them are bad ideas that fail. Some companies are even rewarding risk-taking that fails with employee-recognition bonuses and trophies, or setting aside time in the week for new idea generation.

Second, set up the offices and common areas so that there is lots of mingling in the workplace. Contrary to the image most people have of the solitary inventor or entrepreneur, it turns out that most breakout ideas don’t come from loners. Innovative ideas aren’t solitary things. Most successful ideas come from people interacting with each other in environments where ideas are discussed and shared.

That’s why there is a long history of simultaneous inventions. Transformational ideas like the electric battery, the telephone, and the radio were all made by several people who came up with the same idea at practically the same time. Most of them didn’t even know each other, but they were plugged into what was happening in their industry and influenced by similar ideas, what some researchers call the hive mind. That’s the kind of culture you want to create for your business, with all your people, not just the senior people, reaching for innovative ideas.

You want to create a company where people are dying to work because it’s not just work–it’s fun and things are happening. To win the war on talent, many Silicon Valley companies offer elevated perks like free gourmet lunches and on-site haircuts and dry cleaning. You can take your pet to work at some companies; game-maker Zynga will even pay for pet insurance. (The company is named after the CEO’s dog, after all.)

Resist the Copycat Syndrome

Groupthink is when everyone in a group starts thinking alike, and it’s alive and well in the business world. Most entrepreneurs generally resist group-think and the copycat syndrome, but they can creep in as your company expands. People in the same company share so many of the same influences and belong to so many of the same clubs and organizations that they can even start to dress alike.

Don’t try to copy the competition’s culture no matter how successful they are. You want to stay on top of what your competitors are doing to be competitive, but you need to create your own company customs and ways of staying in the lead. The best way to be a leadership brand is to harness the creativity and business thinking of every member of your diverse organization. That can only happen when you encourage and reward out-of-the-box thinking and new ideas for making the business more competitive.

The business world is dynamic, so you have to be strong with your external customers and with your internal customers–your employees. Don’t leave an opening for a new entrepreneur to gallop on the scene with something new and steal away your best talent. You want your company to be the one everyone is clamoring to join. To do that, you need to:

· Make everyone a corporate entrepreneur who is a growth agent for the company.

· Encourage innovation and ideas at every level, especially the frontlines.

· Create a culture with customs and rituals that are special to your company.

· Make sure all employees know their objectives and key results

· Be easy to follow as a leader.

Image: Flickr user dvidshub

Via Fast Company: http://www.fastcompany.com

18 May
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5 Startup Lessons From Belly, Which Just Snagged $10 Million In Funding From Andreessen Horowitz

This is a big deal, as the firm’s philosophy is to focus on only the 10 or 15 companies it thinks are going to matter in the long run. (See: Facebook, Airbnb, and Groupon, among others.)

Back in December, we told you about Belly, a Chicago startup that created a new digital-based loyalty program for small businesses. At the time, it was just one of a jumble of startups crowding into the local commerce space. Today, though, Andreessen Horowitz is announcing it’s putting $10 million into the company. That’s notable since the firm’s philosophy is to focus on only the ten or 15 companies it thinks are going to matter in the long run. (Facebook, Airbnb, and Groupon are all in its portfolio.)

All of which leads to an important question: How did a startup, that’s barely a year old, that only has 1,400 customers, and whose founder is a first-timer become in a mere 12 months a company that the experienced hands at Andreessen Horowitz not only believe is going to be a game changer, but will be a leader in its class?

Would-be super startups, listen up:

Choose a big problem

Local stores are in a quandry. Customers can walk into their stores today, take a look at what they’ve got, and then, thanks to smartphones, figure out if someone else has their stuff for cheaper. “The Internet has enabled incredible transparency on pricing,” Andreessen Horowitz partner, Jeff Jordan, who’s joining Belly’s board, tells Fast Company. “There are a whole bunch of models that are providing pricing pressure, particularly to small merchants.”

If stores can no longer compete on price, they have to compete on something else. Both Belly and Andreessen Horowitz believes that means relationships–giving people a reason, other than price, to keep choosing particular merchants over cheaper alternatives elsewhere.

Don’t boil the ocean

There are myriad ways of strengthening the merchant-customer relationship, but Belly founder Logan LaHive, who started working on the business a year ago, didn’t try to tackle everything at once. Instead, he chose to focus on just one aspect: loyalty programs.

He’s come up with a system where merchants can get creative with the kinds of rewards they offer. It’s no longer the generic “buy 10, get one free.” Rather, merchants can choose to offer something unusual they think their customers would actually like. Some actual examples: A sandwich store will name a sandwich after you. A grocery store will let you cut in line. And a comic book store will let customers who make 50 purchases punch a store employee in the gut. (We’re assuming that’s been cleared with OSHA.)

But build in the foundation for a wider play

The Belly service is powered digitally–through an iPad in the merchant’s store and iPhone and Android apps for customers. (Customers without smartphones can track their purchases on a paper card.) That means Belly has a built-in launching pad for adding more services later that can further fuel the merchant-customer relationship–and further solidify its appeal to merchants.

“A by-product of what Belly is doing is putting a connected computer into soon-to-be tens of thousands of small merchants,” Jordan says. “We think that has very interesting potentials for strategic applications down the road.” (He declines to elaborate, though, saying, “We don’t want to telegraph where we’re going.”)

Gain traction quickly

Once investors bet on you, they’re going to expect you to be able to scale faster than you ever expected. A lot of the technology and ideas that are being developed today aren’t defensible on their own. It just doesn’t take that long to build a lot of the apps coming into the world today.

So investors are looking for other indicators that you’re going to be able to own your market. Getting rapid uptake is one slice of evidence that you’re the person they’re looking for. It means that you’ve developed an offering that’s appealing (as opposed to one that’s just OK or, worse, doesn’t actually work very well) and that you’ve figured out how to get people to adopt it rapidly.

Belly has 1,400 merchants using its system so far in six cities, with two more being added today. That’s impressive considering, again, that the system was barely a flicker of an idea 12 months ago. “We think the most important thing in this market is to be the first mover and to get out there fast,” Jordan says. “These guys probably added more merchants last month than any of the competitors have in aggregate.”

Take up residence with some of the hottest investor-operators of this generation

LaHive, who previously was in charge of new business at Redbox, got himself hired as a Founder-in-Residence at Lightbank, the venture firm belonging to Eric Lefkofsky and Brad Keywell, the original investors in Groupon and former entrepreneurs themseles. As part of the deal, he got to move into their offices and hammer out his idea while sitting mere feet away from Keywell.

LaHive says that helped him move faster. There were various things about getting a startup off the ground that he didn’t have to figure out on his own. He could just ask.

Plus, his proximity to Keywell and Lefkofsky gave Andreessen Horowitz confidence to invest in the otherwise unproven first-time entrepreneur. “Brad and Eric grew Groupon out to hundreds of thousands of merchants incredibly quickly,” Jordan says. “That DNA is critical in this model.”

Image: Flickr user Oregon State University

E.B. Boyd is FastCompany.com’s Silicon Valley reporter. Twitter | Google+ | Email

Via Fast Company: http://www.fastcompany.com

23 April
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From Mini, An Art Car That’s More Than Just Art Parts

A pair of Dutch designers have deconstructed a Mini in order to dissect the entire process of automotive design.

Stefan Scholten and Carole Baijings, famous for their furniture designs, created Colour One by disassembling and recreating parts of a Mini One, an entry-level model not sold in the US. It’s on display at the Salone del Mobile, an Italian furniture show at the University of Milan that runs through April 28th.

To offer new perspectives on the design of the Mini’s individual elements, Scholten and Baijings “peeled the Mini One like an onion, layer by layer,” according to the automaker. That allowed the pair to “extract the essence” of the design of each car part – whether as part of a whole or as an individual component.

As the car turned into a collection of pieces, Scholten and Baijings were able to reinterpret aspects of car part design outside the realm of a completed vehicle, which they called “art parts.” For instance, to reflect Mini’s rally heritage, the seats and seatbelts have been removed and lined with special fabrics. The tires have been cast in transparent resin, and the doors have been removed for separate display.

Alongside the art car and parts, Scholten and Baijings included photographs of the process of taking the Mini apart and objects that inspired their creative processes. They also included fabric and paint samples of the materials that are featured in the installation.

Mini is no stranger to the art world. Through the years, their cars have appeared as canvases at Art Basel and in coffee table books. It’s part of their corporate DNA, as parent company BMW was the first to famously commission “art cars” back in the 1970s. Mini says the Mini One hatchback used by Scholten and Baijings is an ideal canvas, since it’s a basic car that still embodies the brand’s design.

Photos: Mini

Via Wired Autopia: http://www.wired.com/autopia/

12 April
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What The Tech Pundits Don’t Get About Facebook’s $1B Instagram Deal

It’s been baffling and aggravating to watch the tech press gnash their teeth about Facebook’s $1 billion acquisition of Instagram, a service that lets you add old-timey filters to your camera phone pics, and share them with friends. This thick-headed post on CNET–titled “Facebook Buys Instagram…But For What?”–is a good example of the genre. In it, the author notices that other, even less savvy tech pundits seem to think that Facebook bought Instagram either for users, a better mobile presence, or to squash an upstart competitor. And then, she procedes to torch each one of these straw men. Instagram’s users and mobile mojo don’t mean anything, because they’re not monetized. As for competitors, the writer, in essence, says, ‘Who cares about filters? I bet most people don’t.” Case closed! This Instagram thing is the worst idea in the world, the symbol of a bubble in the making. As if there were no other reasons for Facebook’s move.

But they do exist, and they have everything to do with design and product development.

People take tons of pictures on their smartphones. Why do so few get shared?

In our recent coverage of Facebook, one thing is clear: The company views itself above all as a design-driven company. You can hate them for their actual designs–given all their talent, it really is surprising that Facebook isn’t better than it is. But they do think of themselves as user-minded and hyper-focused on product improvement. Therefore, you have to look at their purchase of Instagram through the lens of: How does Facebook think Instagram will improve their product. If you fancy yourself a great product company in the vein of Apple, that’s your lens, always.

Instant artiness, thanks to Instagram

From that viewpoint, Instagram’s accomplishments start looking pretty impressive. Consider these two competing facts about social-networking and picture-taking:

  1. People take tons of pictures on their smartphones. But almost none of that content gets shared.
  2. The thing we all love most on the Internet is seeing other people’s pictures.

Instagram stepped into the gap. They managed to get people to share more of exactly what their friends want. And they did it simply by providing filters that allow people to turn any crappy old camera-phone pic into something resembling a snapshot by William Eggelston. In other words, Instagram is tapping creative instincts while eliminating the effort required to create something good. They’re satisfying our social-curiosity with pictures, helping us grab hold of fleeting moments that we might never share otherwise. They’re tapping into user emotions.

Moreover, by allowing users to feel as if they’ve created something worth sharing, Instagram is helping users create an image of themselves as they’d like to be seen. They’ve turned the act of picture-taking into a performance, whose message is: Look how cool my life is. Wasn’t that what Facebook did at one point, with all those Like pages and interests? And when was the last time you looked at Facebook and said, ‘Wow, this person seems really cool?” Through dull designs and a straight-jacketed experience, the ability to convey who you are has leeched out of Facebook. Timeline was an attempt to solve that problem, but it’s not a magic bullet. Robert Fabricant, of Frog, just put that point to Inc. quite well:

I think Facebook is getting a little nervous about Pinterest, for instance. There is a new generation of meaningful social networks that are all about personal identity curation. Like Pinterest, Instagram understands that the future is photo-driven, and that those photos are about style and moments. Facebook is playing catch-up. It can either become this fundamental layer, the glue that holds this world together, or they can start creating better environments for users across the the board.

We’re now at a point where technology in and of itself isn’t all that interesting (even if the tech journalists only seem to write about them). When it comes time to buy an iPad 3, most people don’t care how fast it is; instead, they judge it by how fun it is to use. Features don’t matter nearly as much as user-experience. And here’s one stunning metric about how much users love Instagram: The app has a 5 star rating in the app store, on 70,000 votes. Have you ever seen a rating that high?

Tres, tres cool. Thanks to lots of filters.

That says great things about what Instagram has done so far. But the real question is how it will evolve, and how it could improve Facebook’s core product. Again, as Fabricant says, “There are so many possibilities for how Facebook could use Instagram. It’s not hard to imagine how good it could be. Then again, you never know.”

The app is great because it is in such a simple stage in its development. It’s still not clear to me that they can improve that experience while dealing with the inevitable complexity that comes with scale–and there are worrying signs that Instagram won’t be able to do it, including clunky sharing pages and fussy UI details that seem far more complicated than they should be. Moreover, Facebook doesn’t have any track record of being able to absorb other companies and use them to improve their core offering. (This has always been a guiding strength at Apple, from its purchase of Steve Job’s Next operating system to, more recently, Siri, which went from being a surprise acquisition to a main marketing point with blazing speed.)

Editor’s Note

I’m thinking here of Color, a laughably bad photo-sharing service that cost $41 million to build.

I’m not saying that the $1 billion price tag was fair: I do agree that the Valley is capable of burning money in ways that defy all common sense. Cash flow is the ultimate judge of how good a company is. But I am saying that viewing the deal simply through the lens of monetization and competing features is a good example of how tech journalists, tech investors, and even tech companies simply have no idea how to absorb design and product development into their world view. Users don’t give a crap if a service is going to make decent margins in the future. But they do care about a product is fun to use. And that is what ultimately makes a company great: It has to make great things.

Facebook has made design a part of their DNA, if their recent hiring spree is any indication. But we don’t know if they’ll be able to draw the best out of their own talent. Can Instagram help inspire them to do better?

All photos by yours truly.

Via FastCoDesign: http://www.fastcodesign.com/

27 February
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The State of the Twitterverse 2012

The first time I wrote about Twitter was March 2007. My, how time and Tweets literally fly. With 500 million registered users and 33 billion Tweets flying across the Twitterverse every day, Twitter has become a fabric of our digital culture. Twitter is now ingrained in our digital DNA and is reflected in our lifestyle and how we connect and communicate with one another.

While many struggle to understand its utility or its significance in the greater world of media, it is the most efficient global information network in existence today. News no longer breaks, it Tweets. People have demonstrated the speed and efficacy of social networking by connecting to one another based on interests (interest graph) rather then limiting connections to relationships (social graph).  Twitter represents a promising intersection of new media, relationships, traditional media and information to form one highly human network.

I recently stumbled upon a well done infographic created by Infographic Labs to communicate the state of of the Twitterverse. It’s quite grand in its design. So, to help get the most out of it, I’ve dissected it into smaller byte-sized portions.

A Brief History of Twitter

July 2006 – Twttr’s hatched (Yes that’s how it was originally spelled), by Jack Dorsey, Evan Williams, and Biz Stone

July 2007 – Raises $1 million, valued at $5 million

November 2008 – President-elect Barack Obama thanks his Twitter followers

2009 – 2 billion Tweets per day, Twitter raises $35 million

Dec 2010 – Raises $200 million, now valued at $3.7 billion

2011 – 100 million active users sending 33 billion Tweets per day

The Top 3 Countries for Twitter

1. United States – 107.7 million

2. Brasil – 33.3 million

3. Japan – 29.9 million

The Top 5 Moments in Tweets

1. “Castle in the Sky” TV Screening – 25,088 Tweets per second (TPS)

2. Superbowl XLVI Last Minutes – 10,245 TPS

3. (Tied) Madonna at the Superbowl – 10,245 TPS

4. Tim Tebow’s Win – 9,420 TPS

5. Beyonce at the VMAs – 8,869 TPS

Top 6 Reasons for Retweeting

1. Interesting content – 92%

2. Personal connection – 84%

3. Humor – 66%

4. Incentive – 32%

5. Retweet requests – 26%

6. Celebrity status – 21%

Top 4 Ways People Decide to Follow You

1.Suggested by friends – 69%

2. Online search – 47%

3. Suggested by Twitter – 44%

4. Promotions – 31%

Top Factoids You Didn’t Know About Twitter

1. Twitter’s projected ad revenue in 2012 is $259 million

2. Projected ad revenue by 2014 is $540 million

3. 11 Twitter accounts created every second

4. 1 million accounts opened every day

Via Brian Solis: http://www.briansolis.com

14 February
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Fast Talk: How A Brooklyn Clothing Label Fights "Fast Fashion"

David Gensler is, among other things, the creative director of Serum Versus Venom, a New York fashion label that, according to its site, “proudly stands in opposition of mass-marketed, mass-produced, mass-consumed fashion.” Fashion Week, which is currently underway in New York, seemed like the right moment to speak with him.

FAST COMPANY: What got you fed up with the ways fashion brands were currently operating?

DAVID GENSLER: I was chief marketing officer at Jay-Z’s Roc Brands. It was great, hip-hop was at its apex, and having a partner like Jay-Z is a pretty interesting experience, and in many ways rewarding. But at the same time, the lack of efficiency was overwhelming to me. The amount of money being wasted that could have gone into our profits, it just felt so wrong to me. 

So Jay-Z didn’t live up to his line, “I’m not a businessman, I’m a business, man”?

I have nothing bad to say about Jay. But the people he surrounds himself with that manage his brands are just…. Jay could be in the category of Oprah if he just hired a team around him at the level you would find in a global brand.

I never thought of Jay-Z as aspiring to be the next Oprah.

I think he would aspire to have Oprah’s bank account. I want to be Oprah…

Tell me about your clothing line, Serum Versus Venom.

We thought things could be done differently, which is the motivation for most people starting something. We just started from a completely clean slate, just wrote down what we thought was completely wrong with modern fashion, and set that into our DNA. We just thought it’s so easy if you have control of all elements of the brand. We own our own factory. One hundred percent of what we produce is produced here.

You call it a “study into the interconnectedness of craft, utility, and luxury.”

All of the crafts that we know are based around utility. Some guy working in leather was trying to make a bag that will last a person a lifetime. They didn’t make belts to go out of style. They made a belt that could be used to hold up your pants and also pull your wagon. How we value shit isn’t the same as one generation ago. We put value on almost nothing. People in business kind of laugh and say, “Yeah, right, our job is to make a profit.” That’s not how people in the past built companies. They were built to last forever. People didn’t build companies and flip them: that’s a two-generation-old concept. Look at our economy in this country. We can’t make anything, no one wants to go work in a factory. My way of dealing with it is to try to make really nice shirts.

I imagine your feelings on Fashion Week are mixed.

Part of it’s good, because it brings the industry together–a competitive industry that is infamous for not communicating and sharing ideas. But if you look at how London and Milan treat young emerging designers, it becomes clear why they’re ahead of us. They realize it’s not about maintaining the status quo, maintaining the existing icons. They have a culture of support, and we have a culture of celebrity.

Some people distinguish between fashion–something new this season–and style, something more enduring.

There’s this idea that, “Oh my God, it’s new, it’s new.” But is it better? No one ever stops to ask the question, “Is the new thing better than the old thing?” I think the generation beneath me, the millennials, came of age right when the digital global society was forming itself, and they became very easy to market to. Hopefully they’ll activate Skynet, and someone will pull the plug on the Internet, and we can get back to being humans.

You’ve said that it would be a shame if Picasso were alive today and had a Twitter account.

People ask, “What stores sell your stuff?” And I’m always like, “Why do you ask?” No one asks, “Where do you get your fabrics?” Or, “Can you tell us why the buttons are like that?” They only judge you by the consumption of the thing. The same thing happens online: No one cares about the ideas of anything, just how many likes you have on Facebook and how many Twitter followers you have. But then the reality of my job is I gotta sit there and fucking set up Pinterest accounts.

Photos courtesy of Serum Versus Venom

This interview has been condensed and edited. For more from the Fast Talk interview series, click here. Think you’d make a good Fast Talk subject? Mention it to David Zax.

Via Fast Company: http://www.fastcompany.com

19 January
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Generation Flux: Pete Cashmore

On the eve of Thanksgiving, Pete Cashmore is neither basting a turkey nor preparing for football.
“It’s not my holiday,” the Scotsman remarks. Instead he’s in Vancouver, preparing for a
long weekend of R&R. Which the 26-year-old has certainly earned. Mashable, the tech-and-social site
that he launched with a blog as a 19-year-old, now attracts more than 20 million unique users a
month. “We’re a news site for the digital generation,” he says. “It’s our responsibility to show how
social and digital is changing the world.”

“All these industries are being revolutionized,” he says. “It’s come to technology first, but it
will reach every industry. You’re going to have businesses rise and fall faster than ever. I’m part
of a generation that thinks change is good or at least inevitable, so you might as well embrace it.”

Though now labeled on blogs as a tech hunk, Cashmore was sickly as a child, and turned to the
Internet both for engagement and socializing. It became a passion–and a way into the business
world. “When I started in Aberdeen, we didn’t have tech courses, it wasn’t startup land,” says
Cashmore, who finished high school two years late, due to various medical complications, and never
went to college. “I started writing about new companies, websites, and applications so I could learn
how it works and how to build companies. I didn’t know that was going to be the company.”

Meet The Rest Of Generation Flux

Other Flux-ers recommended by Pete Cashmore.

 

Ann Grimes
Director, Graduate Program in Journalism at Stanford
Bio

Josh Koppel
Co-founder and Chief Creative Officer, ScrollMotion
ScrollMotion

Terry McDonnell
Editor, Sports Illustrated Group
@SI_TMcDonell

Sharon Feder
Publisher, Mashable
@sharonfeder

Adam Ostrow
SVP Content and Executive Editor, Mashable
@adamostrow

Robyn Peterson
SVP Product and Tech, Mashable
@robynpeterson

“I’ve been quite comfortable learning as we go,” he says of Mashable’s business model. “When we
started, our core was covering startups and new companies. Then, when we saw that our audience was
active on social media, we built community alongside. Now that it’s clear digital runs through
everything in our culture, we want to be everywhere in our coverage: marketing, the Arab Spring, the
political realm, movies.”

So which of the more traditional industries that haven’t been totally disrupted by technology are
most likely to join his target list? “The bank is going to be next,” predicts Cashmore. “It hasn’t
been revolutionized yet, in part because of legal and security concerns. A kid in a garage can’t set
up a bank, right? But now you see it changing with Square, NFC chips. Wallets are going to phase out
over the next five or six years, it’s all going to change. It’s like the printed newspaper: It may
last in some form, but this is where the growth is going to be.”

That sort of disruption doesn’t concern Cashmore; it excites him. He feels the same way about
Mashable’s business. “I don’t have any personal challenges about throwing away the past,” he says.
“If you’re not changing, you’re giving others a chance to catch up. Even if you know everything
about a certain market now, in a few years you’re going to have to start from scratch like everyone
else.”

“Great brands do a great job of being a chameleon. Virgin America, Starbucks: They define a certain
kind of person and then build a tool-set around that person. Starbucks isn’t about coffee, it’s
about a culture.” This is what he’s trying to emulate in his business. “Everyone at Mashable is web-centric, digital-first–we’re all social in our DNA. Our audience is early adopters, and the staff
is from the same demographic.”

He recognizes that the age of Flux can be difficult for some people. “The typical mindset
understates the risk of not changing and overstates the risk of change,” he observes. “It’s just a
trait of being a human.” But in the big picture, he says, the need for change is overwhelming: “It’s
fundamentally a good thing: Human progress is accelerating. As a species, we have so many problems.
If we change fast enough, we could solve them before things become disastrous.”

Via Fast Company: http://www.fastcompany.com

02 September
0Comments

Mark Zuckerberg isn’t Mark Zuckerberg

“Mark Zuckerberg” has become a codeword for the truly gifted exception, the wunderkind freak of nature for whom traditional rules don’t apply.

Well, sure, Mark Zuckerberg can drop out of Harvard, but you’re not Mark Zuckerberg…

Here’s the thing: Even Mark isn’t Mark Zuckerberg.

This notion that there’s a one in a billion alignment of DNA and experience that magically creates an exception is just total nonsense. Mark is successful because of a million small choices, not because he, and he alone, has some magical properties.

Mostly, the best way to be the next Mark Zuckerberg is to make difficult choices.

By Seth Godin: http://sethgodin.typepad.com/

31 August
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Chevrolet’s Mouse That Roared

Back in 1955, when Bill Haley And His Comets were hitting their stride and “jet set” referred to people who actually flew places, General Motors introduced the Chevrolet small block V8 engine. A marvel of compact design, technical innovation and (relative) fuel efficiency, it didn’t take long for the potent powerplant to end up in everything from milk trucks to race cars.

The little engine that could was heralded with the usual corporate fanfare, but few expected it to be the unmitigated success it became. It transformed Chevrolet, helped drive America’s love affair with performance and became one of the 10 best engines of the 20th century. Fifty-six years later, GM says it is about the crank out its 100 millionth small block Chevrolet engine.

Sort of. Actually, not really.

General Motors will crank out a V8 Chevrolet engine that is a descendant of the engine born in 1955. But it isn’t the same engine at all. Contemporary Chevrolet V8s have little in common with the original small block Chevrolet beyond eight cylinders, a single shared dimension and a pushrod drivetrain. So it’s a faux milestone, heralded during GM’s 100th anniversary. But that in no way detracts from the original’s place in history, because the small block Chevrolet engine remains GM’s Mt. Everest.

The V8 engine was something of an anomaly before World War II, when most automakers offered inline fours, sixes and eights. That changed after the war as consumers demanded more performance and power.

Chevrolet was among the last to the V8 party, offering only a straight-six from 1929 until 1954. It was a fine engine but lacked the oomph consumers, particularly the growing post-war hot rod culture, wanted. GM chief engineer Ed Cole set out to design a powerful, light and affordable V8.

Cole’s answer to that equation was elegantly simple: A compact, efficient 90-degree V8 engine with overhead valves, pushrod valvetrain and 4.4-inch on-center bore spacing. The first engine had a displacement of 265 cubic inches and delivered 195 horsepower. It appeared in the (now) iconic 1955 Chevrolet (pictured).

The engine was revolutionary for its light weight, compact size, general simplicity and remarkable durability, said John Wolkonowicz, an automotive historian and former industry analyst. Although there were some hiccups during the first year or so, GM worked them out and the engine quickly became a hit.

Consumers loved the performance and fuel economy, which was on par with the six-cylinder engine it replaced. Racers and rodders loved its performance and light weight, quickly dubbing it “Mighty Mouse.”

“Until the the small block Chevrolet, the flathead Ford engine was the rodder’s delight,” Wolkonowicz said. “That shifted right away when the small block Chevrolet came out. It was small, it was light and it lasted forever. Hot rodders loved it.”

They still do. Even now, you’ll see the small block Chevrolet and its descendants, the LS and LT engines, almost everywhere, powering almost everything. There are no end to the tricks tuners can use to generate enough torque to move houses and enough horsepower to seriously warp your perspective of time and space.

“The performance of the small block transformed Chevrolet,” Jim Campbell, vice president of GM Performance Vehicles and Motorsports, said in a statement. “The small block made Chevrolet the weapon of choice for grassroots racers on the drag-racing and sports-car tracks across America.”

You’d expect him to say that, of course, but it isn’t hyperbole because it’s true. The ubiquitous engine has appeared in everything from stock car racing (more NASCAR wins than any other engine) to drag racing to endurance racing, not to mention an ungodly number of hot rods built in the past 50 years.

The original small block Chevrolet grew in displacement and output over the years. In 1957, the 283 cubic-inch engine fitted with Rochester fuel injection became the first engine to produce one horsepower per cubic inch. The 350 cubic-inch variant appeared in 1967 and eventually appeared in everything from station wagons to sports cars. It almost certainly is the most popular small block V8 engine of all time.

The first-gen small block engine reached its zenith with the 400 cubic-inch monster in 1970. By that point, the venerable mill was all but bulletproof.

“By the time the engine was truly perfected in 1970, 300,000 miles was the norm for a 350 cubic-inch small block Chevrolet,” Wolkonowicz said. “It was a beautiful, remarkable engine.”

Those with jaundiced eyes might say, “Yeah, yeah. That was then. What does an engine designed half a century ago have to do with getting down the road in the 21st century?”

A lot, actually. The DNA of the small-block Chevrolet can be found in modern GM engines.

General Motors revamped the small block when it introduced the 347 cubic-inch LT engine in 1992 to comply with tightening fuel economy and emissions regulations. The LT featured, among other changes, reverse cooling (in which the coolant flows down through the cylinder heads into the engine block) and an optical distributor mounted at the front of the engine. But it was, at its heart, the same engine Cole designed.

GM went back to the drawing board for the LS engine, which first appeared in the Chevrolet Corvette in 1997. Yes, it’s a V8, but it’s not a small block V8.

“Everything is different,” Wolkonowicz said. “The only thing that’s the same is it’s a 90-degree layout with pushrods and a 4.4-inch on-center bore. Every other part of the engine has been redesigned.”

That doesn’t detract from the significance of the original, or the potential of its descendants. GM has stuck with the general design all these years because it still offers the same benefits: small size, light weight and excellent power.

“As fabulous as the original small block was, the new small block is better in every way,” Wolkonowicz said. “It’s more durable. It’s got more performance. It’s quieter. It’s smoother. It is is capable of better fuel economy and lower emissions. It is simply a much better engine. It is to the 21st century as the original was to the 20th century.”

Photos: General Motors

Via Wired Autopia: http://www.wired.com/autopia/

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