06 May
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4 Job Search Performance Enhancement Tips

Resume-istockphoto

If you’re like millions of Americans looking for a job right now, it might be time to take a step back and evaluate your job-search tactics. There are some common mistakes that can make you your own worst enemy when trying to get your foot in the door of a new employer. To give your employment search some performance enhancement, make sure to follow these tips.

1. Early Bird Gets the Worm

The sooner you get your job application in, the better luck you will have at getting your resume seen. If you are slow to reply to a job listing, you likely will lose your shot at be considered, so make sure to stay up-to-date on new listings as they arise.

2. Get a Jump-Start

Even better than being one of the first to apply for an open position is seeking one out before it is posted. Research the companies you are interested in working for and reach out to see if any openings are on the horizon. Interact with the company on LinkedIn, join the same local trade organizations the company attends and find out where their staff members might be speaking publicly. Consider volunteering at events the company may be involved with to start to get to know the staff and familiarize yourself with the company culture.

3. Tailor Your Information

Applying for jobs can often be a numbers game, so once you have narrowed down the best fits for you, make sure you customize your resume and cover letter for each position you apply for. Though you will want to be one of the first to apply, don’t be in such a rush that you automatically eliminate yourself by not indicating how your skills are a match for a specific position and how you meet that particular’s company’s requirements. Not showing you are a fit for that specific job will surely end your chances of being considered.

4. Follow Up

Though it may feel like you are sending your information into a large black abyss at times, there are people on the other end. It’s perfectly acceptable — even preferred — to send a follow-up email if you don’t get a response within a couple of days. This is when you confirm that the interviewer received your information, giving you a chance to reiterate your interest in the job. But, if a listing specifically states “no phone calls or emails,” abide by that request or you may end your chances. Once you have landed the interview, absolutely follow up with your interviewers through a thank-you note, again expressing your interest in the company and the job.

If you feel like your job search is at a standstill, be sure to reevaluate how you are going about it. After all, we all could use a little performance enhancement from time to time.

Via Mashable: http://www.mashable.com

07 February
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Forget about Social Media for a moment. What’s your mobile strategy?

Facebook hit a billion users! Twitter is the new digital water cooler! Youtube is the future of TV! Ok, you get it right? Social media is transformative. So what? Every business that thinks about customer engagement through a technological lens will miss the very thing that will keep them in business for the long-term—the impact of technology on society and behavior and how it opens up new touch points and changes expectations as a result.

Depending on your business, you may or may not already have someone dedicated to your social media strategy. Whether it is aligning with your current business objectives and priorities is a different article. The focus for our time together right now is on how you will compete for the future of attention, wherever attention is focused. All signs at the moment point to mobile as the future of engagement and commerce as smartphones and tablets become the lens for how consumers see the digital and virtual worlds.

At the end of 2011, the U.S. alone was home to more than 100 million smart phone users. By 2014, 90 million people will use tablets in the U.S., which will represent 36% of the overall Internet population. Why is this important to your business? Regardless of size, the state of mobile now insists that you think through a dedicated experience for customer engagement and commerce alike.

For years, web designers would not only develop sites, but also test their aesthetics and functionality in multiple browsers using the most common operating systems. Additionally, user testing ensured that the desired click paths and outcomes were optimized. No site can truly launch until it performs as designed for the masses. As any designer will tell you, if the click path breaks down or introduces friction, visitor frustration and abandonment isn’t far behind.

Similar to the Web, mobile is now a dedicated channel that represents a means to an end. Or said another way, mobile has become an exclusive experience rather than a bridge between people and information on the traditional or desktop web. It is still largely assumed that people on mobile devices represent the minority of web users and thus require less focus and resources than those who use desktop or laptop PCs. But with the proliferation of smart phones and tablets, the balance is shifting. The question is; have you revisited your web and mobile strategies to meet the needs and expectations of your connected customers?

Let’s take Facebook as an example. The company faces a serious dilemma as its mobile site m.facebook.com, and its dedicated app for iOS, Android, Microsoft, and Blackberry, rival its classic website Facebook.com. In May 2012, comScore reported that for the first time, mobile users in the U.S. spent more time in Facebook than those using desktops and laptops, 441 minutes vs. 391 per month. While the company has designed successful mobile products to deliver optimized, on-the-go experiences for the small screens, it has not found a viable business model to monetize this profound shift. Facebook makes the lion share of its billion-dollar revenue by serving four to seven ads at a time on the desktop. On the mobile, it only presents a few per day in its micro news feed. If a tech-savvy company such as Facebook faces this quandary, chances are, you will as well.

In a mobile economy, apps become the currency of a new information exchange. One of the most fascinating and least understood aspects of apps is that they create a contained experience that essentially is its own Internet. Everything your customer needs or could possibly need should be included in the app. And those mobile browsers that need to hit the traditional web, visitors will expect to see a page optimized for the smaller screen. Think about it for a moment. How many times have you tried to hit a site from your phone or tablet only to quit in frustration when the site would not load correctly on your screen? You may or may not choose or remember to visit that site later and that’s just one example of how designing for experiences is as much a part of form and function as it is about platform-centricity.

That ‘s the point. Customer behavior is evolving. Technology is evolving. Is your digital strategy evolving? Is it considering shifts in attention, activity, and expectations and designing new experiences to react and lead accordingly?

The time is now to answer these questions and more…

Who on your team is thinking about designing mobile experiences? How is mobile tied to the overall digital strategy? How is social and mobile complementing your web strategy? More importantly, how are people connecting or attempting to connect with you and how would they define the experience?

Answering these questions will help you design for tomorrow’s digital strategy right now. The future of online experiences is distributed, but it is also integrated in its ability to tell your story while delivering exceptional experiences optimized for each channel. Like the classic web and social media, mobile is just one of the many channels that requires a dedicated approach. And, as we’re learning, mobile will become one of the most if not the most important channel for customer engagement.

Via Brian Solis: http://www.briansolis.com

16 November
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A Growing And Power Hungry Internet [Infographic]

The internet is a big place. Since it’s inception, the world wide web has become literally a world unto it’s own. Today, there are 2.4 billion internet users. That’s double what it was compared to the internet population in 2007. In addition to these users, the content is matched tenfold. It would take 7 million dvds for each hour the internet has existed to capture all of that data. So much information that it is estimated that by 2063 there will 4 times the amount it is today. That’s almost 966 exabytes. psst 1000 gigabytes = 1 terabyte, 1 exabyte = 1,000,000 terabytes! That’s a TON of information. This will take an incredible amount of energy to store and power. In fact, the internet itself uses about 1.5% of global electricity. All that electricity’s got to come from somewhere. This infographic delves into the unintended consequences that comes with all of the Cat memes and tweets that we hold so dear to our digital hearts. We should be informed and aware of how our internet is powered and how that power affects our world, for better and for worse.

Via DailyInfographic: http://dailyinfographic.com/

06 July
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Work the Plan

Planning

It’s a gorgeous and sunny day as I write this. I would like to be outside, maybe grilling up some steaks and drinking a beer or 12. But I’m working because that’s the plan. I have a short window of time to get a bunch of things done before I hit the road again, and because part of my business is to create media, that means writing and creating information that might be useful to you. Work the plan. That’s the message of the day.

Work the Plan

My media plan says I should be writing one of six types of posts:

  • How to
  • Vision/Perspective
  • Promotion
  • Interview
  • Do it Better
  • Review

In this case, I’ll call this post a “how-to.” It’s not the best I’ve ever written, especially because it’s so self-referential, but it proves the point.

If your goal is to reach into the heads of the people you hope to reach, you’d best have a plan. If your goal is to make money, and this digital strategy is part of the plan, then what are you doing to stick to it?

We Fall Off Plan Easily

The moment things get busy, we throw away those parts of our plan that are the hardest to do, or the ones that take the most thought. We all do this. That’s not just you. But that means we have to work even harder at keeping to our plan.

You know what should be part of every day? A reminder to be courteous and “with our customer.” Have you ever had a frowning busy waitress at a restaurant? She’s not there with you, and as such, you feel less important, less seen, and less cared for. And yet, that’s rarely part of our plan. Nando Caban-Mendez said that his mentor taught him to create what the mentor called “green blocking,” which was actual scheduled time to connect with people and give that personal touch. I love that. Look at how simply that adds this into the plan.

When You Get Off Plan? Get Back On.

One thing I really like about #12in12 is that Jacq built it with a “let’s get right back on plan” mindset. There’s no guilt. There’s no “well, it’s ruined now.” You just start again. Day one. Get back on it.

Plans and What You Write Down and What You Schedule

I don’t care what you use for scheduling and to-dos, but if you don’t have a synergy between what you say your plans are and what’s written into your calendar and your to-dos, then it’s not going to happen. My plan for today said, “Write next week’s newsletter, three blog posts, and then clear up your inbox.” I am ticking those items off one at a time. What’s missing from today’s plan is all the client work, which happens tomorrow, and it’s on that plan. I’m going to add those green blocks (thanks, Nando!). What’s on my schedule is what’s in my plan. Are you doing it?

It’s okay to have room for spontaneity. It’s okay to believe in serendipity. But if you’re looking to “go pro,” that doesn’t happen by chance. Plan it out. Work that plan.

You in?

Chris Brogan is an eleven year veteran of social media using both web and mobile technologies to build digital relationships for businesses, organizations, and individuals.

05 July
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The GM Facebook Advertising Saga Plays Out Like an Episode of Mad Men

Shortly before Facebook’s turbulent IP “uh oh”, GM announced that it was pulling its $10 million advertising budget from Facebook. Controversy erupted. Accusations ensued. Camps divided into three factions, those who support GM, those who support Facebook and those not yet ready to take a stance either way, but are paying attention.

It will forever be known as “the meeting” between Facebook sales executives and General Motors Global CMO Joel Ewanick and other GM senior marketing executives. In the end, Facebook and GM each walked away with less than they had walking into the meeting. Facebook lost a premier advertiser and also lost Ewanick as an advisor to its invitation-only client council. GM lost the ability to demonstrate leadership in a time where the advertising and automotive industries are flailing. All is not lost however as GM will continue to spend $30 million annually in managing its Facebook presence through earned and shared media strategies.

So what happened in that now infamous meeting? Perhaps one day, its premise will inspire an episode of AMC’s Mad Men…

It’s a dark, dimly lit room illuminated only by a projector. Cigarette smoke fills the only visible light. On the wall is an image of Facebook’s timeline. Don Draper leans forward. His words cut through the smoke. In a calm voice with menacing undertones, Draper asserts his one and only reason for staying in that room, “my client has requested a home page takeover. Now, before you respond, allow me to be clear. This, what it is you’re selling, your advertising products, they don’t work for us. We have deep pockets and we’re willing to invest in the right partner that shares our vision. Now, how about you play nice like all of the other media partners and give us what we want.”

Facebook responds, “no thank you.” The sales team then shuts their iPad and MacBook Air lids and proceeds to leave the room in what almost seems like a well-rehearsed exit. They must do this often. Draper sits back in his chair and exerts a simple, but telling response, “huh…”

While many speculated what actually took place in the meeting, Advertising Age’s Cotton Delo reported that the scenario above is probably not far from the truth. GM is interested in Facebook’s audience, but believes that the ad formats currently available are unattractive and ineffective. The automaker’s team desired bigger, higher-impact ad units. After all, GM and many other brands around the world have learned the art and science of advertising by investing in campaigns that stand out from others, literally and figuratively.

So why is Facebook steadfast in its position to not cash in? The answer is user experience. Facebook is home to over 900 million engaged users. U.S. users alone spend 441 and 391 minutes per month on average interacting on Facebook’s desktop and mobile platforms respectively. Mark Zuckerberg and the storied “build and ship” culture he’s created is passionately dedicated to improving and not compromising the user experience. For the time being, anything that disrupts that experience is off the negotiation table even it means the company must walk away from $10 million deals. As a publicly traded company however, it must now also improve investor experiences.

At some point, brands will need to see additional options for paid media. By design, advertisements should be engaging rather than distractions. But a large part of the problem has nothing to do with form, but instead function. Advertisers are still deploying uninspired digital ads on other platforms. Many bring that methodology to social media. Accordingly, the metrics traditional marketers use to measure success in social networks are limited to impressions, reach, clicks, and engagement.

“A bad ending follows a bad beginning.” – Euripides

Advertisers need to think about new end-to-end experiences that inspire and engage a far more connected and discerning audience. Home page takeovers are for Myspace and the digital nomads who roam elsewhere on the web. Facebook is a new type of co-created canvas that requires different strokes to attract a savvy clientele.

Even though GM remains committed to Facebook through earned, owned, and shared programs, it appears to carry a traditional philosophy and approach to its everyday community strategy. General Motors currently is home to 383,000 Likes. Chevrolet boasts just over 1.2 million. Changing lanes for a moment, its competitor Ford has more than 10 million fans globally with 4 million supporting Mustang, the single largest vehicle fan page on Facebook.

I reached out to Scott Monty who leads Ford’s Global Digital Communications for his thoughts on GM’s move. Ford sees Facebook as a new vehicle for storytelling where paid, earned, owned, shared, and promoted media converge to create a new story board that begets new rules. According to Monty, “Ford is accelerating our efforts in Facebook and other social platforms. It’s all down to execution. We’ve found Facebook ads to be very effective when strategically combined with engagement, great content and innovative ways of storytelling, rather than treating them as a straight media buy.”

One of Ford’s much touted successes on Facebook was its introduction of the 2011 Ford Explorer via its “Reveal” campaign. The company claims that the combination of advertising and creative storytelling helped it outperform a traditional Super Bowl advertisement for a fraction of the cost.

Monty emphasized support of Facebook, “We continue to have a strong, collaborative relationship with Facebook, which includes first-of-a-kind vehicle reveals, advertising and innovative ways of sharing content. Our engineers have also been working with Facebook engineers to develop unique and safer ways of integrating the car experience with Facebook.”

Ford’s Facebook strategy is also an extension of a more empathetic marketing and sales campaign that’s underway worldwide. I had the chance to interview Jim Farley, Ford’s first CMO during Blogworld Expo in Los Angeles. His mission as instructed by Ford President Alan Mulally was to, “get people to fall in love with the blue oval all over again.”

When brands approach marketing and advertising opportunities with a purpose, the results that follow are commensurate with an investment of both intention and execution. In other words, you get out of it what you put into it. And according to a report due this week, comScore has found that Facebook ads are effective. In a report by CNBC’s Julia Boorstin, she explained that comScore thinks Facebook ads are having a “statistically significant positive lift on people’s purchasing of a brand.”

Visit msnbc.com for breaking news, world news, and news about the economy

For years, advertising has made a business by thinking outside of the box. But when it comes to flat, consumerized networks such as Facebook, perhaps the industry needs to think outside of the box once again. Facebook is not without fault however. It too must help advertisers create and measure successful campaigns while enticing the community of active users to support the brands they love. Over the last few weeks alone, Facebook introduced new APIs to help advertisers design “clicks to action” within its marketing efforts to trigger what could be unconventional, but possibly more meaningful outcomes. It challenges marketers to think beyond the Like or traditional impressions for that matter.

In what seemed to be a direct response to GM’s adieu, Facebook also introduced a clever new tool that shows marketers just what they’re missing. Now within the timeline, marketers can see reach data for each post. Information includes the number of total fans who may have seen the post and the amount people who were reached through paid promotion.

Facebook is teaching marketers that it’s not just about whom you reach, the opportunity also lies among those you do not reach today.

The court of public opinion may be weighing in on the matter of Facebook vs. GM. But I think the real case is against the people in social networks vs. traditional marketing methodologies. What’s clear is that Facebook is intent on serving users first. Perhaps advertisers could take a cue from Zuckerberg to rethink experiences through advertising and marketing campaigns that consumers can’t help but click, share, and engage.

Conference Room: Shutterstock

Via Brian Solis: http://www.briansolis.com

25 June
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Inside Look: How The Boston Celtics Win in Social Media and Digital

The Boston Celtics know how to win. And while the team is now preparing for the next NBA season, Peter Stringer, Senior Director of Interactive Media is on the court every day. With 6.5 million fans on Facebook and 600k followers on Twitter, Peter’s work is just getting started. Serving customers in today’s hottest networks is one thing. Catering to a worldwide community of rabid sports fans requires in a series always-on digital arenas takes a different level of engagement altogether.

As part of an ongoing series that celebrates the experiences, vision, and strategy of those leading transformation, Peter shares with us how the Celtics approach social and digital strategies to compete for attention and affinity before, during and after each season.

What is the prevailing mission and purpose for the Boston Celtic’s social media strategy?

Fans have an insatiable appetite for news, information and inside access to the team, and we try to provide that across as many platforms as possible where we’ve established an audience. For the Boston Celtics, that currently means Celtics.com, Facebook, Twitter, YouTube, Instagram and Pinterest. If our fans are congregating on these platforms and discussing our team, we want to be the dominant voice in that conversation.

From a business standpoint, we want to learn as much about our fan base as possible, and turn those passionate fans into customers. To achieve that, we are actively collecting data from them in exchange for opportunities to win tickets, merchandise and unique Celtics experiences. We want to know where they live, what other brands they like, if they already buy tickets, etc. We have a product that our fans are incredibly passionate about, and therefore, they’re willing to make that value exchange.

What are some of the unique challenges you face as a sports franchise?

Social media and sports dovetail very nicely, so in some ways my job is actually easy. But the challenges I face are much more practical in nature. For instance, when you’ve got a massive audience like we do, you can’t afford to make a mistake. That toothpaste isn’t going back in the tube. You want to be sure that the message you send out is on brand, not only from a marketing perspective, but also from a basketball operations perspective.

I take great care in managing our social media properties to be sure that they reflect our team and brand in the right way. The Boston Celtics have a reputation built on 17 championships and 60 years of history. I don’t want to tarnish that with one poor tweet that doesn’t hit the mark or sends the wrong message. It can be tempting to try to be funny, sarcastic, or irreverent, but risk usually far outweighs the reward.

Maybe that’s a bit dramatic, but that’s the lens through which I see our social channels. I look at every tweet, Facebook post and Instagram photo as an official statement from the Boston Celtics. And at the end of the day, the social media channels should reflect the team’s brand as a whole, and not attempt to create it’s own identity. After all, our product is our players, head coach, and the team’s incredible legacy. So I try to channel their voices, their thoughts and their moods and deliver them to our fans.

What is the current size of the communities you manage and what has overall growth and size of your social media footprint evolved?

Facebook is obviously our biggest channel, with over 6.5 million followers. That makes us the second biggest Facebook fan page in North American team sports. We were growing by about 15-20,000 fans a day until last year’s F8, when changes to the News Feed throttled our growth dramatically. That seems to be true for most teams and brands, and our reach rate per post has been decimated by the Edge Rank revisions. Given how frequently Facebook tweaks their platform, it was bound to happen, but I think Facebook has really hurt brands in this regard. These days, only photo galleries really seem to get any penetration into News Feeds thanks to heavy sharing by fans.

We’re at about 580,000 on Twitter, and that number continues to grow. During the postseason it’s been escalating at much faster rate than normal, which is to be expected. The quotes, pictures and notes we’re tweeting are getting a lot more attention the further we progress in the NBA Playoffs.

As for Instagram, we just passed 200,000 followers today, and that growth has been driven by taking a unique, more artistic look at the team. The credit for that goes largely to our team’s creative director, Keith Sliney (@pantone356). I snap a few photos here and there from the road, or if I see something at practice that warrants sharing, but by and large, he’s the driving force behind that platform and I believe we’re the #1 or #2 sports property on the service, and among the biggest brands globally as well.

We’ve been dabbling in Pinterest this season with merchandise and photos from our Instagram feed, and that’s picked up some steam. We were also the first team to my knowledge to try running a “Pin It To Win It” contest based on Pinterest to promote our Celtics web store.

What are the expectations of fans and how are they engaged as customers and as stakeholders?

Sports fans expect scores, news and information instantaneously on their phone during every waking hour. They no longer want to surf to ESPN.com, Celtics.com or anywhere else. They just expect it to show up in their Twitter feed. And so for us, that means tweeting our news as soon as we can effectively (or realistically) break it. Running social media for a sports team is an around the clock job, because this type of news can break at any time.

The challenge here is that some of the news fans really want will never be able to come directly from the teams or leagues first. When it comes to trades, for instance, that news never breaks on a team’s official feed first, because we’re not allowed to announce anything until it’s actually official and approved by the NBA league office. By that time, players’ agents, league employees or even team executives have already leaked the story to reporters. So connected journalists have a huge edge in that regard, when it comes to breaking news first. However, we still have a massive advantage in audience size. A beat writer who covers us probably only has 10-20,000 followers, so it may take them time to get their tweet circulated. Our tweets, on the other hand, get a lot more amplification and tend to circulate quicker, especially when we have big news.

That said, we do spend a lot of time mobilizing and orchestrating our fan base. We were the first NBA team (and to my knowledge, pro sports team) to put our @Celtics twitter handle on our court, and we’ve been promoting #CelticsChat throughout our local TV broadcasts throughout the season. We curate the conversation from #CelticsChat into GameTime Live, our live stats and game-blogging application on Celtics.com that allows fans from all over the globe to follow the action and join in a conversation around the game.

But I think the biggest thing we can provide through our social channels is an inside look at the organization. For instance, last night’s Eastern Conference Finals Game 6 vs. Miami is a perfect example. I snapped a photo of a simple message on the dry erase board in our locker room that was authentic and symbolic. It said, “12:30 Flight – Pack for a Week.” The implication was simple for fans in the know; it was a message to our players that after we win Game 7 vs. Miami, we’re flying directly to Oklahoma City for the NBA Finals. It was a motivational message from the coaching staff to our players, and by sharing that picture with 200,000 fans on Instagram, and 500,000 on Twitter, we sent a message of hope to a fan base still reeling from a disappointing loss. It helped turn the page from the past to the future. It was simple, raw and powerful; the perfect combination of insider access and emotional marketing. We just shared our coaches’ marketing to our players with our fan base. It was one of my favorite things I’ve ever shared with our fan base, and I really think it struck a chord with them.

What were some of the challenges you faced to get here? What challenges do you still face?

Staffing and bandwidth remain a challenge for us. When I started with the Celtics in 2005, I was a one-man show and my job was simply managing Celtics.com, a site that had little-to-no basketball content and was simply a ticket sales driven property. Given my journalism background and existing passion for the team since childhood, once I got my feet wet, I started overhauling the site, revamping the design and emphasis into a content driven site. Then we started dabbling in video and production in the 2008 season when we won our 17th NBA championship.

In the following seasons as Twitter and Facebook emerged, to me they were obvious extrapolations of what I was already doing with Celtics.com. But every time you add a platform or distribution channel, you add additional work. We’ve yet to launch a mobile app, and part of the challenge is simply a resource issue. Professional sports teams spend millions of dollars on world class athletes, but our technology and staffing budgets aren’t anywhere near what outsiders would imagine.

How did you get buy in?

Buy-in on social wasn’t really an issue here at the Celtics; I’ve been given a lot of freedom to drive the direction of our digital and social media platforms by our CMO and Team President and they’re very much sold on the importance of social media. As our Facebook and Twitter grew to become some of the biggest of the biggest in pro sports, and the audiences wildly outgrew our email database, it became clear that these channels would evolve into a large marketing channel and that’s exactly what’s happened. I’ve certainly done some evangelism internally, and I’ve done quite a bit of speaking around the country talking about what we do as a brand in the social space, so that helps as well.

What are some of the prime metrics that you use to define success?

From a success standpoint, I keep my eyes on how many tickets we’re selling via our social channels, and database growth. I look at the number of names we acquire for our database from each promotion we run, the best of example of which would be Celtics 3-Point Play, our first-of-its-kind Facebook application. On a more granular level, I look a News Feed reach and post sharing; ‘Likes’ and comments on posts are far less important in my view. Most comments are garbage anyway, and a ‘Like’ is almost meaningless unless the numbers are well above or below the norm. Sharing is far more relevant – if someone is willing to share your content with their friends, that’s a far better indication that you’re hitting the mark.

How does strategy materialize in the organization?

We revisit strategy mostly during the offseason, because during the season, there’s not much time to be plotting this stuff out. There’s always another game or practice to cover, corporate partner to satisfy or internal fire to extinguish. But on the whole, our strategy is simple: Our fan database is at the center of everything we do, and all of our digital platforms should be geared at building our database, which in turn gets us in front of more potential customers. “Engagement” is a great buzzword for social media, and it has its place, but monetization is the leader in the clubhouse for me.

How have you organized around social media to manage an extensive and engaged network? What does the social media organization look like?

I oversee our digital marketing and social media, and have a full-time direct report who generates a most of the written content we distribute. We also have a part time video producer, a full-time video host, and another part-timer who helps out on our game nights. We’re looking to add a technical developer this summer, and may potentially add additional staff as we continue to bite off more initiatives and create more content in the digital space.

Any special practices for internal coordination?

– Social CMS?

– Style Guide?

– Best practices?

– Training?

Given how small our organization is, a lot of this stuff isn’t formalized. As we grow, we’ll need to put more processes in place. For now we’re small and agile, but we certainly aim for consistency in our approach in terms of how we deliver against our digital and social media platforms.

Any final advice, tips, or cautionary tales to leave us with as we put your experiences into action?

I think to do social media right, you have to appeal to your fans’ passion points, even if your brand isn’t something they’re are organically passionate about. The only way to do that is to understand your audience and your customers. That’s easy for the Boston Celtics to sense, but probably a lot harder for consumer brands to decipher. I would advise figuring out who they are and what they want before you formulate your strategy. That means collecting data, surveying fans, keeping up with your competitors and studying leaders in the social media space.

Via Brian Solis: http://www.briansolis.com

23 June
0Comments

Plan for a Mobile First World

New York from a Cab

In his great keynote speech at IMS 2012 in San Francisco, Rick Bakas said, “We have to think mobile first, desktop second.” (I admit that I heard absolutely zero percent of the rest of the speech, because that little seed was enough to plant a forest in my head.) But in case that wasn’t enough, I had an experience a few hours later that fertilized the point and forced the issue.

It turns out that in San Francisco, getting a taxi to actually stop and pick you up is a bit of a chore. I met one cab driver who told me that he’d met several mayors and heads of government, simply because he’s a role model because he picks up more passengers than most drivers. (Now, before some union or other association wants to complain that I’m misrepresenting drivers in SF, I have no idea of the details. This is my experience + what I was told.)

Thank goodness another cab driver told me about Cabulous, this mobile app that lets you notify a driver that you need a pick-up without having to call the dispatcher at all. This saved Jacq and me a bunch of time, and just generally made travel work better for us in SF. Plus, it gave the driver more fares without having to wait for his dispatcher or guess where people were waiting. It worked well (in San Francisco, mind you- a very high tech area).

But this is just the story that leads me to the conversation.

A Mobile First World

I’m planning a new event that takes an even bigger, more innovative swing at how mid-sized to larger businesses will function around this digital channel. In putting it all together, I’m paying more attention to how businesses of all sizes utilize the various tools at their disposal to conduct business. For instance, I’ve been paying a lot more attention to how mobile changes the game.

For instance, this cab driver doesn’t need to have a blog. He doesn’t need a board on Pinterest. Cabulous is a mobile-first solution that gives him more buyers. Because his business is built on a simple transaction, why should he bother with all the frills? He shouldn’t.

But what about you? Are your business interactions as simple? And are you built around a mobile-first mindset? I’m guessing you’re not. I know that I’m not. My sites are all mobile-ready and mobile-enhanced, partly because I use a mobile-friendly theme from Studiopress (affiliate link), and also because I use a mobile-formatting plugin for chrisbrogan.com (called wptouch). We need to think even more about this.

The Mobile-First World and You

Look from your side of the equation first: you sleep with your smartphone right beside the bed, don’t you? You reach for it first thing in the morning. You never leave the house without it. You put it on the table at breakfast like a gunslinger. You’re even starting to do some business functions via your mobile devices.

So, that’s you as the user. What about you as the business owner, as the collaborator, as the face of interactions between others and your company? What do you have to do to prepare? What steps will you take?

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My business partners at Citrix Online (makers of GoToMeeting, GoToWebinar, GoToSleep, and similar) have sponsored a conversation between myself and Chuck Martin, CEO of the Mobile Future Institute and author of the bestseller, The Third Screen: Marketing to Your Customers in a World Gone Mobile (amazon affiliate link).

We’ll talk about marketing, but also about collaboration, internal business functions, and whatever else I can wring out of Chuck’s brilliant mind. This conversation isn’t one to miss, as I have a lot to ask him, after hearing from Rick Bakas and observing Cabulous in action.

Via FastCoDesign: http://www.fastcodesign.com/

29 May
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The Fallacy of Information Overload

Some of you know me through my work in studying how social media and disruptive technology impact business and culture. Others have worked with me in translating insights into action and change within the enterprise.  Every now and then, I share another side of myself that evokes the aspiring social scientist in me as I explore how all of this is affecting us as individuals and human beings.

Not a day goes by when I’m not asked about whether or not the social media bubble will finally burst. Twitter, Facebook, Google+, Foursquare, Pinterest, this all has to be too much right? More often than not, I’m expected to assume the role of psychologist to either validate their digital existence or help individuals understand, and in some cases cope, with what is most often diagnosed as information overload.

This isn’t a new phenomenon by any means. The sensation of being overwhelmed by information has been linked to every media revolution. With every new innovation and the mass adoption of disruptive technology, the volume of information available to us grows exponentially. With media now so pervasive and portable, information, of any focus, is available, on demand, and more importantly, resides in our hands to create and consume at will. We are, for better or for worse, always on. And this is both part of the problem and part of the solution for how we evolve as individuals and as an information society.

Social media has gifted us a new democracy. And with it, the ability to connect to people around the world and create, share, and devour knowledge, entrainment, and irrelevant information at will. It’s as intimidating as it is beautiful. We have passed the Attention Rubicon and there is no turning back. The towers of social media will not come crumbling down upon the foundation of a former reality when we or the generations before us led a much simpler life. The key for us now is forged in self-control or some form of aspirational governance that focuses our connects and interactions.

Indeed, there is a very real human cost of social connectivity. But, the symptoms of information overload are only a reflection of our inability or lack of desire to bring order to our chaos. See, we are the engineers of the media levees that prevent overflow.

The challenge lies not in the realization that we are empowered to curate our social streams and relationships, but in the consciousness of what is and what could be. Meaning, that we must first understand that how we’re connecting, consuming, and creating today is either part of the problem or part of the solution. We, and only we, are in control of information overload and everything begins with acceptance.

Where do we fall in the contrast of where we are and where we want to be? For these dichotomous positions are separated only by our vision and actions. But even still, with the glut of information and the overwhelming sense of responsibility to duly engage, we succumb to fatigue.

Like in anything, there’s a dark side to all of this. One of the quiet perils of living in an always-on society is the need to stay connected. In part, we’re driven by relevance or the fear of irrelevance. If we are always part of the conversation, we remain top of mind. Additionally, we’re driven by a sense of vanity. We need to see what, if anything, people are saying about us, how they’re reacting to our engagement, and who others are talking about or to whom they’re connecting.

There’s a perpetual sense of “missing out,” which is I think at varying levels, true for all digital denizens. These networks after all are homes to very emotional exchanges. We laugh, love, fight, cry, but most of all, we live…and for some of us, we live online differently than we live in real life. The difference is, to what extent are we compelled to plug in and participate, how often, for what duration, and at what emotional depth. The answer either defines are digital lifestyle or our digital lifestyle defines us.

In 2010, Pennsylvania’s Harrisburg University of Science and Technology introduced a week-long ban of social media in an effort to curb the media diets of students. What was the inspiration for the ban? According to Harrisburg University provost Eric Darr, stress and potential addiction played strong roles in the cold turkey experiment.

Darr shared his concerns in an interview with Fast Company, “I’m sure that we have some students who are clinically close to addiction…that aside, it’s clearly the case that this set of technologies has the possibility of taking over our lives.”

Following the ban, the university conducted surveys that revealed some disturbing realities. One such result was the level of duress students were under in checking status updates on a variety of social media sites. Sound familiar? Roughly 15% of students admitted to spending between 11 to 20 hours on social media sites such as Facebook every day. This reminds me of the science fiction novel by Philip K. Dick, “Do Androids Dream of Electric Sheep.”

Our digital lives will only become far more challenging to manage. With smart phones, tablets, in-car technology, wifi in public spots in addition to planes, trains, and automobiles, the temptation to connect is pervading. And it doesn’t just stop there. Social networks are investing technology and marketing in expanding your online relationships. Through recommendation engines, they lure you to link outside of your social graph, those you know to now form an interest graph, those with whom you share common interests.

Information overload is a real phenomenon, but it is I believe, by design. It either works for us or against us and it is our choice as to which way the stream flows. To be clear, information overload is a symptom of over consumption and the inability to refine online experiences based on interest and importance.

Early in 2012, I hosted a poll across Twitter, Facebook, and Google+ to get their perspectives on information overload.  I asked a simple question, “Do you suffer from information overload because of social media?” The answers were revealing…You can see the detailed results here (comments are worth reading too).

Just over 800 people in 41 countries responded and the results while scattered, told a compelling story. If we look at a simple take on yes or no, only 14% say that they feel overwhelmed with 21% affirming that they are in control of their online experience. Another 57% however feel that they are sometimes overwhelmed with social media, but they do believe it’s in their hands to manage. Interestingly, when you combine Yes, Sometimes, and “I’m addicted,” you can get a better idea of the pervasiveness of information overload, or aspects of it.

In his new book, “Too Big to Know,” good friend David Weinberger shares why Information overload is our new golden age. Weinberger believes that facts have been replaced by “networked facts,” which are the result of a collective repository of shared experiences and exchanges in any digital network. In his book, Weinberger makes the case that technology can now easily feed our endless curiosity. And, as a result, how we learn, connect, interact, and work is forever changed…for the better.

Access to information and people is intoxicating. Creating an online portrait of who we are or who we want others to see is equality alluring.  But without direction, governance, and discipline, we are at risk of giving ourselves to the very networks we value rather than managing the platforms to our advantage. Our participation must be inspired by purpose and parameters. No, we are not obligated to connect with everyone who connects with us. We are obligated to maintain balance in who we are, what we value, and equally the value we invest in the communities in which we participate.

As Clay Shirky once observed, “There’s no such thing as information overload — only filter failure.”

My take? “Information overload is a symptom of our desire to not focus on what’s important.” It’s a choice.

Perhaps said another way, information overload is a symptom of our inability to focus on what’s truly important or relevant to who we are as individuals, professionals, and as human beings. But then again, maybe that’s the problem.

The reality is that we are learning how to use these networks and what to expect in return. We’re learning what’s possible. However, we learn as we go. We discover where the proverbial line is only after we’ve crossed or are witnesses to those who do. Our teachers, parents, role models and peers, they to coming to grips with the evolution of social media and digital culture as it affects online and offline behavior along with us. Therefore, this is a time when we are all students. But at some point, we must also become teachers

Image credit: Shutterstock

Via Brian Solis: http://www.briansolis.com

29 May
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9 Ways to Improve the Signal to Noise Ratio on Twitter

Even at 250 million Tweets per day in addition to the updates across Facebook, Google+, Pinterest, and every other feed that we willfully subscribe to, information overload is in of itself a fallacy. But the feeling the overload of information is very real and a reflection of our inability to pull the levers necessary to decrease noise and improve signal. Doing so, requires some very blatant actions that don’t simply reduce the volume of the information we don’t care to see as often, it requires disconnecting from human beings. Whether we’re severing ties with individuals or those representing an organization we once supported, it’s emotional. It’s an action that carries an element of guilt knowing that at some point, our action will cause an incremental blow to the psyche of the individual we’re unfollowing.

I know…so what right?

It still is what it is. Yet, we don’t unfollow or unlike as often as we should. So by not reminding people to not be more thoughtful about their posts and updates, we are by default enabling their objectionable behavior.

Think about why you Tweet or update your status. It’s part self-expression, part therapy, part fulfilling, and of course, part egocentric. You share something and naturally, you await or anticipate a response. There’s a bit of anticipation that builds up around it. Have you ever tried Qwitter? It’s an old school service, when compared to the overall history of the Twitter ecosystem, that tells you who unfollowed you, when, and gives you the Tweet that sent them over the edge.

We are as guilty by our inaction as others are for their action. And at the same time, we are also guilty of contributing to the noise. The truth is that it’s easier to blame others than hold up a digital mirror.  But now, some very interesting reports are substantiating what we’re feeling. In one such study conducted by researchers at Carnegie Mellon University, MIT and Georgia Tech, people on Twitter said that only one-third of Tweets that hit their streams are worthwhile. All others are either at best “meh” or not worth reading at all. It’s not a surprise of course that a well-received Tweet is not all that common.

So, what makes a Tweet worthy of response or sharing? The team is currently studying the specifics, but initial findings point to tweets that included questions, featured curated/relevant information with added personality, and those used for self-promotion, such as including links to original content.

Paul André, a post-doctoral fellow in Carnegie Mellon’s Human-Computer Interaction Institute (HCII) and lead author of the study explained an important outcome of the research, “If we understood what is worth reading and why, we might design better tools for presenting and filtering content, as well as help people understand the expectations of other users.”

While we await tools that will save us from ourselves, the research team documented nine best practices to use as an editorial guideline of sorts. While the information is drawn from insights on Twitter, I’m sure that they apply across other networks as well. The idea is that these lessons will improve our own streams while inspiring others to do the same…

9 Ways to Improve the Signal to Noise Ratio in Social Networks

1. News No Longer Breaks, it Tweets: Old news is no news. Twitter places emphasis on real-time information. Followers quickly get bored of even relatively fresh links seen multiple times – unless they’re repackaged through a different lens of context or perspective.

2. Add Perspective: Opinions in social media tend to spark dialogue. So, add an opinion, a pertinent fact or move the conversation forward rather than simply sending your update or hitting Like or Retweet. Consider the MT (modified Tweet) if you will to express your views. It is the difference between who you know you are and who others think you are that is fortified through your words.

3. K.I.S.S.: I often say, in brevity there’s clarity. Of course, it’s easier said than done. Studies show that followers appreciate conciseness. Keep it short. Using as few characters as possible also leaves room for longer, more satisfying comments on retweets. But even that’s not enough. Think about a new K.I.S.S. where simplicity is replaced with significance and short is substituted with baked-in shareability (Keep It Significant and Shareable).

4. Don’t #geekout with @’s and #Syntax LOL It’s pretty easy to geek out on Twitter…especially when using 140 characters is already too complicated (kidding). Often we’re compelled to overuse Twitter syntax such as #hashtags, @mentions, code, and abbreviations. But, if you study the art and science of Retweets, you’ll quickly learn that syntax might make you seem cool, but these tweets are harder to read, interpret, and by default, are unshareable. However, syntax can be helpful when context is inherent in the Tweet. For example, if posing a question, adding a hashtag that explains the nature of or the inspiration for the Tweet helps everyone follow along, which also lends to reactions.

5. Strengthen Your Inner Voice: For some reason, Twitter debilitates our ability to practice self restraint and therefore we are somehow inspired to express nonessential experiences. As the study found, these cliched “sandwich” Tweets about pedestrian or personal details were by and large disliked. If Tweets had an “unfavorite” button or if Facebook employed an “unlike” button, people would learn in real-time the hard lessons delivered through services such as Qwitter.

6. Context is King: As discussed early with K.I.S.S., short isn’t always a #winning strategy. Sometimes Tweets that are too short leave readers unable to understand their meaning. How many times have you read a Tweet where context, intention, or tone was impossible to discern? The study found that by simply linking to a blog or photo, without providing a reason to click on it was “lame.” Think about each Tweet or update as contributing to an experience or image that you want others to see of you or of your perspective.

7. If You Don’t Have Anything Good to Say…:  This is interesting to say the least. It should be no surprise that negative sentiments and complaints were disliked. Yet, people complain every day. In fact, there’s a bit of an inside joke on Twitter. It seems that only “social media experts” have problems with airlines because we’ll hear about it every time.  Studies show that too many complaints only turn off followers. The same is true on Facebook. Coincidentally, we are also learning that by taking to Twitter to vent, it’s both becoming the quickest path to resolution and also the act of expressing frustration proves cathartic. The community is far more forgiving of negative Tweets aimed at companies. But, if you aim your negativity at individuals regularly, you will lose favor among your followeres. Find.the.balance.

8. Introduce Brain Teasers: Savvy marketers, producers, and editors alike figured out long ago that building anticipation creates an appetite before an official release. While this isn’t new to the world of distribution, simply releasing content isn’t good enough. The idea is too build strategic and thoughtful anticipation for big Tweets. Often, if we’re caught up in conversations or observations, we miss an opportunity to alert followers that something big is about to come. So when we say something important, the response is stunted. Additionally, like news or professional organizations that want readers to click on their links, add a compelling hook. It’s important to not give away all of the news in the Tweet itself. Intrigue your followers.

9. Brands are People Too:  The study found that individuals or businesses with a public persona should pay particular attention to how their status updates lend to the brand they wish to portray. Sounds incredibly commonsensical, but it’s not as it ties to several of the bullets above. People often say things that erode the mystique or the grandeur of a persona by measure of the expectations of the community.  As the authors of the report share, “People often follow you to read professional insights and can be put off by personal gossip or everyday details.” I believe this is true for any individual or organization and as such, what’s shared and what isn’t shared should contribute to the perception desired.

Of course, it doesn’t take technology to introduce the importance of self-control and governance. But that’s part of the marvel here. We may in fact need tools to do what it is we cannot, tune out people en massé or withhold from expressing what we think in the moment or only say the things that reinforce the “personal brand” we envision. Whatever it is we do moving forward, what’s clear is that, according to research, Twitter, Facebook and other social networks are only reflections of our real world society. In the digital realm, by tweeting our lives, one can proudly exclaim, “I Tweet therefore I am.” And at the same time, one must consider whether or not simply Tweeting what comes to mind isn’t just contributing to a far more likely reality, “I Tweet and therefore I am…adding to the noise.”

Via Brian Solis: http://www.briansolis.com

18 May
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Remembering The Creative Legacy Of Maurice Sendak, In His Own Words

Maurice Sendak passed away this morning at the age of 83. He’ll be celebrated by millions of fans, and has already been memorialized with great writing all over the internet.

We wanted to take a minute to reflect on the example Sendak set for other creatives of all ilks. He was a fearlessly honest writer. He was a talented artist who illustrated over a hundred books, and designed opera sets, musicals, and television shows. His cultural commentary on pretty much any topic–from publishing and mental health to being a young gay Brooklynite in the 1960s–cut to the quick of human experience. He came of age during a period of cultural sanitization, and was often criticized for being “too” honest in his books, which spoke frankly to the sometimes-terrifying experience of being a child. Some of his best quotes on creativity, publishing, and children are collected below.

The Sanitization of Children’s Literature

Sendak, the child of two Holocaust survivors, refused to shy away from the realities of childhood; nightmares, monsters, rebellion, and arguments make frequent appearances in his work. Talking to Maus author Art Spiegelman in 1993, he described unsavory parental praise thusly: “People say, ‘Oh, Mr. Sendak. I wish I were in touch with my childhood self, like you!’ As if it were all quaint and succulent, like Peter Pan. Childhood is cannibals and psychotic vomiting in your mouth! I say, ‘You are in touch, lady–you’re mean to your kids, you treat your husband like shit, you lie, you’re selfish… That is your childhood self!”

Though he was routinely criticized by conservative groups for portraying what they saw as “adult” themes, he stood his ground, maintaining that parents (and authors) need to be honest with children. In his acceptance speech for the Caldecott Medal in 1964, he had this to say about how adults misrepresent childhood:

“From their earliest years children live on familiar terms with disrupting emotions – fear and anxiety are an intrinsic part of their everyday lives, they continually cope with frustrations as best they can. And it is through fantasy that children achieve catharsis. It is the best means they have for taming wild things.”

The City

Sendak was fascinated by the city he grew up in, and portrayed it often as a sometimes hellish, often wonderful riddle. Though he’s obviously most famous for Where the Wild Things Are, he wrote frequently about his native Brooklyn. As the New Yorker’s Amy Davidson notes today, In the Night Kitchen is one of his most mesmerizing books, telling the story of Micky, a little boy dreaming over Brooklyn (taking cues from the classic turn-of-the-century Little Nemo comics).

Davidson writes that Sendak was unceasingly honest in his portrayal of life in the city: “he found the images and words to let children know that he recognized that their lives had cryptic alleyways.”

On Creative Success

Sendak was honest about struggling to succeed early in his career. He took a job at FAO Schwartz doing window installations, telling NPR’s Terri Gross that eventually he ran out of steam. “I was too frightened. I just lost it.” A friend paid for his first therapy session, and he made it a fixture in his life. He talked often about feeling pressure from his parents and peers: “Everyone said, ‘Oh, you’re so talented and you’re going to get a book and you’re’ — and, of course, nothing happened as soon as I wanted it to.”

Talking to the AP, he described his sucess as mundane, saying “I didn’t sleep with famous people or movie stars or anything like that. It’s a common story: Brooklyn boy grows up and succeeds in his profession, period.”

A Book is a Book is a Book

Sendak was a firm believer in the universality of stories. He laughed at the idea that children’s literature is a separate genre from literature in general. In the same 1993 New Yorker piece with Art Spiegelman, he said “Kids books… Grownup books… That’s just marketing.”

In an era of iPads and Nooks, he dismissed the digital readers an ultimately unimportant fad, telling the Guardian in 2011, “I hate ebooks. It’s like making believe there’s another kind of sex. There isn’t another kind of sex. There isn’t another kind of book! A book is a book is a book.”

On Living and Dying

In 2011, he talked about being preoccupied by death (his long-term partner passed away in 2007): “I have nothing now but praise for my life. I’m not unhappy. I cry a lot because I miss people. They die and I can’t stop them. They leave me and I love them more. … What I dread is the isolation. … There are so many beautiful things in the world which I will have to leave when I die, but I’m ready, I’m ready, I’m ready.”

One last quote from this 2011 interview speaks to both his life and work: “I can’t believe I’ve turned into a typical old man. I can’t believe it. I was young just minutes ago.”

Valve Interactive
An online marketing and design agency in Portland Oregon