15 April
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Ford Rolls Out the OG Droid for Robotics Week

Photos: Ford Motor CompanyPhotos: Ford Motor Company

Imagine it’s 1967 and you’ve walked onto the floor of the Texas State Fair. Among the throngs of show-goers admiring the all-new Mercury Cougar, Chrysler New Yorker and AMC Ambassador stands Freddie Ford, towering over you like an jacked up version of B9 from Lost In Space. Except… are those oil pans for feet?

They are, and if you were to throw a pair of oversized kicks on Freddie, he’d need classic Cons sized 22D.

Coming in at 9-feet tall and tipping the scales at 800 pounds, Freddie was state-of-the-art for the time, made up of the bits and pieces found lying on the floor of Ford’s production lines. And he’s gen-2, the second version of Ford’s talking, animated robot, complete with brake pads for hands and a dozen toggle switches that allow Texas Fair attendees to ask Freddie a series of questions.

What kind of questions?

“What does it mean to ‘Walk softly and carry a big stick?’” Freddie responds, “The quotation is really, ‘Drive softly and carry a big six.” Budum-bum.

Ford’s re-release of Freddie from the archives coincides nicely with Robotics Week and the automaker’s announcement that it’s completed installation of some 700 robots at its Louisville Assembly Plant to build the new Ford Escape. But if we had to bring anything back from 1967, it would’ve been the currently poorly-named “Cougar Corner” showing off Mercury’s newest muscle car. Too bad the brand’s been dead for over a year…

Via Wired Autopia: http://www.wired.com/autopia/

26 March
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An Engine As Art In a Thirteen Hour Film

Forget about Bullitt, Ronin and Vanishing Point. There’s a new contender for greatest car movie ever made. It’s called Parts and Labor, and it’s over thirteen hours long.

Instead of Steve McQueen performing multiple stunts, the film stars the engine of a 1982 Volkswagen Rabbit and a pair of greasy hands. Like the still shown above, all the action consists of close ups of the engine being methodically taken apart and put back together again — triple-X rated pornography for the folks over at VW Vortex.

Filmmaker Jesse Cain is both the man behind the camera and the mechanic working on the car, and the project took him over two years. He said he originally wanted to film himself working on an iconic piece of Detroit iron, but chose a broken-down Rabbit since his name was already on its title.

“I decided to be thrifty in the recession environment and fix what I already owned,” Cain said. “The movie is entirely shot with close-ups, each shot composition and duration determined by the size, shape and difficulty of removing or installing each part.” You can watch ten minutes of it in the video clip below.

Cain doesn’t have any illusions about his own abilities as a mechanic, admitting to multiple mistakes he made throughout the process. “It would be fun to sit with an ASE certified mechanic and have him or her critique my work,” he said. “I’m pretty sure there would be some big laughs and horrified cringes at times.”

 

The project started as part of a larger film that Cain had planned, about a boy who fixes a long-neglected car after his family’s home goes into foreclosure. After shooting the scenes with the Rabbit, however, Cain realized the car was the true star.

“I started filming tests of how I imagined the engine scenes would look, and after watching the dailies of these tests I realized that I had already started shooting the film I wanted to make,” he said.

The result was a film that took as long as Cain spent working on the car. “Instead of relying on the usual tricks of filmmaking — jump cuts, time lapse, or simple editing of action — I left the camera rolling and showed the entire process,” he said. “The work involved took me 13 hours, three minutes on camera. It’s kind of a rejection of internet culture and immediacy.”

So far, response has been positive. New York City’s Anthology Film Archives screened Parts and Labor last weekend, offering a special ticket that allowed audience members to come and go as they pleased. The program even touted that the film “out-Warholed Andy.”

“Most people find it very meditative,” Cain said. “It’s very easy to settle into it for a while and become involved in the minutia of the operation. Others say it’s surprisingly riveting. The struggle and success of each shot has its own narrative arc.”

In other words, it’s just like working on a car.

15 December
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Getting the OS right (for the iPhone, the iPad and the Kindle)

Stores went from being buildings to becoming websites… and now to devices. But Mr. Gimbel and Mr. Macy would be amazed and probably peturbed if they had to use an iPhone for more than a few minutes.

Some easily answered requests:

Why can’t I see my apps in alphabetical order?

Or in the order they are most used?

Why can’t I list the apps in text form, putting 80 on a page in two columns, instead of only 16 or 20 at a time?

Why isn’t there a suggestor/genius that allows me to find apps that others with habits like mine use? It could change over time and reward me for opting in.

On the Kindle, why can’t I see my archives organized by order of purchase? Date last read? Length? Popularity?

With ebooks, when shopping, wouldn’t you want to know what percentage of the people who bought the book, finished it? How about being able to opt in to circles of readers and sharing comments, progress and reading lists as you go?

All of these improvements help people use the apps they’ve chosen and read the books they’ve purchased. And none of them cost much at all to deliver.

But let’s not forget that some people actually like shopping. Are the online stores for these devices fun or exciting or social? Do they live and grow and change or are they static warehouses?

The seeds of what we buy and how we buy it are being planted with these early versions of the devices. I wonder if we’re being cheated out of discovery, productivity and a bit of fun.

Via Mashable: http://www.mashable.com

23 May
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Google Halts Newspaper Scanning Project

Google has shut down its Google News Archives digitization program, which aimed to make the world’s newspaper archives accessible and searchable online.

The archives of several hundred newspapers will continue to be available at news.google.com/archivesearch, but Google is “no longer accepting new microfilm or digital files for processing,” a Google spokesperson confirmed to Search Engine Land.

According to the Boston Phoenix, Google emailed its contributing partners Thursday to notify them that the initiative was coming to a close so that the company could redirect resources to “newer projects that help the industry, such as Google One Pass, a platform that enables publishers to sell content and subscriptions directly from their own sites.”

Although Google will no longer process any more papers, publishers can continue to add material to their individual archives via sitemaps. They are also welcome to pursue alternative partnerships to get the content Google has scanned for them online elsewhere.

Image courtesy of iStockphoto, narvikk

Via Mashable: http://www.mashable.com

10 February
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Do the Work

Women working at  Crescent Manufacturing Company, 1920

There’s a lot of what we do that is intangible. We are off “marketing.” Sometimes, it’s at an event. Your presence at the event is with the goal of growing your potential future business. Maybe you’re writing a blog post (like this one) that will jolt someone into taking a different course of action, or hiring you to do work with them. Maybe you’re tweeting and updating Facebook and really showing people that you’re real and genuine.

But are you doing the work?

Do the Work

There are so many real opportunities to do meaningful work that will grow your own business, but they require work. There’s a lot in this space that isn’t sexy. There’s a lot in this space that doesn’t deserve the front headlines. But it still needs doing. There’s still plenty of unsexy work to be done so that you’ll eat tomorrow.

What aren’t we doing? We’re creating data but not doing things with it. We’re building content but not considering it’s use in funneling opportunities towards real business. We’re showing up on the social networks but not necessarily executing any kind of strategy to make the next step.

There’s work we need to be doing. There’s work we could be doing. There’s a lot of opportunity to do something meaningful. (I’ve said it twice now, and there are a few ways to take it. I’m not defining it because it’s up to YOU to decide what meaning matters to you.)

But it requires a lot of DOING and a lot less talking. Talking is what you do before and after you’ve done the work. Talking is what you earn. But we have to do. There’s a lot more “doing” that needs to happen in most of what you and I are spending our time on these days.

So Now What?

In most cases, you already know what needs doing that you’re not doing. In other cases, maybe you don’t. Want one way to think through it all? Draw a little visual map. My friend, Becky Johns pointed out a mindmap that Disney used back in his day, and what I loved about it was that I draw similar things from time to time. Why? Because when you draw the flow of anything, you see the missing parts better. It’s somehow better than starting at the checklist phase.

What might you put down? Draw about how you get clients. Draw about how you find them. Draw about what you do with them before, during, and after the sale. Draw about your plans for getting out of your job and reaching Escape Velocity. The moment you start drawing pictures and understanding where you should go, the work that you might not know needs doing might show up.

See, it was easier in the old days. If you weren’t putting the corn into the cans so the guy at the end of the line could seal them, and another woman would label them, and then someone would box them (etc etc), it was pretty obvious. Now? A lot of what we do can go on without anyone noticing what’s missing.

But we know. We understand it. And sometimes, we just let it slip away because there are so many other plates spinning in the air that we can’t possibly think about being thorough.

Hint: it ALWAYS bites your ass. Always.

Do the work.

Chris Brogan is an eleven year veteran of social media using both web and mobile technologies to build digital relationships for businesses, organizations, and individuals.

01 January
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HOW TO: Use Amazon’s New Kindle Lending Feature

Amazon has rolled out its long-awaited lending feature for its Kindle ecosystem of devices and apps. Users can loan out supported titles once for a period of 14 days.

Very similar in execution to the LendMe feature built in to the competing Barnes & Noble Nook platform, borrowers can access books from the Kindle apps for Mac, PC, iOS, AndroidAndroidAndroid, BlackBerry, Windows Phone 7 and of course, the Kindle itself.

Amazon has a pretty comprehensive page set up explaining the Kindle loan process, but we’ve put together our own guide to help users get started.


Loans Are Initiated on the Web


The first thing to understand about the Kindle loan process is that all of the management aspects take place in the web browser. While we imagine that Amazon will release future software updates for its devices and various apps to make it possible to lend out a book from within a device, users need to use the web browser as of right now.

Fortunately, Amazon has made this process pretty simple. Not every Kindle book supports the lending feature; it is up to publishers and rights holders to determine what books can be loaned out or not. To find out if a Kindle book is lendable, just look at the product details section of any Kindle book page.

Underneath the ASIN code is a label titled “Lending.” Lendable books are marked “Enabled” and that means users can safely lend away their e-books.

For Kindle books users have already purchased, a yellow indicator will appear at the top of the product page with the words “Loan this book to anyone you choose.” As long as a user is logged in to his or her Amazon.com account, this heading should appear on every eligible Kindle book already in the user’s collection. Clicking the “Loan this book” link will initiate the lending process.

For users who have lots of Kindle books, the easiest option is probably to go to the Manage Your Kindle page and scroll down to the bottom where it says “Your Orders.” Clicking on the plus sign next to a title will show you order details and also, if the book is eligible, a “Loan this book” sign.


Loans Are Sent via E-mail


Clicking on the “Loan this book” button or hyperlink will take users to a page that completes the loan process.

Lenders will need to provide the recipient’s e-mail address and name and if they want, they can also include a personal message.

Recipients will then get an e-mail from Amazon.com offering a link to accept the lended title. If the user already has a Kindle device, he or she can even choose where to send the title via Whispernet.

Borrowers have seven days from the date of the first e-mail to choose to accept a loan. Once accepted, the book is readable for 14 days.


While on Loan, Books Are Not Accessible to the Owner


Amazon issues the same restriction as Barnes & Noble when it comes to book lending: Once a book is on loan, it is not accessible to the owner. Trying to read a book will show a “This title can not be downloaded because it is on loan” message.

We’ll be honest, we find this practice sort of annoying. After all, the copy is digital, so what does it matter if the owner and borrower can access the title at the same time? Still, from a digital rights perspective, this probably makes copyright holders feel more secure — and truthfully, it isn’t like we can still read our physical books when we loan copies to our friends.

Amazon does have a nice feature in its “Manage My Kindle” section that allows borrowers to remove a lent title from their collection. If this is done before the 14 day loan period, reading rights return to the owner. Borrowers can still pull up the lended title in their archives, but will be alerted when the loan period has ended and given a link to purchase the book.


Notes for International Users


Right now, only users in the United States can lend books to other users. However, if the intended recipient is in another country, as long as the book is accessible in their region, those users can still receive the book.

Much like the music industry, the world of e-books still has different rules and agreements with regard to international availability. Some companies, like Kobo, focus on making all titles accessible in all regions, but the biggest publishers generally have different agreements in different areas.

We hope Amazon will work on bringing the lending feature to international users in the near future.


You Can Only Lend Once


Yet another feature Amazon has borrowed from Barnes & Noble is the fact that once a book has been loaned out once, it cannot be loaned again. To us, this is much more annoying than not being able to read a book while it is on loan.

While I could understand placing a limit on the number of times a title could be lent out (off the top of my head, five seems acceptable), I really don’t see how limiting the number of times a title can be loaned out does anything to deter piracy (if that is the aim). It’s not like there aren’t programs that can break Amazon’s DRM scheme and convert e-books into ePub or PDF.

Still, the ability to lend titles — even with its current implementation — is a great boost to the Amazon ecosystem. Amazon’s strategy of getting its apps on as many devices as possible is one of the most compelling parts of its platform. Yes, the other e-book sellers have by and large followed suit, but Amazon’s ubiquity in the e-commerce space gives it the sort of power that few other services can counter.

As someone who has already become addicted to the ability to gift Kindle books to my friends and colleagues, I can see myself embracing this new feature in full force.

What do you think about the new Kindle lending feature?

Via Mashable: http://www.mashable.com

28 June
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Walter Landor on design, branding & Landor (1977)

Our founder pioneered consumer research, modern logo design, and many of the other tools our industry relies on today. We have more than six decades of experience with the world’s most successful brands a legacy that benefits our clients every day. That’s why our archives aren’t in the basement. They’re at the Smithsonian along with photos and artifacts from our original headquarters, a retired ferryboat called The Klamath. Being in the history books is very satisfying. But if Walter taught us anything, it’s the need to keep making history.

11 April
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10 Tricks For Getting Inspired to Write

image of computer keyboard

There comes a time in every blogger’s life when the thought of writing another blog post makes you want to . . . well . . . gag.

You know you should write, you know your readers are expecting to hear from you. But sitting down to crank out another post is like throwing your bucket down the creative well and coming up with nothing but mud.

The well is dry, baby. Nothing more to give. And yet somehow you have to find something to say.

The question is, “How?”

Some grizzled veterans like to say you have to write whether you feel like it or not. They tell you to suck it up, stop being a wimp, and do your freakin’ job.

In my experience though, that’s largely crap.

Because when you’re a beginning blogger, you don’t have an editor or publisher giving you the evil eye that says, “You’d better write or else.” No, the only one pushing you is you, and it’s all too easy to let up and go watch TV or play video games or catch up on some sleep.

For us, inspiration isn’t optional; it’s the force that drags us to the computer and tells us it’s time to say something that changes the world. Somehow, you have to find it, and you have to keep finding it for as long as you have a blog.

No, it’s not easy, but it is possible. Here are 10 tricks that have worked for me:

1. Look at magazine covers

The writers who think up the headlines for magazines like Cosmopolitan and National Enquirer are some of the highest paid, most creative people in the world. So why not piggyback on their work?

Whenever I’m feeling stuck, I’ll go to the bookstore and read all of the covers until an idea for a great headline of my own strikes me. Or, if I’m feeling especially lazy, I’ll go to Amazon or magazines.com and browse the images of the covers there.

Either way, I usually end up with at least 5-10 ideas for new posts.

(Hint: this often works best when you pick magazines that have absolutely nothing to do with your own topic.)

2. Browse openings

Sometimes, writing a whole post is as simple as finding a crackerjack opening sentence.

Whenever you have a general idea for a post but can’t find an exciting way to open it, try flipping through the first page of novels on your bookshelf (thrillers are often best) and read the first sentence. If you don’t find one there, browse through the archives here at Copyblogger and read the opening sentence of every post.

Often times one will jump out, and it’ll give you the momentum to write a post.

3. Read your favorite author

There’s an old saying that to write a lot, you need to read a lot.

And it’s true. Not only does reading teach you what works and what doesn’t, but it can also get you in the mood to write.

Whenever I’m feeling lethargic, I take 15 minutes to read Seth Godin or Stephen King. The way they write is full of so much energy that some of it usually rubs off.

For you, the author may be someone else; what’s important is to find writers who inspire you and keep their work handy for when you need it.

4. Retype passages from those favorite authors

In some direct response advertising agencies, I’ve heard they ask new writers to rewrite famous sales letters over and over again. Many good copywriting courses do the same.

On the surface, this might sound like mindless labor, but it’s not. Something about retyping the words of another writer teaches your mind how they do it.

I know because I’ve done it. After retyping a paragraph or two of Godin or King, I usually have an idea for a new angle or post. It sounds weird, but try it for yourself sometime.

5. Browse quotations

People pass around quotations for a reason; they’re witty, insightful, memorable, everything good writing is supposed to be.

So why not let them inspire you? Go to a website like quotationspage.com and browse through the millions of great quotes. Let one of them spark an exciting new post idea.

6. Listen to music

Everyone knows about this one, but I’ll give it a slight twist.

Some people find that listening to music while they write helps them, and if that works for you, go for it.

Personally though, I’ve found it’s better to close my eyes and listen to the music before I write, keeping my mind as blank as possible while I do it. Within 30 minutes, an idea usually pops into my head, and then I turn off the music to start writing.

It might seem like a small difference, but if you’ve had trouble writing while listening to music before, give this one a try.

7. Listen to smart dialogue

Have you ever noticed that a good blog post reads a lot like a snappy monologue? You can almost hear the voice of the blogger.

In that vein, one of the best ways to get yourself going is to find a TV show, movie, or radio broadcast with smart dialogue and listen to it for a few minutes. It trains your brain to think conversationally, and sometimes it’ll give you an idea that’s perfect for a post.

You might want to be on the lookout for screenwriters whose dialogue you think is particularly good (Quentin Tarantino and Charlie Kaufman are two good places to start), and listen to their work purely with an ear for how they use dialogue.

8. Talk to your readers

Last year, I invited Copyblogger readers to tell me their frustrations, and then I chose 20 of them for free blog consultations.

The result? Nearly 300 people left comments, explaining in detail what was giving them trouble and why.

I’ve learned more from those comments and consultations than any other form of market research I’ve done at Copyblogger, and they gave me dozens of ideas for new posts and products. It’s humbling, but sometimes you have to realize you’re not the only source of blockbuster ideas. Your readers are full of wonderful ideas too, and they’re eager to give them to you.

9. Close the door

This is another tip I got from Stephen King. In his book, On Writing, he advises writing your rough draft with the door closed and then revising with the door open.

He doesn’t mean you actually have to close the door (although it’s a good idea). What he means is you need to forget anyone’s opinion but yours when writing your first draft.

The surest way to frustrate yourself is to imagine what everyone is going to say about your work before you finish it. Get the rough draft done, listening only to your own intuition. You can agonize over how people will react when you’re making revisions.

10. Find your joy

If you let it, writing can make you miserable. You can force yourself to write about topics you hate, exhaust yourself by writing when you’re tired, and beat yourself up whenever your work doesn’t measure up.

But that’s a mistake. Because the writers who make it aren’t the stereotypical mad geniuses whose careers are a flash of brilliance followed by an untimely death. Most terrific writers are normal people who take joy from their writing, and so they write as much as possible.

It’s so easy to forget the importance of that joy, and in my opinion, that’s the real reason why we have a tough time inspiring ourselves to write. We’re trying to trick ourselves into doing something we hate.

And we need to stop. Because here’s the thing . . . the sooner you allow yourself to have fun with your writing, the easier you’ll find it to sit down and write. It will give you life, and you’ll want to do it.

My advice?

The next time you’re stuck, find something to write about that makes you smile. Find something to write about that gives you a buzz. Find something to write about that touches you so deeply, tears of joy are running down your face while you type.

That’s what writing is about. It’s a gift, not only to our readers, but also to us.

Enjoy it.

About the Author: Jon Morrow is Associate Editor of Copyblogger. Get more from Jon on twitter.